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The attributed artist Ninsei (also known as Nonomura Seiemon, d. 1694), the prominent Kyoto ware ceramicist of the latter half of the seventeenth century, was a master in the technique of overglaze enamels.\nAlthough these small pieces have no identifiable stamp or inscription, the variegated paints of gold, silver, red, blue, and green, demonstrate the features of Ninsei's Omuro ware. Moreover, considering that these pieces came from the Marugame Kyôgoku clan, which is known for its rich collection of Ninsei works, it appears highly likely that these pieces are authentic.","@language":"en"},{"@value":"这是使用种种不同的颜料，利用彩绘烧造的技术，模仿象嵌七宝的钉隐（用来隐藏打钉痕迹的金具）的陶瓷作品。作者据传是仁清，即野野村清右卫门，是活跃于17世纪后半的京烧陶工，也是集彩绘烧造技法之大成的人物。\n由于本作品规格十分小巧，其上既不见用印也不见铭文，但是从其使用了金、银、赤、青、绿等多彩的颜料来看，充分显示了被称为“御室烧”的仁清作品之风格特征。再加上这件作品原为收藏多数仁清作品的丸龟京极家所收藏，据传为仁清所作的说法可信度很高。","@language":"zh"},{"@value":"유약을 발라 구워낸 표면에 여러 가지 물감으로 그림을 그린 후 다시 굽는 상회(上繪, 웃그림) 기법으로 상감 칠보의 못 가리개 장식을 재현한 것으로 추정되는 작품이다. 작자로 전하는 닌세이(仁淸) 즉 노노무라 세이에몬(野野村淸右衛門)은 17세기 후반에 활약한 교토 도자기[京燒]의 도공으로, 채색(상회) 기법을 완성했다고 여겨지는 인물이다. 이 작품은 작자를 나타내는 인(印)도 명(銘)도 찾아볼 수 없는 소품이지만 금색·은색·적색·청색·녹색의 다채로운 물감을 사용한 점에서 오무로 도자기[御室燒]로도 불린 닌세이 작품의 특징을 잘 보여준다. 닌세이의 작품을 많이 소장했다고 알려진 마루가메번(丸龜藩) 교고쿠(京極) 집안의 전래품이었던 점을 아울러 생각해보면 닌세이 작품이라는 설의 신빙성은 대단히 높다고 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