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The motif in silver and gold paint is that of cranes, which stand or fly in flocks across the entire length of the scroll.  The cranes are captured in simple yet exquisite brushstrokes, producing graceful silhouettes. Sotatsu’s skill and originality are demonstrated in this composition, which serves as the background of this poetic anthology.","@language":"en"},{"@value":"这件书法作品是本阿弥光悦的代表作，向来闻名。书法用纸的装饰图案是有名的装饰艺术家俵屋宗达之作（活跃于1602~1635），也是宗达发挥其真本领的作品。装饰图案以鹤为主题，画家在长而大的手卷上，从头到尾以金与银泥反复的表现鹤群的不同姿态，或是飞翔、或是停驻群聚，虽然用笔看似单纯，但鹤群姿态掌握生动，而且其轮廓之美，无与伦比。虽然只是用来装饰书写用纸，但也显示出了画家的个性，这就是宗达的艺术才能。","@language":"zh"},{"@value":"혼아미 고에쓰의 대표작으로도 지금까지 유명하다. 다와라야 소타쓰(활약 시기 1602~1635)의 장식 예술가로서의 진면목이 유감없이 발휘된 작품이다. 그림의 모티브는 그저 학뿐이다. 장대한 두루마리 그림에는 첫머리부터 차례로 펼쳐지는 학의 무리를 일정하게 금니와 은니로 표현하고 있다. 때로는 비상하고 때로는 날갯짓을 멈춘 채 모여 있는 학의 자태를 단순히 붓놀림만으로 포착했음에도 실루엣의 아름다움은 비할 바가 없다. 종이의 밑그림 장식이라는 한정된 범위 안에서 개성을 최대치로 표출한 소타쓰의 솜씨를 엿볼 수 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