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He lived in Aizu (present-day western Fukushima Prefecture), Kamakura, Odawara, and other locations before settling in his final years of life in Miharu, northern Japan.  While at once retaining great admiration for his predecessor Sesshû (1420-1506?), this painter-priest immersed himself in the study of a broad variety of Chinese and Japanese paintings and pioneered the most individualistic style of any contemporary  painter.\nThis set of paintings depicts the legendary Zhou-dynasty (c. 1100-256 B.C.) Chinese immortal Qin Gao, who, in order to keep a promised meeting with one of his disciples, appeared out of the depths of a magical lake riding a giant red carp.  The distorted human figures, the lively delineations of the draped garments, and the rendition of the waves are distinctive elements of Sesson’s oeuvre.","@language":"en"},{"@value":"雪村周继（1504~？），常陆国出身，年轻时即出家，走遍会津、鎌仓、小田原等地，晚年来到奥州三春一地隐居。雪村的绘画风格私淑雪舟，广泛学习中国画，也是这个时期画坛上风格最具个性的画僧。\n本图所描写的琴高是中国周朝的仙人，画中描写了琴高与弟子相约再会，乘着锦鲤鱼现身的场景。如画中所见，非格式化的人物形象，以及带有跃动感的衣纹与波浪等的表现，都是雪村风格的典型特征。","@language":"zh"},{"@value":"셋손 슈케이(雪村周継, 1504? ～?)는 히타치쿠니(常陸国) 지방 출신으로 어려서 출가해 아이즈(会津), 가마쿠라(鎌倉), 오다와라시(小田原) 등의 지방을 두루 다녔고 말년에는 오슈 미하루(奥州三春, 지금의 후쿠시마켄)에서 은거해 살았다. 셋슈(雪舟)의 작풍을 본으로 삼아 배워 익힘과 동시에 중국화 등도 폭넓게 배워 이 시기의 화단에서는 가장 개성적인 화풍을 세웠던 화승이다.\n본 그림의 주제인 금고(琴高)는 중국 주나라 때의 선인이다. 제자와 다시 만날 것을 약속하고 그 날에 붉은 잉어를 타고 나타났다고 한다. 변형시켜 표현된 인물의 모습이나 활동감 넘치는 옷주름과 파도의 표현 등에서 셋손 그림의 특징이 잘 나타나고 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