{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100948000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 花隖夕陽図","@language":"ja"},{"@value":"e-Museum - Sunset along the Floral Embankment","@language":"en"},{"@value":"e国宝 - 花坞夕阳图","@language":"zh"},{"@value":"e국보 - 꽃이 핀 둑의 석양 그림[花隖夕陽圖]","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"かおせきようず","@language":"ja"}]},{"label":[{"@value":"作者","@language":"ja"},{"@value":"Creator","@language":"en"},{"@value":"作者","@language":"zh"},{"@value":"작자","@language":"ko"}],"value":[{"@value":"惲寿平（惲格・惲南田）","@language":"ja"},{"@value":"Yun Ge (Yun Shouping, 1633-1690) ","@language":"en"},{"@value":"恽寿平绘","@language":"zh"},{"@value":"운수평(惲壽平, 운격[惲格], 운남전[惲南田])","@language":"ko"}]},{"label":[{"@value":"作者よみ","@language":"ja"}],"value":[{"@value":"うんじゅへい（うんかく・うんなんでん）","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1巻","@language":"ja"},{"@value":"Handscroll","@language":"en"},{"@value":"1卷","@language":"zh"},{"@value":"1권","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"紙本淡彩","@language":"ja"},{"@value":"ink and light colors on paper","@language":"en"},{"@value":"纸本淡彩","@language":"zh"},{"@value":"종이에 엷은 색","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"縦24.2cm  横106.1cm  ","@language":"ja"},{"@value":"Height 24.2cm  Width 106.1cm  ","@language":"en"},{"@value":"纵 24.2cm 　宽 106.1cm","@language":"zh"},{"@value":"세로 24.2 ㎝ 가로 106.1 ㎝","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"清時代・17世紀","@language":"ja"},{"@value":"清代　17世纪","@language":"zh"},{"@value":"청시대 17세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"京都国立博物館","@language":"ja"},{"@value":"Kyoto National Museum","@language":"en"},{"@value":"京都国立博物馆","@language":"zh"},{"@value":"교토국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"A甲208","@language":"ja"},{"@value":"A甲208","@language":"en"},{"@value":"A甲208","@language":"zh"},{"@value":"A甲208","@language":"ko"}]}],"description":[{"@value":"　筆者の惲寿平（1633～90）は名を格といい、字の寿平や号の南田で知られた。江蘇常州の人。清初の六大家と称される四王呉惲の一人で、ただ一人、花鳥画を得意とした画人である。若い頃に王翬（字は石谷）を知り、その山水画に感激し、自ら天下の第二手となるを恥じて、山水から花鳥に転じたといわれる。しかし、山水画にも優れたものを残しており、本図がその代表例である。構図、描線、賦彩ともに温雅で、美しい湖畔の村々がやわらかく夕陽に映えている。\r\n本図は巻末の自題から康熙10年（1671）、39歳の作にして、北宋初の詩画僧にして小景図の名手の恵崇に倣ったものと知れる。作品名称である「花隖夕陽」の「隖」は土手の意で、盛唐の詩人・厳維が劉長卿に贈った一節「柳塘春水漫、花隖夕陽遅」（「酬劉員外見寄」）に拠る。宣統3年（1911）の辛亥革命後に日本へ亡命した羅振玉が携えてきた名品のひとつで、大阪朝日新聞（現朝日新聞）社長の上野理一が所有するところとなった。\r\n","@language":"ja"},{"@value":"Yun Ge (1633-1690, style name: Yun Shouping, sobriquet: Nan Tien) excelled in flower and bird paintings, and is counted, along with the four Wangs and Wu Li, as one of the Six Masters of the early-Qing Dynasty (1644-1911). In his youth, he is said to have been much impressed by the landscapes of Wang Hui (1632-1717, sobriquet: Shigu). In fear of never surpassing Wang's landscapes, he turned his focus to the subject of flowers and birds. This scroll, however, is proof that Yun was also an accomplished landscape artist.\r\nThe artist's inscription reveals that he painted this work at the age of thirty-nine in the style of Song painter Hui Chong (c.965-1017) in 1671. The composition, lines and coloring are mild and gentle, and the lakeside villages in the soft evening light are represented with tranquility and attention to detail.","@language":"en"},{"@value":"画者恽寿平（1633-1690）名格，以其字“寿平”与号“南田”而为人所知，江苏常州人，乃是清初六大家“四王吴恽”之一，也是其中唯一擅画花鸟的画家。据传恽寿平在年轻时结识王翚（字石谷、“四王”之一），感佩其山水画之成就，自以居天下第二为耻，因此从山水画转向花鸟画。然而，他仍旧留有优秀的山水作品，本作即是其中的翘楚。无论是构图、线条、赋色皆十分温雅，画中湖畔边美丽的村庄沉浸在夕阳的温柔光芒之下。\r\n依据画家在卷末的跋文可知，本作乃是康熙10年（1671）、画家三十九岁时的作品，模仿了北宋初的诗画僧、小景山水的名手——惠崇的画风。本作的题目“花坞夕阳”中的“坞”意为土堤，依据的是盛唐诗人严维给刘长卿的赠诗《酬刘员外见寄》中的一句“柳塘春水漫，花坞夕阳迟”。本作是在宣统3年（1911）的辛亥革命后避居日本的罗振玉从中国带来的名品之一，后来成为了大阪朝日新闻社（现在的朝日新闻社）社长上野理一的收藏品。\r\n","@language":"zh"},{"@value":"    필자 운수평(1633~1690)의 이름은 ‘격’이고 자는 ‘수평’, 호는 ‘남전’이며 강소(江蘇) 상주(常州) 사람이다. 청나라 초기 6명의 대가로 불린 사왕오운(四王吳惲, 청나라 초기에 활약했던 왕씨 성을 가진 네 명의 화가인 왕시민, 왕감, 왕휘, 왕원기와 오역, 운수평을 말함)의 한 사람으로, 그중에서 유일하게 화조화에 뛰어났던 화가이다. 젊었을 때 왕휘(王暈, 자는 석곡[石谷])를 알게 되어 그의 산수화에 감격하였고 스스로 천하의 2인자가 되는 것을 부끄럽게 여겨 산수에서 화조로 전향했다고 전한다. 그러나 산수화로도 뛰어난 작품을 남기고 있는데 이 그림이 대표적인 예이다. 구도, 묘선, 채색이 모두 온아하며 아름다운 호숫가 마을들을 석양이 부드럽게 물들인다.\r\n\r\n    이 그림은 권말에 스스로 붙인 제목을 통해 강희 10년(1671) 필자 39세 때 작품이며 북송 초기의 시화승(詩畵僧)이자 소경도(小景圖)의 대가인 혜종(惠崇)을 모방한 것으로 알려져 있다. 작품 명칭인 ‘화오석양(花隖夕陽)’의 ‘오’는 둑을 뜻하며 성당(盛唐)의 시인 엄유(嚴維)가 유장경(劉長卿)에게 보낸 한 구절인 “柳塘春水漫, 花隖夕陽遲”(酬劉員外見寄)에 의거한다. 선통 3년(1911)에 일어난 신해혁명 이후 나진옥(羅振玉)이 일본으로 망명하면서 가져온 명품 가운데 하나로, 오사카아사히신문(지금의 아사히신문) 사장인 우에노 리이치(上野理一)가 소유하게 되었다.\r\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100948001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":47,"width":200},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100948&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 花隖夕陽図","@language":"ja"},{"@value":"e-Museum - Sunset along the Floral Embankment","@language":"en"},{"@value":"e国宝 - 花坞夕阳图","@language":"zh"},{"@value":"e국보 - 꽃이 핀 둑의 석양 그림[花隖夕陽圖]","@language":"ko"}],"format":"text/html"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100948001001.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"1","height":2137,"width":9065,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100948001001.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100948001001.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":2137,"width":9065},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100948001001.tif#xywh=0,0,9065,2137"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100948001001/1/thumbnail.jpeg","@type":"dctypes:Image"}}]}]}