{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100945000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 山水図","@language":"ja"},{"@value":"e-Museum - Landscape","@language":"en"},{"@value":"e国宝 - 夏冬山水图","@language":"zh"},{"@value":"e국보 - 하동산수도(夏冬山水図)","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"さんすいず","@language":"ja"}]},{"label":[{"@value":"作者","@language":"ja"},{"@value":"Creator","@language":"en"}],"value":[{"@value":"雪村周継","@language":"ja"},{"@value":"Sesson Shūkei (1504?–?) 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He became a monk while still young and spent much of his life traveling, particularly in Aizu (present-day western Fukushima prefecture), Kamakura, and Odawara. Towards the end of his life, he retired to the town of Miharu in northern Japan. An admirer of Sesshū, Sesson studied a wide range of painting modes, including Chinese painting; however, his painting style is thought to be among the most distinctive and individualistic of his day. This pair of landscape scrolls is considered to be one of his earlier works. The rendition of the rocks and buildings shows the influence of Sesshū, but Sesson's unique approach, characterized by distorted imagery, is already apparent. He wrote in his book, \"Fundamental Advice for Students,\" “It is true that I have studied the style of Sesshū for many years, but what you should notice is how my style differs from his.” This work substantiates the pride evinced by these words.","@language":"en"},{"@value":"雪村(1504？~？)为常陆国人，年少即出家，足迹遍历会津、鎌仓、小田原等地，晚年隐居于奥州三春一地。雪村私淑雪舟，广泛学习中国画，乃是此时期最具个性的画僧。本图呈现雪村比较早期的画风，岩石与楼阁等描写可见雪舟之风，但极度变形的画法也已经显示出雪村的独特风格。《说门弟资》一书中记载雪村曾说：“我虽多年学习雪舟，但看吧，我还是走出自己的风格！”本图正可说是雪村自负的见证。","@language":"zh"},{"@value":"셋손(雪村, 1504? -?)은 히타치쿠니(常陸国) 출신으로 어려서 출가해 아이즈(会津), 가마쿠라(鎌倉), 오다와라시(小田原) 등의 지방을 두루 다녔고 말년에는 오슈 미하루(奥州三春, 지금의 후쿠시마켄)에서 은거해 살았다. 셋슈(雪舟)의 작풍을 본으로 삼아 배워 익힘과 동시에 중국화 등도 폭넓게 배워 이 시기의 화단에서는 가장 개성적인 화풍을 세웠던 화승이다. 이 그림은 셋손의 비교적 빠른 시기에 그린 것으로 여겨지는 작품이다. 바위와 누각 등의 표현에서는 셋슈 그림의 학습 흔적이 보이기도 하지만 모티브를 극단적으로  변형하여 표현한 것에서는 셋손 특유의 묘사기법도 나타나고 있다. “나는 오랫동안 셋슈에게 배웠지만 화풍에서는 커다란 차이를 보인다”라는《세츠몬테이시(説門弟資)》에 실린 셋손의 말처럼 실제로 이 그림은 이러한 그의 자부심을 잘 보여주는 것이라 할 수 있다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100945001005/5/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":92},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100945&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 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