{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100768001/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 押出阿弥陀三尊および僧形像","@language":"ja"},{"@value":"e-Museum - Repousse relief of the Amitabha Triad and Sōgyō (monk-deity)","@language":"en"},{"@value":"e国宝 - 锤鍱阿弥陀三尊及僧形像","@language":"zh"},{"@value":"e국보 - 압출아미타삼존 및 승형상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"<span>法隆寺</span><span>献納宝物</span>","@language":"ja"},{"@value":"<span>Hōryūji</span><span>Treasures</span>","@language":"en"},{"@value":"<span>法隆寺</span><span>捐献宝物<span>","@language":"zh"},{"@value":"<span>호류지 </span><span>헌납보물</span>","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"おしだしあみださんぞん　そうぎょうぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"阿弥陀三尊及僧形像","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1面","@language":"ja"},{"@value":"1 piece","@language":"en"},{"@value":"1面","@language":"zh"},{"@value":"1점","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"銅版製押出","@language":"ja"},{"@value":"Extruded bronze plate","@language":"en"},{"@value":"铜版制锤鍱","@language":"zh"},{"@value":"동판제압출","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"39.0×32.3","@language":"ja"},{"@value":"39.0x32.3","@language":"en"},{"@value":"39.0×32.3","@language":"zh"},{"@value":"39.0×32.3","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"飛鳥時代・7世紀","@language":"ja"},{"@value":"Asuka period/7th century","@language":"en"},{"@value":"飞鸟时代 7世纪","@language":"zh"},{"@value":"아스카시대·7세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"N-198","@language":"ja"},{"@value":"N-198","@language":"en"},{"@value":"N-198","@language":"zh"},{"@value":"N-198","@language":"ko"}]}],"description":[{"@value":"宝物館にある10点11面押出仏中もっとも大きく、もっとも優秀なものである。像の余白の部分を丹念に、とくに光背などは火焰の形どおりにきりとっている。\r\n転法輪の印を結ぶ阿弥陀如来の両脇に、化仏をつけた観音と水瓶を頂く勢至の2菩薩が侍立し、その間隙に中尊に向き合掌する比丘形2人の上半身が表われている。銅板の厚いせいもあって、押出仏特有の柔らかい感じがよくでているが技術的にも見事なもので、打出しも丹念であり、亀裂もほとんどみられない。\r\nこの像の構図や様式は、法隆寺金堂壁画、とくに6号大壁に近く、新来の初唐の図様を学びとったものであろう。時代的にも絵画でいえば前記壁画、彫刻なら薬師寺金堂の薬師三尊像などに近いころのものと思われる。仕上げとして銅板上には鍍金の跡らしいものが見られるが、これは箔鍍金、すなわち水銀による金箔の焼付けともいわれている。さらに一部には彩色があったようで、観音の冠に坐す化仏・比丘形をも含めて諸尊の頭部には群青彩色を施し、いずれも眉や眼を墨で型取り、中尊の瞳にも墨が入れられている。\r\nこの押出仏と同じ原型からとったと思われるものが、法隆寺に1面残っている。またこの像は現在法隆寺蔵の銅板光背（背面に二比丘・二王・二獅子を線彫にし、表面には上部に押出の光背を付している。）と釘穴が一致することが確認されている。\r\n\r\n","@language":"ja"},{"@value":"Among the eleven pieces of repousse Buddhist images from ten items preserved in the Gallery of Horyu-ji Temple, this piece is the largest and the most excellent. The margin of the images is cut out carefully, especially that of the halos, which is cut out precisely along the outline of the form of flames. \nOn each side of Amida (Amitabha), the Buddha of Infinite Light and Infinite Life, who makes the Gesture of Teaching (Dharmacakra Mudra), Kannon (Avalokitesvaran) with Kebutsu (Buddha in manifestation) and Seishi (Mahasthamaprapta) holding a water jar, attend Amida. Between Amida and each of the two Bodhisattvas, the upper part of the body of two bhikkus clasping their hands in prayer toward the Amida in the center, is formed. Owing to the thickness of the copper plate, not only is the gentle taste specific to repousse Buddhist images expressed well, but this piece is excellent technically. The embossment is elaborate and there are no cracks at all.  \nThe composition and style of this piece is similar to the mural painting in the Kondo of Horyu-ji Temple, especially to the large mural No. 6 and thus it seems that this piece was produced based on the new design from the early Tang Dynasty period. As for the era, this piece seems to have been produced in or around the time when the mural was painted or the Status of the Yakushi Triad (the Buddha of Medicine & Healing and two attendants) in the Kondo of Yakushi-ji Temple. Marks on the plating as finishing can be seen all over the copper plate, which is said to be gold-plating by mercury gliding called Haku-mekki. In addition, there seems to have been some parts that were colored. The heads of the Buddhist images including the Buddha in manifestation sitting on the head of Kannon and Seshi were painted in ultramarine, the eyebrows as well as the eyes of the faces are outlined in black ink and the pupils of Amida are also painted with black ink. \nAnother repousse Buddhist image that seems to have been produced from the same model can be found in Horyu-ji Temple. In addition, it has been verified that the nail hole of this piece corresponds to that of the copper-plate halo (two bhikkus, two kings and two lions are line-engraved on the back and the halo is embossed on the upper section of the front) now preserved in Horyu-ji Temple.  \n","@language":"en"},{"@value":"此作为宝物馆中10尊11面锤鍱佛像中最大、最优秀的一尊。仔细的切掉佛像的余白部分，特别是按照佛光等处的火焰形状切掉余白。\n    在结转法轮的阿弥陀如来的两侧，侍立着待带有化佛的观音及头顶净瓶的势至2菩萨，间隙处露出2个面向中尊（即阿弥陀如来）双手合掌的比丘的上半身。也许因为铜板厚实，锤鍱佛像所特有的柔软感表现的淋漓尽致，这说明佛像的制作技术精湛，铸造仔细，佛像上几乎看不到龟裂。\n    此佛像的构图和式样与法隆寺金堂壁画特别是6号大壁画相近，大概是学习了最新传到日本的初唐的图样吧。从时代上来看，此佛像的制作年代与上述的壁画、雕刻的药师寺金堂的药师三尊像等的制作年代相近。铜板上有类似镀金的痕迹，据说为箔镀金，也就是采用水银镀上金箔的方法。佛像的一部分似乎涂有过色彩，观音冠上坐有的化佛、包括比丘在内的各尊佛像的头部都施有群青色，眉眼都用墨汁勾勒出形状，中尊的瞳孔也涂有墨汁。\n    与此锤鍱佛采用同一模型的，还有法隆寺内留存的1尊佛像。另外现已确认此锤鍱佛像的钉孔与现在法隆寺所藏的铜板背光（背面线刻有二比丘、二王、二狮子，表面上部付有锤鍱而出的佛光）的钉孔相一致。\n","@language":"zh"},{"@value":"보물관에 있는10점11면 압출불(押出仏) 가운데 가장 크고, 가장 우수하다. 상(像)의 여백 부분을 정성을 들여서, 특히 광배(光背) 등은 화염의 모양대로 잘라 내었다.\n전법륜(転法輪)의 인(印)을 연결하는 아미타여래(阿弥陀如来)의 양 겨드랑이에, 화불(化仏)을 붙인 관음과 수병(水瓶)을 받는 세지(勢至)의 2보살이 시립(侍立)하며, 그 간극으로 중존(中尊)을 향해 합장하는 비구형(比丘形) 2인의 상반신이 표현되어 있다. 동판이 두껍기도 하여, 압출불(押出仏) 특유의 부드러운 느낌이 잘 드러나 있으며, 기술적으로도 뛰어난 것으로, 타출(打出)도 정성을 들였으며, 균열도 거의 보이지 않는다.\n이 상(像)의 횡도(構図)나 양식은, 법륭사금당벽화(法隆寺金堂壁画), 특히 6호 대벽(大壁)에 가깝고, 새로이 들어온 초당(初唐)의 도양(図様)을 배워 본뜬 것이다. 시대적으로도 회화로 치자면 전기 벽화, 조각의 경우, 약제사금당(薬師寺金堂)의 약제사삼존상(薬師三尊像) 등에 가까운 시기의 것으로 생각된다. 마무리로 동판 위에는 도금의 흔적 같은 것이 보이는데, 이것은 박도금(箔鍍金), 즉 수은으로 금박을 구워 붙인 것으로 알려져 있다. 더욱이 일부에서는 채색이 있었던 것 같으며, 관음의 관에 앉은 화불(化仏)・비구형(比丘形)을 포함하여 제존(諸尊)의 두부에는 군청채색이 이루어져, 모두 눈썹과 눈을 먹물로 틀을 떠서, 중존(中尊)의 눈에도 먹물이 들어가 있다.\n이 압출불(押出仏)과 동일한 원형에서 본떴다고 생각되는 것이, 법륭사에 1면 남아 있다. 또 이 상(像)은 형재 법륭사 쿠라(蔵)의 동판광배(배면에 이비구(二比丘)・이왕(二王)・이사자(二獅子)를 선조(線彫)하여, 표면에는 상부에 압출의 광배가 붙어 있다)와 못의 구멍이 일치하다는 사실이 확인되었다.\n\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100768001003/3/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":172},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100768&content_part_id=1&content_pict_id=0","label":[{"@value":"e国宝 - 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