{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100743000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 観音菩薩立像","@language":"ja"},{"@value":"e-Museum - Avalokitesvara (Kannon Bosatsu)","@language":"en"},{"@value":"e国宝 - 观音菩萨立像","@language":"zh"},{"@value":"e국보 - 관음보살입상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"<span>法隆寺</span><span>献納宝物</span>","@language":"ja"},{"@value":"<span>Hōryūji</span><span>Treasures</span>","@language":"en"},{"@value":"<span>法隆寺</span><span>捐献宝物<span>","@language":"zh"},{"@value":"<span>호류지 </span><span>헌납보물</span>","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"かんのんぼさつりゅうぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"銅造観音菩薩立像（法隆寺献納）","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1躯","@language":"ja"},{"@value":"1 statue","@language":"en"},{"@value":"1尊","@language":"zh"},{"@value":"1구","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"銅造鋳造鍍金","@language":"ja"},{"@value":"Cast bronze, gold-plated","@language":"en"},{"@value":"铜造铸造镀金","@language":"zh"},{"@value":"동조주조도금","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"像高28.0","@language":"ja"},{"@value":"Statue H28.0","@language":"en"},{"@value":"像高28.0","@language":"zh"},{"@value":"상높이28.0","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"飛鳥時代・7世紀","@language":"ja"},{"@value":"Asuka period/7th century","@language":"en"},{"@value":"飞鸟时代 7世纪","@language":"zh"},{"@value":"아스카시대·7세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"N-169","@language":"ja"},{"@value":"N-169","@language":"en"},{"@value":"N-169","@language":"zh"},{"@value":"N-169","@language":"ko"}]}],"description":[{"@value":"装飾性が調強された大ぶりの宝冠や瓔珞、眉間と鼻の境に段落をつけた顔立ち、僧祇支を着け、腹部から両脚間に垂れる衣を表わす着衣形式など、極めて個性的な作風を示す像である。ただし、重々しく垂れる瓔珞やその表情には、中国の隋から初唐にかけての仏像の影響も一応認められる。\n本体・台座蓮肉を含むほぼ一鋳で造り、足首のやや上辺まで内部を中空とし、それより上の本体部はムクである。冠帯の左右垂下部（現在亡失）、瓔珞の体部から遊離する部分などは別鋳とする（ただし、右手から右膝上方の花形へ至る瓔珞は本体と同鋳か）。鬆は細かいものが全体にみられ、蓮肉背面の下縁部には鬆による大きな空洞ができている。宝冠の裏面や頭髪部を除くほぼ全面に鍍金が残り、彩色は、本体及び化仏の頭髪に群青、宝冠の裏面、垂髪の括り紐、唇に朱（あるいはベンガラか）、目の輪郭、黒目、口ひげに墨描きがそれぞれ認められる。なお、台座の反花以下は木造漆箔で江戸時代の後補である。\n","@language":"ja"},{"@value":"The image displays a very unique sculpturing style: a very decorative big crown and yoraku (a threaded bead or metal decoration), a difference in level between the middle of the forehead and the nose and the garment style of sogishi (a robe a priest wears under the outer robe) and a cloth falling down from the abdomen to between the legs. Its weighty hanging yoraku and facial expression show the influence of the images of Buddhist deities from the Sui period to the early Tang period.\nThe image, including the pedestal with a lotus core, is created in almost one cast and hollowed out below the upper part of the ankles. The body above the ankles is solid. The ribbons hanging on the right and left sides of the crown (currently missing) and the parts of the yoraku, where they are detached from the body, are cast separately (however, the yoraku that hangs from the right hand to the flower design above the right knee may have been cast with the body). There are very small mold cavities across the board and there is a big hollow in the lower part of the back of the lotus core due to a mold cavity. Gold plating remains over almost the entire surface of the image except the reverse side of the crown and the head. For coloring, lapis lazuli remains on the hair of the image and the avatar, vermilion (or Bengala) remains on the reverse side of the crown, ribbons tying the hanging hair and the lips and black sumi can be seen on the outline of the eyes, the eyeballs and the mustache. The area below the down-turned lotus petals on the pedestal is made of wood and is lacquered and was added in the Edo period. \n","@language":"en"},{"@value":"这是一尊极具个性的佛像，例如强调装饰性的大宝冠及璎珞、眉间及鼻沟层次分明的面容、披覆肩衣、佛衣垂在腹部及两脚之间的衣着形式等。但沉重下垂的璎珞及面部表情却体现其受到中国隋代至初唐时期佛像的影响。\n菩萨像包括本体和台座莲肉在内基本采用一次铸成，脚腕偏上方以下内部为中空，其上方的本体部分为实芯。冠带的左右垂下部分(现已缺失)及分离开本体的璎珞的部分为另外铸制（但从右手至右膝上方花形璎珞可能与本体为一次铸成）。整体可见细小铸造气孔，莲肉背面的下缘部分有因铸造气孔而导致的大空洞。除了宝冠内侧及头发部分之外，整体的镀金基本保留完好，本体及化佛的头发色彩为群青，宝冠内侧、垂发扎带、嘴唇为朱色(也可能为铁丹)，眼部轮廓、眼珠、髭须为墨绘。此外，台座的反花以下为木造漆箔，是江户时代的后补。\n","@language":"zh"},{"@value":"  장식성이 강조된 큼직한 보관과 영락, 미간과 코의 경계에 층을 준 얼굴, 승기지를 걸치고 배에서 양 다리 사이로 늘어뜨린 옷을 표현한 착의 형식 등 매우 개성적인 작풍을 띠는 상이다. 단, 위엄 있게 늘어뜨린 영락과 그 표정에서는 중국 수나라~당나라 초기 시대 불상의 영향도 볼 수 있다.\n  본체와 대좌 연밥을 한 덩어리로 주조하였으며 발목의 조금 윗부분까지 내부는 비어있고, 그 위쪽 본체는 비어있지 않다. 관대의 좌우 늘어뜨린 부분(현재 없어짐), 영락의 몸에서 떨어진 부분 등은 따로 주조하였다(단, 오른손에서 오른쪽 무릎 위쪽의 꽃 모양까지의 영락은 본체와 같이 주조하였을 것). 기포는 자잘한 것이 전체적으로 있으며, 연밥 뒤쪽의 밑 가장자리에는 기포에 의한 커다란 공동(空洞)이 생겼다. 보관의 뒷면과 두발부를 제외한 거의 전면에 도금이 남아있으며, 본체 및 화불의 두발에 군청색, 보관의 뒷면, 늘어뜨린 머리의 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