{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100739000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 観音菩薩立像","@language":"ja"},{"@value":"e-Museum - Avalokitesvara (Kannon Bosatsu)","@language":"en"},{"@value":"e国宝 - 观音菩萨立像","@language":"zh"},{"@value":"e국보 - 관음보살입상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"<span>法隆寺</span><span>献納宝物</span>","@language":"ja"},{"@value":"<span>Hōryūji</span><span>Treasures</span>","@language":"en"},{"@value":"<span>法隆寺</span><span>捐献宝物<span>","@language":"zh"},{"@value":"<span>호류지 </span><span>헌납보물</span>","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"かんのんぼさつりゅうぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"銅造観音菩薩立像（法隆寺献納）","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1躯","@language":"ja"},{"@value":"1 statue","@language":"en"},{"@value":"1尊","@language":"zh"},{"@value":"1구","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"銅製鋳造鍍金","@language":"ja"},{"@value":"Cast bronze, gold-plated","@language":"en"},{"@value":"铜制铸造镀金","@language":"zh"},{"@value":"동조주조도금","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"像高22.4","@language":"ja"},{"@value":"Statue H22.4","@language":"en"},{"@value":"像高22.4","@language":"zh"},{"@value":"상높이22.4","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"飛鳥時代・7世紀","@language":"ja"},{"@value":"Asuka period/7th century","@language":"en"},{"@value":"飞鸟时代 7世纪","@language":"zh"},{"@value":"아스카시대·7세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"N-165","@language":"ja"},{"@value":"N-165","@language":"en"},{"@value":"N-165","@language":"zh"},{"@value":"N-165","@language":"ko"}]}],"description":[{"@value":"台脚の天板部に銘文があり、「辛亥年七月十日に崩去した笠評君のため、その日、遺児と伯父の二人が造像を発願した」ことが知られる。「辛亥年」については、銘文中の「評」が大化（645〜650）から大宝（701〜704）にかけて使用された用字であることが解明されており、白雉2年（651）に比定できる。また、銘文の内容から、本像は笠評君の死亡当日に造像が発願されたもので、さらにその日のうちに銘記までなされるという興味深い状況もうかがえる。\n天衣に鰭状の出を表わし、全体の形を左右対称にまとめることなどは止利派の流れを汲むものといえるが、眉や目を面と面の段差で表わすなごやかな顔立ち、先端を束ね、蕨手をつくらない垂髪、鰭状の出の各先端が後方に反りをみせる天衣など、止利派の造形から一歩ぬけ出した感覚もうかがえる。また、本像は、宝冠に化仏が表わされる観音像として、年紀の明らかなわが国最古の作例でもある。\n本体から蓮肉部までと台座反花以下は現在それぞれ別れており（各別鋳の可能性が高い）、反花上面に設けた円形の穴に本体部の蓮肉下端を挿し込み、内部で広げかしめて留めている。本体部は頸部の下辺まで内部を中空とする。この中空部には鉄心が残っており、その下端が蓮肉内部にのぞいている（断面は方形）。蓮肉内には左右に走る大きなバリがあり、その上方に中型土が残存する。鬆は本体部では全体にみられるが、台座反花以下ではほとんど認められない。宝冠の裏面と頭髪部を除くほぼ全面に鍍金が残り（銘文の刻線内にもみられる）、彩色は頭髪に群青、目の輪郭、黒目、口ひげに黒色（墨か）、唇にわずかに朱（あるいはベンガラか）が認められる。\n\n〔銘記〕（台座台脚部）\n辛亥年七月十日記笠評君名左（又は大）古臣辛丑日崩去辰時故児在布奈」太利古臣又伯在□古臣二人乞願\n","@language":"ja"},{"@value":"The inscription on the top of the pedestal says that this image was created as a result of a votive offering by Kasanokorinokimi's (笠評君) child and uncle for the repose of the soul of Kasanokorinokimi, who passed away on July 10 in the year of Kanotoi. The year of Kanotoi is estimated to be 651, since it has been elucidated that the kanji character \"評\" in the inscription is a character that began to be used during the period from the Taika (645 – 650) to Taiho (701 – 704) eras. According to the inscription, the votive offering for the creation of the image was made on the very day when Kasanokorinokimi died. It is interesting to know that both the offering and the inscription were made within a day of someone's death.\nThe tenne (a long cloth) sticks out like a fin and the image displays bilateral symmetry. While these characteristics seem to reflect the Tori style, this image also shows some features beyond the Tori style, such as mild facial features where the eyebrows and eyes are represented by elevation changes, the hanging hair bound at the ends without curls and the fin-like tenne, the ends of which warp outward. This is the oldest existing Kannon image with an avatar in the crown and with a known year of creation.    \nCurrently, the area from the body to the lotus core is separated from the area below the pedestal with down-turned petals (it is very likely that they were cast separately). The bottom of the lotus core is inserted into a round hole created on the down-turned petals to join them together. The body is hollowed out up to the bottom of the neck. An iron core remains in the hollow portion, the end of which appears inside the lotus core (the cross-section is square). There is a big crossbeam inside the lotus core, on which some inner mold clay remains. Although mold cavities can be found all over the body, there are few below the pedestal with down-turned petals. Gold plating remains over almost the entire surface except the inside of the crown and the hair (some remains in the engraved lines of the inscription). For coloring, lapis lazuli remains on the hair, black (sumi?) remains on the outline of the eyes, eyeballs and mustache and a slight amount of vermillion (or Bengala) can be seen on the lips.\n\nInscription (on the lower base)\n辛亥年七月十日記笠評君名左（又は大）古臣辛丑日崩去辰時故児在布奈」太利古臣又伯在□古臣二人乞願\n","@language":"en"},{"@value":"    台脚的顶板上有铭文，可知“为纪念辛亥年七月十日辞世之笠评君，遗孤及伯父二人于当日发愿造像”事宜。由于明确了铭文中的“评”字为大化(645～650)至大宝(701～704)年间使用的字，因此将铭文中的“辛亥年”推定为白雉2年(651年)。另外从铭文内容可知，本像是在笠评君去世当天便发愿而造，且铭文也记载于同一天，这一点颇耐人寻味。\n菩萨立像的天衣上有鳍状翻边，整体形状为左右对称，可以说吸收了止利派造像的风格，但本像眉眼凹凸、表情祥和、前端束起的顺直垂发、天衣鳍状翻边前端向后翻翘等特点可见其比止利派造型更进一步。另外，作为宝冠上带有化佛的观音像，本像是日本最早且年代清晰的作品。\n从本体到莲肉部分、以及台座反花以下现在为各自分开（很可能是分别铸造），反花顶面设有圆孔，本体部的莲肉下端插入孔中并在内部扩展固定。颈部下缘以下的本体部分为内部中空，此中空部分中留有铁芯，其下端从莲肉内部露出(断面为方形)。莲肉内部有横穿左右的较大毛边，其上方有模土残存。本体部分上到处可见铸造气孔，但台座反花以下却几乎未见。除了宝冠内侧及后头部之外，本像几乎整体残留有镀金（铭文的刻线内也可见镀金）。头发色彩为群青，眼部轮廓、眼珠及髭须为黑色（可能是墨），嘴唇为朱色(也可能是铁丹)。\n\n〔铭记〕(台座台脚部分)\n辛亥年七月十日记笠评君名左（或“大”）古臣辛丑日崩去辰時故儿在布奈太利古臣又伯在□古臣二人乞愿\n","@language":"zh"},{"@value":"  대좌 다리의 천판부에 명문이 있어「신해년 7월 10일에 붕거한 입평군(笠評君)을 위해, 그 날 남은 자녀와 백부 둘이서 조상(造像)을 발원했다」는 점을 알 수 있다. 「신해년」에 대해서는 명문 중의 「평(評)」이 다이카(645~650)에서 다이호(701~704)시대에 사용된 문자임이 밝혀져, 하쿠치 2년(651)으로 추정할 수 있다. 또한 명문의 내용을 통해 본 상은 입평군의 사망 당일에 조상이 발원되었으며, 그 날 안에 명문까지 기록한 흥미로운 상황도 엿볼 수 있다.\n  천의는 물고기의 지느러미 같은 모양을 하고 전체적으로 좌우대칭을 이루는 것 등은 도리파(止利派)의 흐름을 따르는 것이라 할 수 있지만, 눈썹과 눈을 면과 면의 높이 차로 표현한 온화한 얼굴, 늘어뜨린 머리의 끝을 묶고 고사리 모양으로 말지 않은 것, 지느러미처럼 나온 천의의 각 끝이 뒤쪽으로 휘어진 점 등 도리파의 조형에서 한발 벗어난 감각도 엿보인다. 또한 본 상은 보관에 화불이 표현된 관음상으로서 연대가 명확한 일본 최고(最古)의 작품이기도 하다.\n  본체에서 연밥까지와 대좌 복련 이하는 현재 각각 떨어져 있으며(따로 주조했을 가능성이 높음) 복련 윗면에 낸 원형 구멍에 본체의 연밥 하단을 삽입하고 내부에서 삽입된 부분을 벌려서 고정시켰다. 본체는 목 아래쪽 까지 내부가 비어있다. 이 부분에는 철심이 남아있으며, 그 아래쪽이 연밥 내부에서 살짝 보인다(단면은 방형). 연밥 내부에는 좌우로 커다랗게 튀어나온 부분이 있으며 그 위쪽에 내형토가 남아있다. 기포는 본체에서 전체적으로 발견되지만 대좌 복련 이하 부분에는 거의 없다. 보관의 뒷면과 두발을 제외한 거의 전면에 도금이 남아있으며(명문의 각선 안에도 남아있음), 두발을 군청색, 눈의 윤곽과 눈동자, 콧수염을 흑색(혹은 먹), 입술에 약간 주홍색(혹은 벵갈라)을 채색하였다.\n\n[명기] (대좌 다리부분)\n신해년칠월칠일기입평군명좌(혹은 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