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It is also rare in Japan that its right arm is dropped down with a sacred gem on its palm, but similar ones are seen in some of the Nyorai images (Tathagata) at the end of the old Silla Kingdom era (57 B.C.–668 A.D.) (generally called Yakushi; the Buddha of Medicine & Healing). \nThis casting of this statue failed once and thus upper part from its breast was recast. The pedestal was cast together with the body's lower part below its breast. The recast section from its breast to its head is solid, while the part below that is hollowed. The hollow is closed at the underside of the skirt and a copper core remains inside of that, which indicates the so-called Kurumi-nakago. A square chaplet is set near the center of the back on the Daie (to the right of the strap). Pores can be seen all over the surface and larger ones are especially concentrated on its head, both shoulders and the Kamachi (a projecting platform) of the pedestal. Circular metal inlay is found on the top of the Kamachi in the center of the backside of the pedestal. Plating remains on almost the entire surface except for its hair. As for coloring, ultramarine and vermilion (or Indian red) can be found on its hair and lips, respectively. The tip of the thumb of its right hand has been lost. \n","@language":"en"},{"@value":"从佛像的左胸至右肩可见斜挂的僧衣,衣缘由右肩覆盖至肘部,大衣背面有2条吊带,这些服饰特征较为罕见。佛像右臂下垂、掌托宝珠的样式在日本也属珍稀,而在古新罗末期的如来像(通常称为药师)中则有数件类似之作。\n本像的铸造曾一度失败,胸部以上为重铸而成。本体胸部以下部分及台座为一次铸成。本体胸部至头部的重铸部分为实芯,但胸部以下的内部为中空。中空部分在裙摆下的底部闭合,像内有铜芯残留,呈实芯泥模状态。大衣背面靠近中央部位(吊带右侧)设有方形芯撑。整体可见铸造气孔,较大铸造气孔尤其集中在头部、双肩及台座框部。台座背面中央的框上面可见圆形镶金。现已确认,除头发外整体镀金基本保留完好,头发色彩为群青,嘴唇为朱色(也可能为铁丹)。此外,佛像左手第1指的指尖缺失。\n","@language":"zh"},{"@value":" 왼쪽 가슴부터 오른쪽 어깨까지 X형태로 두른 직물이 보이며, 오른쪽 어깨부터 팔꿈치를 덮은 의단(衣端)이 표현되어 있고, 대의의 뒷면에 2줄의 끈이 달려 있는 등 다른 작품들에서는 보기 힘든 독특한 옷차림의 상이다. 오른 팔을 늘어뜨리고 손바닥에 보주를 얹은 모습도 일본에서는 보기 힘들지만, 옛 신라 말기의 여래상(일반적으로 약사로 불림)에서 얼마의 비슷한 예가 확인되었다.\n 한번 주조에 실패하여 가슴 위쪽을 다시 주조하였으며, 본체의 가슴 아래쪽부터 대좌까지는 한 덩어리로 주조하여 만들었다. 가슴부터 머리까지 다시 주조한 부분의 안은 비어있지 않지만 그 아래 쪽의 내부는 비어있다. 안이 비어있는 부분은 군의 자락 밑 부분에서 막히고, 상 안에는 동으로 만든 심이 남아있어 주물토를 빼낼 수 없는 구조로 만들어 졌음을 알 수 있다. 대의 뒷면의 중간쯤(끈의 오른쪽)에는 방형의 형지(型持)를 설치했다. 기포는 전체적으로 발견되는데 특히 머리, 양 어깨, 대좌에 커다란 것이 집중되어 있다. 대좌 뒷면 중앙의 상대부에는 원형의 땜질 부분이 있다. 두발을 제외한 거의 전면에 도금이 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