{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100725000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 如来立像","@language":"ja"},{"@value":"e-Museum - Tathāgata (Jp Nyorai)","@language":"en"},{"@value":"e国宝 - 如来立像","@language":"zh"},{"@value":"e국보 - 여래좌상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"<span>法隆寺</span><span>献納宝物</span>","@language":"ja"},{"@value":"<span>Hōryūji</span><span>Treasures</span>","@language":"en"},{"@value":"<span>法隆寺</span><span>捐献宝物<span>","@language":"zh"},{"@value":"<span>호류지 </span><span>헌납보물</span>","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"にょらいりゅうぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"銅造如来立像（法隆寺献納）","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1躯","@language":"ja"},{"@value":"1 statue","@language":"en"},{"@value":"1尊","@language":"zh"},{"@value":"1구","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"銅製鋳造鍍金","@language":"ja"},{"@value":"Cast bronze, gold-plated","@language":"en"},{"@value":"铜制铸造镀金","@language":"zh"},{"@value":"동조주조도금","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"像高33.5","@language":"ja"},{"@value":"Statue H33.5","@language":"en"},{"@value":"像高33.5","@language":"zh"},{"@value":"상높이33.5","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"朝鮮三国時代・6～7世紀","@language":"ja"},{"@value":"Korean Sangoku period/6~7th century","@language":"en"},{"@value":"朝鲜三国时代 6～7世纪","@language":"zh"},{"@value":"한반도삼국시대·6∼7세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"N-151","@language":"ja"},{"@value":"N-151","@language":"en"},{"@value":"N-151","@language":"zh"},{"@value":"N-151","@language":"ko"}]}],"description":[{"@value":"裙裾を左右に大きく広げ、腹部を前につき出して「く」の字形の側面観を呈する長身形の像である。僧祇支をつけ大衣を通肩にまとう着衣形式やその側面観などは、止利派をはじめとする飛鳥時代の諸像に通ずるものがある。しかし、背面の3箇所に大きく型持を設けたり、両足を裙裾の裏から造り出す手法等は、わが国の作例にはあまりみないものであり、その全体の作風も含めて、むしろ朝鮮・三国時代、特に百済の仏像と関連する点が多い。\n本体・台座蓮肉部を含む一鋳で造る。本体の両肩下がりから裙裾下縁まで内部を中空とし、裙裾底面が外部への開口部となる。頭部と両足から蓮肉部にかけてはムクである。中空部を設けた本体部の銅厚は比較的薄手で片寄りは特にみられない。体部背面の上・中・下の3箇所に方形の型持を設けるが、その跡は、現状では上段のみに嵌金が施されており、中・下段は方形孔として外部に開口している。中型土は中・下段の型持周辺や大衣の下縁から裙裾にかけての個所を除去する他は、大半が像内に残存する。全体に鬆が多く、鋳上がりはあまり良くない。裙裾の左側や下段の型持の右下方にはしる亀裂を鋳懸けで補強し、裙正面中央右寄りの大衣下縁と接する個所には嵌金もみられる。鍍金は連肉下の心棒を除くほぼ全面に残るが、彩色は眉と目の輪郭に墨描きの一部が認められるのみである。なお、左手第2・3指先及び右手第2～5指の付け根より先を欠失する。また、台座の反花以下は木造漆箔によるもので江戸時代の後補である。\n","@language":"ja"},{"@value":"This is a tall statue wearing a skirt with a hem that widely flows right and left and is throwing out its belly in the shape of a less-than sign in profile. The dressing style of wearing a Sougishi (a robe worn under the outer Kesa robe) and draping its shoulders with Daie (a formal robe), as well as its profile, are common to the Buddhist images in the Asuka period (from the end of the sixth century to the first half of the seventh century), including those of the Tori School. However, some methods, such as the three large chaplets set on the backside and the creation of both feet from the backside of the skirt hem, are not seen very often in the images in our country. Thus, many of the characteristics of this statue, including the general taste, are rather related to the Buddhist images in the period of the three ancient kingdoms in Korea, especially in Paekche. \nThis statue was created in one cast including the body and the central section of the lotus flower pedestal (Renniku). The inside from below both shoulders to the hemline of the skirt is hollowed out and the underside of the skirt is an opening to the outside. Its head and the section from its feet to the central section of the lotus flower pedestal are solid. The bronze thickness of the hollowed body is relatively thin and no particular nonuniformities are seen. Three square chaplets are found on the upper, middle and lower parts of the back of its body. Metal inlay is applied only to the upper chaplet, while the middle and lower ones are opened to the outside as a square hole. Most of the clay of the inner mold remains inside of the statue expect for the parts around the middle and lower chaplets, as well as the part from the hemline of the Daie to the skirt hem where the clay was removed. This statue is not cast well as it is porous on the whole. Cracks on the left of the skirt hem and the lower right of the lower chaplet are reinforced by brazing and metal inlay is found on the part a little to the right from the center of the skirt, which the hemline of the Daie touches. Plating remains on almost the entire surface except for the stem below the central section of the lotus flower pedestal. As for coloring, on the other hand, drawing in black ink is found only on part of the outlines of its eyebrows and eyes. The tips of the index and middle fingers of the left hand and all of the fingers other than the thumb of the right hand have been lost. The Kaeribana (a downward-facing lotus petal decoration) of the pedestal and below it were made of wood to which gold foil was applied with lacquer (Shippaku). They were replaced in the Edo period (1603 - 1868). \n","@language":"en"},{"@value":"这是一尊修长身形佛像，裙摆向左右大开，腹部向前突出，侧面看呈“<”的形状。佛像身披覆肩衣、着通肩式大衣的着衣样式以及其侧面外观都与止利派等飞鸟时代的诸像具有相通之处。但佛像背面设有3处大型芯撑、从裙摆内侧铸出双足，这些手法在日本的作品中属于罕见，包括整体风格在内，本像与朝鲜三国时代尤其是百济的佛像具有诸多相关之处。\n佛像包括本体和台座莲肉部分在内为一次铸成。从本体双肩下到裙摆下缘的内部为中空，裙摆底面向外开口。头部以及双脚至莲肉部分为实芯。身体部分为中空，铜层较薄且整体厚度均匀。身体部分背面的上、中、下设有3处方形芯撑，但现在仅有上层施有镶金，中、下层为向外开口的方孔。除了中、下层芯撑周围以及大衣下缘至裙摆的个别部位，像内的大部分有模土残留。整体铸造气孔较多，铸造效果不佳。裂缝贯穿裙摆左侧及下层型撑右下方，已经过补铸加强，衣裙正面中央偏右与大衣下缘相接的部位施有镶金。除莲肉下的芯轴外整体的镀金基本保留完好，而色彩方面，只有眉眼轮廓可辨认出部分的墨绘。此外，左手第2、3指的指尖及右手第2～5指缺失。台座的反花以下为木造漆箔，是江户时代的后补。\n","@language":"zh"},{"@value":"  군의 자락을 좌우로 크게 펼치고 복부를 앞으로 내밀어 「<」모양의 측면관을 드러내는 장신형의 상이다. 승기지를 입고 대의를 양 어깨에 두른 착의 형식과 그 측면관 등 도리파(止利派)를 비롯한 아스카 시대의 여러 상들과 공통된 부면이 있다. 하지만 뒷면의 세 부분에 크게 형지(型持)를 설치 한 것, 양 발을 군의 자락의 뒤에 만드는 수법 등은 일본의 작품에서는 별로 발견되지 않은 것으로, 전체적인 작풍을 포함하여 오히려 한반도의 삼국 시대, 특히 백제의 불상과 관련되는 점이 많다고 할 수 있다.\n  본체와 대좌 연밥까지 한 덩어리로 주조했다. 본체의 양 어깨 밑부분부터 군의 자락 아래 가장자리까지의 내부는 비어있으며 군의 자락 밑면이 주조 구멍이다. 머리와 양 발부터 연밥까지는 안이 비어있지 않다. 안이 비어있는 본체의 두께는 비교적 얄팍하고 대체적으로 균일하다. 몸의 뒷면 상•중•하 세 부분에 방형의 형지를 설치했는데, 현재 의 흔적을 보면 상단에만 땜질하였고 중•하단은 방형 구멍으로 외부를 향해 열려있다. 내형토는 중•하단의 형지 주변과 대의의 밑 가장자리부터 군의 자락에 걸친 부분을 제외하면 대다수가 상 내에 남아있다. 전체적으로 기포가 많아 주조 상태가 별로 좋지는 않다. 군의 자락의 좌측과 하단 형지의 우측 하단에는 균열을 수리하여 보강하였으며, 군의 정면 중앙에서 우측의 대의 밑 가장자리와 접하는 부분에는 땜질한 곳도 보인다. 도금은 연밥 밑의 심봉을 제외한 거의 전면에 남아있으며, 채색은 눈썹과 눈의 윤곽에 먹으로 그린 일부가 확인될 뿐이다. 한편 왼손 2, 3번째 손가락 끝 및 오른손 2~5번째 손가락은 떨어져 나갔다. 대좌의 복련 이하는 목조 칠박으로 만들었는데 에도 시대에 후보(後補)된 것이다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100725001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":150},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural 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