{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100654000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 五大明王鈴","@language":"ja"},{"@value":"e-Museum - Ritual bell with the five great wisdom kings","@language":"en"},{"@value":"e国宝 - 五大明王铃","@language":"zh"},{"@value":"e국보 - 오대명왕령","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"<span>法隆寺</span><span>献納宝物</span>","@language":"ja"},{"@value":"<span>Hōryūji</span><span>Treasures</span>","@language":"en"},{"@value":"<span>法隆寺</span><span>捐献宝物<span>","@language":"zh"},{"@value":"<span>호류지 </span><span>헌납보물</span>","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"ごだいみょうおうれい","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"金銅五大明王鈴","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1握","@language":"ja"},{"@value":"1 piece","@language":"en"},{"@value":"1口","@language":"zh"},{"@value":"1점","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"金銅製","@language":"ja"},{"@value":"Gold bronze","@language":"en"},{"@value":"金铜制","@language":"zh"},{"@value":"금동제","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"現高12.0 口径5.2","@language":"ja"},{"@value":"Existent H12.0 aperture D5.2","@language":"en"},{"@value":"现高12.0 口径5.2","@language":"zh"},{"@value":"현높이12.0 구경5.2","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"唐時代・8～9世紀","@language":"ja"},{"@value":"Tang period, China/8-9th century","@language":"en"},{"@value":"唐代 8～9世纪","@language":"zh"},{"@value":"당시대·8∼9세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"N-64","@language":"ja"},{"@value":"N-64","@language":"en"},{"@value":"N-64","@language":"zh"},{"@value":"N-64","@language":"ko"}]}],"description":[{"@value":"　密教の修法などに用いられる梵音具の一種。五花形に成形した胴の周囲に、不動・降三世（ごうざんぜ）・大威徳（だいいとく）・軍荼利（ぐんだり）・烏芻沙摩（うすさま）という五大明王を浮彫風に鋳出している。各明王の姿態に変化を持たせながら、全体に動きのある画像構成としている。現在、把手の上部を欠失し、大部分が赤銅色の地肌を見せているが、当初は、上部に鈷（こ）を備え、まばゆい光を放つ鍍金がほどこされていた。\n　この種の鈴は、唐時代の密教法具の一典型とも言われているが、相当数ある現存作例が日本国内での伝世品に集中しており、また、材質・技法・文様といった要素には唐時代の器物と異質な点も認められ、制作地域や制作年代については、なお検討の余地が多い。\n","@language":"ja"},{"@value":"　This is a kind of instrument used in esoteric rituals, etc. (Bonnongu). On the body molded into the shape of a flower with five petals, the Five Wisdom Kings (Godai Myo-o), i.e., Acala (Fudo), Trilokavijaya (Gouzanze), Yamantaka (Dai-itoku), Kundali (Gundari) and Ucchuṣma (Ususama) are cast like embossment. The pose of each King is different, which creates a composition with movement in the mass. As the upper part of the handle has been lost now, the bronze ground is exposed in most parts. Originally, however, a prong was set on the upper part of the handle and brilliantly plated with gold. \n This type of bell is said to be a typical tool for the esoteric rituals in the Tang Dynasty period, however, a fairly good number of such bells preserved now have been handed down in Japan and in addition, there are differences in the materials, techniques and patterns compared to the instruments in the Tang Dynasty period. Thus more consideration may be needed about where and when they were created.   \n","@language":"en"},{"@value":"     此铃为密教修法等使用的一种梵音器具。铃身为五花形，周围以浮雕风格铸有不动、降三世（gouzanze）、大威德（daiitoku）、军荼利（gundari）、乌枢沙摩（ususama）五大明王。五大明王形态各异，整体充满动感。现在，把手上部缺失，大部分露出了红铜色的底子。当初上部曾装有独钴杵（ko），并施有镀金，光芒耀眼。\n    此类铃是唐代密教法器的典型代表，很多现存的作品例都集中在日本国内的传世作品上，另外此铃制作的材质、技法、图案等要素都与与唐代器物存在差异，且已经被确认，但是关于此铃的制作地域及制作年代还有待进一步探讨。\n","@language":"zh"},{"@value":"　밀교의 수법(修法) 등에 사용되는 범음구(梵音具)의 일종. 오화형(五花形)으로 형성된 동(胴)의 주위에, 부동(不動)・강삼세(降三世)・다이이토쿠(大威徳)・군다리(軍荼利)・오추사마(烏芻沙摩) 라고 하는 오대명왕을 부조풍(浮彫風)으로 주출(鋳出)하였다. 각 명왕의 자태에 변화를 주면서, 전체의 움직임이 나타나는 화상(画像)으로 구성되어 있다. 현재, 파수(把手)의 상부가 손실되어, 대부분이 적동색의 맨 살이 드러나 있으나, 당초에는, 상부에 고(鈷)를 갖추어, 눈부신 빛을 발하는 도금 처리가 되어 있었다.\n　이러한 종류의 방울은, 당나라시대의 밀교법구의 전형적인 예로도 알려져 있으나, 상당수의 현존하는 작품 예가 일본 국내에서는 전세품(伝世品)에 집중되어 있으며, 또 재질・기법・문양 등의 요소는 당나라시대의 기물(器物)과 이질적인 부분도 인정되어, 제작지역이나 제작연대에 관해서는, 여전히 검토의 여지가 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