{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100635006/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 繍仏裂","@language":"ja"},{"@value":"e-Museum - Embroidered Buddha ","@language":"en"},{"@value":"e国宝 - 绣佛裂","@language":"zh"},{"@value":"e국보 - 자수불 조각","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"<span>法隆寺</span><span>献納宝物</span>","@language":"ja"},{"@value":"<span>Hōryūji</span><span>Treasures</span>","@language":"en"},{"@value":"<span>法隆寺</span><span>捐献宝物<span>","@language":"zh"},{"@value":"<span>호류지 </span><span>헌납보물</span>","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"しゅうぶつぎれ","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"繍仏裂","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"6枚","@language":"ja"},{"@value":"6 pieces","@language":"en"},{"@value":"6幅","@language":"zh"},{"@value":"6조각","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"絹製","@language":"ja"},{"@value":"Silk","@language":"en"},{"@value":"绢制","@language":"zh"},{"@value":"비단제","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"各長35.0～66.0㎝、各幅7.0～12.5㎝","@language":"ja"},{"@value":"L35.0-66.0 W7.0-12.5 each","@language":"en"},{"@value":"各长35.0～66.0 各宽7.0～12.5","@language":"zh"},{"@value":"각 길이35.0~66.0 각 폭7.0~12.5","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"飛鳥時代・7世紀","@language":"ja"},{"@value":"Asuka period/7th century","@language":"en"},{"@value":"飞鸟时代 7世纪","@language":"zh"},{"@value":"아스카시대·7세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"N-32","@language":"ja"},{"@value":"N-32","@language":"en"},{"@value":"N-32","@language":"zh"},{"@value":"N-32","@language":"ko"}]}],"description":[{"@value":"　細い帯状の縬(しじら)地に、刺繍で菩薩などをあらわした繍仏の図様には数種類がみられる。天衣(てんね)を頭上に大きく翻し、蓮華座に坐す菩薩と、同じく蓮華座にのる火焰(かえん)宝珠と雲などを配したもの。同じく天衣を頭上に翻して蓮華座に坐し、琴や横笛を奏でている奏楽天人。菩薩をあらわさず火焰宝珠と雲、パルメットをあらわすものがある。\n　繍仏はいずれも強い撚りのある刺繍糸を用い、継ぎ針繍(つぎばりぬい)という技法で刺繍された精巧な両面刺繍である。飛鳥時代の刺繍は、強い撚り糸で図様の輪郭線を縁取り、内部を細かく密に刺繍するのが特徴で、撚りのない釜糸(かまいと、撚りをかけていない引き揃えの糸)を使う奈良時代の刺繍とは一線を画している。\n　これらの繍仏の下地裂の幅に注目すると、12㎝前後の広幅のものと７㎝前後の狭い幅の２種類がある。両者とも両側に織耳(織物の両端)が遺っており、当初からこの幅として特別に織られたものである。広幅の繍仏は、法隆寺献納宝物の金工品を代表する国宝「灌頂幡」(N-58)の中央に吊された大幡の幡足として、狭い幅の繍仏は天蓋四隅に付けられた小幡の幡足として用いられたものである。ちなみに、当時の錦や綾・平絹などの織幅は、特殊なものを除いておおむね56.0㎝前後である。\n　なお、これらの繍仏6枚のほかに、未整理の残欠が附として一緒に指定されているが、指定後の整理・調査の過程で、繍仏の残欠が小片も含めて８点確認され、それらはいずれも修理が行なわれて列品として活用されている。また、中には繍仏とは別な染織品も3点確認されており、附属として整理されている。","@language":"ja"},{"@value":"  There are a few types among the designed patterns in these shubutsu (embroidered Buddha) pieces that illustrate bosatsu (bodhisattvas) and other motifs on the belt-shaped narrow shijira fabrics (fabrics with small wrinkles). One type shows the bodhisattva sitting on renge-za (lotus base) with its heavenly garment waving above the head, together with other motifs, such as flame-jewels on renge-za and clouds. There is also a different type that features celestial musicians playing koto or flute, similarly sitting on renge-za (lotus base) with its heavenly garment waving above the head. Some others do not have bodhisattvas, but features flame jewels, clouds, and palmette.  \n　All of these pieces are elaborate double-sided embroideries, embroidered with firmly twisted embroidery thread, by the technique called tsugibari-nui (lit. following-needle stitching). The embroidery in the Asuka period uses firmly twisted threads for the outlines of the designs, and embroiders finely inside those outlines. These are the major characteristics that make the embroidery in that period distinct from that in the Nara period, which uses non-twisted kama-ito (lit. pot-thread).             \n  With regards to the width of the base fabric, there are two groups: the ones of   twelve-centimeters width, and the others of seven-centimeters width. These widths are known to have been specifically chosen when woven, as all of those fabrics have ori-mimi (edges of fabric) at both of left and right ends. Those of the wider width were used as the leg part (ban-soku) of the large ban (banner) that was hung at the center of Kanjou Ban (N-58, banner for Buddhist initiation ceremonies, National Treasure), one of the most important metalwork pieces in The Treasures of Horyuji. The shubutsu of the narrower width were used as the ban-soku of the small bans attached to the corners of the canopy. In this connection, the widths of the fabrics at that time, including brocade, twill weave, and plain silk, are about fifty-six-centimetres, except for some exceptional pieces.     \n　In addition to these six embroidered Buddha cloths, unfilled fragments are designated as accompaniments. During the filling and investigation process after the designation, eight fragments of the embroidered Buddha cloths were confirmed, including small pieces. These have been mended and put on display. Moreover, three additional dyed cloths different from the embroidered Buddha cloths were also found, which have been filed as accompaniments.","@language":"en"},{"@value":"是在细带状彩纹（sijira）底上刺绣出菩萨等图样的绣佛，图样有多种，有头上天衣（tenne）飘扬、坐于莲华座之上的菩萨，也有同样坐于莲华座装饰有火焰（kaen）宝珠及祥云等物的菩萨，有同样头上天衣飘扬、坐于莲华座之上、或弹琴或吹横笛的奏乐飞天，还有无菩萨但绣有宝珠、祥云及棕榈叶的。\n绣佛全部是精美的双面绣，使用強捻刺绣线，以接针绣（tugibarinui）技法绣成。飞鸟时代刺绣的特点是使用強捻线来勾出图样的轮廓线，内部刺绣细密。与使用无捻釜线 (kamaito，无捻多股线)的奈良时代刺绣形成截然不同。\n观察这些绣佛底料的宽度，可见有12cm左右宽幅和7cm左右窄幅这两种。两者的两侧均留有织耳(织物的两端)，是当时为配合这种宽度而特别编织的。宽幅绣佛作为大幡的幡足，被吊在法隆寺献纳宝物金属工艺品的代表作―国宝“灌顶幡”(N-58)的中央；窄幅绣佛用作装饰在天盖四角的小幡幡足。另外，除了特殊情况之外，当时的锦、绫、平绢等织物的宽度一般为56.0cm左右。\n此外，除这6件绣佛之外，还有未经整理的残片作为附属品而被同时指定，但在指定后的整理和调查过程中，确认发现包括小碎片在内的小绣佛残片共8件，经修理后均被作为展品使用。其中还确认有3件与绣佛不同的染织品，并作为附属品而完成整理。","@language":"zh"},{"@value":"  가는 띠모양의 시지라 바탕에 자수로 보살 등을 표현한 자수불의 도안에는 여러 종류가 있다. 천의를 머리 부분에서 크게 날리며, 연화좌에 앉아있는 보살과 역시 연화좌 위에 있는 화염보주와 구름 등을 배치한 것, 똑같이 천의를 머리 부분에서 날리며 연화좌에 앉아 거문고와 횡적을 연주하고 있는 주악천인, 그리고 보살을 나타내는 화염보주와 구름 및 팔메토를 표현한 것도 있다.\n  자수불은 모두 단단하게 꼰 자수실을 사용하며, 쓰기바리누이라는 기법으로 자수된 정교한 양면 자수이다. 아스카 시대의 자수는 단단하게 꼰 실로 도안의 윤곽선을 두르고, 내부를 섬세하고 빽빽히 수 놓는 것이 특징으로, 꼬지 않은 가마이토를 사용한 나라 시대의 자수와는 확연히 구분된다.\n  이러한 자수불의 바탕 직물의 폭에 주목해 보면, 12cm전후의 넓은 폭과 7cm 전후의 좁은 폭, 두 종류가 있다. 둘 다 양측에 직이(織耳)(직물의 양 끝)가 남아있어, 처음부터 이러한 폭으로 특별히 만들어 졌음을 알 수 있다. 넓은 폭의 자수불은 호류지 절 헌납 보물의 금공품(金工品)을 대표하는 국보 「관정번」(N-58)의 중앙에 매단 대폭 번족(幡足)으로서, 좁은 폭의 자수불은 천개 네 귀퉁이에 붙인 소번의 번족으로서 사용된 것이다. 당시의 비단과 능식, 평견 등의 직물 폭은 특수한 것을 제외하고는 대체적으로 56cm전후이다.\n 한편 본 자수불 6점 외에도 정리되지 않은 잔결이 함께 지정되었지만, 지정 후에 이루어진 정리 및 조사 과정에서 자수불의 잔결이 작은 조각을 포함하여 8점 확인되었으며, 이들 모두 수리가 이루어져 진열품으로서 활용되고 있다. 또한 그 중에는 자수불과는 별도의 염직품도 3점 확인되었으며 부속품으로서 정리되어 있다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100635006001/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":70},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural 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