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It was removed from the walls and remounted as freestanding screens in the Edo period, which brought about a significant loss and disordering of the pictures. This set is a kind of Kangaiga (pictures providing admonition) drawing a wise man who practiced loyalty for a good king and the story is unfolded from the left to the right. Though there are many latter-day retouches, it is valuable as a relic of rare pictures on partitions in the Nanbokucho period (the Northern and Southern Courts period).  \n","@language":"en"},{"@value":"此作原为法隆寺舍利殿（syariden）内部围绕须弥坛（shumidan）而放置在西、北、东墙面的壁画，也被称为舍利殿屏风（syaridenbyoubu）。\n贞治3年（1364年）重造舍利殿的佛龛（zusi），此时舍利殿内部也进行着改装，据推测本图的制造年代也大约为同一时期。江户时代这些壁画被从墙上分离下来，改制成屏风，改制过程中出现了原画被大幅剪短或者错简（sakkan）的情况。此作为鉴戒画（kankaiga，即以劝诫为目的的绘画作品）的一种，绘有对名君效忠的贤士，故事情节自左向右展开。图上有诸多后人的补笔，作为南北朝时代为数不多的壁画留存作品非常珍贵。\n","@language":"zh"},{"@value":"원래의 법륭사 사리전（法隆寺舎利殿호류지샤리덴）내부에 수미단（須弥壇슈미단）을 둘러 싸듯이 서(西)・북(北)・동(東)의 벽면에 배치되어 있던 장자화(障子絵쇼지에)로써 사리전 병풍（舎利殿屏風쇼리덴뵤부）이라고도 불려진다.\n정치3년(貞治죠지3년, 1364)에 사리전(舎利殿쇼리덴)의 주자(厨子주시）가 새로 만들어져, 그 당시 내부 개축도 함께 이루어져, 본도의 제작도 그 때로 추측된다. 에도(江戸)시대에, 벽화에서 제외되어, 병풍으로 개조되었으나, 그 당시 큰 폭으로 감소와 착간(錯簡)이 발생했다. 군주에게 충성을 다한 현자를 그린 일종의 감계화(鑑戒画)로써, 내용은 좌측에서 우측으로 전개된다. 후세의 보필(補筆)이 많기는 하지만, 남북조시대(南北朝時代)의 그 수가 적은 장병화(障壁画)의 유품(遺品)으로써 귀중한 가치를 지닌다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100624001011/11/thumbnail.jpeg","@type":"dctypes:Image","height":133,"width":200},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100624&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 商山四皓・文王呂尚図屏風","@language":"ja"},{"@value":"e-Museum - Shangshan sihao (four elderly sages on Mt. 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