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People's lifestyles shifted from being based on food-gathering to an economy based on food production centering on rice. The social structure also changed and became more complicated. The introduction of wet rice cultivation from China drastically changed the lifestyle of the Japanese people. This agricultural development also affected the development of clay vessels, producing earthenware for different purposes, such as jars for storage, pots for cooking and bowls and plates with long leg for serving dishes.\n　This jar represents jars that were popular in the Ise Bay area during the late Yayoi period. It is a dignified jar with a wide-open rim, where an osenmon (concave line) pattern and a bojofumon (a pasted pattern of short sticks) pattern are applied. It also has a round fat bottom. Inside the rim, an ayasugimon (twill) pattern is engraved while a yamagatamon (mountain) pattern and a rettenmon (a sequence of dots) pattern are engraved on the shoulder with a spatula-like tool. The entire surface is colored in different shades of red in a striking balance and this color contrast harmonizes nicely with the refined form, adding striking beauty to this jar. Since the beauty of these clay vessels is comparable to the elegance of clay vessels excavated from the Knossos Palace in Greece, they are collectively called \"palace-style clay vessels.\" \n","@language":"en"},{"@value":"弥生时代，是稻米文化和金属器文化在日本列岛孕育而生的时代。人们的生活由以往的粮食采集经济向以稻米为主的粮食生产经济转变，社会结构也发生了更加复杂的变化。来自中国大陆的水田稻作农耕大大改变了人们的生活。而且，这种农耕生活的发展在土器上也有所体现，诞生了贮藏用壶、煮沸用瓮、盛物用钵、高杯等不同用途的器具种类。\n此壶是盛行于伊势海湾地区的弥生时代后期的代表作。壶的外观工整，宽口缘部和向下鼓出的壶身部分施有凹线纹和棒状浮纹，用刮刀状工具在口缘内侧刻有绫杉纹，肩部刻有人字形纹和列点纹。器皿表面用红色颜料巧妙分涂，这种完美的层次感与精炼的比例浑然一体，展现了壶的美感。此类土器的优美程度可与希腊克诺索斯宫出土的土器相媲美，因此也被称为“Palace Style（宫廷式）”。\n","@language":"zh"},{"@value":"야요이 시대는 일본 열도에서 최초로 농경 문화와 금속기 문화가 발전한 시대이다. 사람들의 생활은 당시까지의 식량 채집 경제에서 쌀을 주체로 하는 식량 생산 경제로 이행되었고 사회 구조도 훨씬 복잡해졌다. 중국 대륙에서 도입된 수전 도작 농경 즉 쌀농사가 사람들의 생활을 크게 바꾼 것이다. 그리고 이 농경 생활의 진전은 토기 문화에도 반영되어 저장용 단지, 가열용 옹기, 음식용 대접과 주발처럼 용도에 따라 다양한 그릇이 제작되는 결과를 가져왔다.\n이 단지는 이세 만안 지역에서 활발히 제작된 야요이 시대 후기를 대표하는 토기이다. 요선문(凹線文)과 도드라진 봉형 무늬가 새겨진 넓은 주둥이 부분과 아래쪽으로 펑퍼짐한 형태의 몸통 부분을 지닌 당당한 느낌의 단지로, 주둥이 부분 안쪽에는 능삼문(綾杉文)을, 몸통 윗부분에는 산형문(山形文)과 열점문(列点文)을 주걱 형태의 공구로 새겼으며, 토기 겉면을 붉은색 안료로 기교 있게 구분하여 채색하였다. 이 훌륭한 대비가 세련된 균형과 놀랍게 조화를 이루어 단지의 아름다움을 돋보이게 한다. 이러한 토기는 그리스의 크노소스 궁전에서 출토된 토기의 아름다움에 필적하는 면에서 ‘궁정 양식(Palace-style)’으로도 불린다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100576001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":160},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100576&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 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