{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100571001/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 流水文横帯文銅鐸","@language":"ja"},{"@value":"e-Museum - Ritual Bell with flowing water design and horizontal band ","@language":"en"},{"@value":"e国宝 - 流水纹横带纹铜铎","@language":"zh"},{"@value":"e국보 - 유수문 횡대문 동탁","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"考古","@language":"ja"},{"@value":"Archaeology","@language":"en"},{"@value":"考古","@language":"zh"},{"@value":"고고","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"りゅうすいもんおうたいもんどうたく","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"銅鐸","@language":"ja"}]},{"label":[{"@value":"出土地","@language":"ja"},{"@value":"Excavation","@language":"en"},{"@value":"出土地","@language":"zh"},{"@value":"출토지","@language":"ko"}],"value":[{"@value":"奈良県御所市名柄出土","@language":"ja"},{"@value":"Excavated in Narabara, Gose-city, Nara Prefecture","@language":"en"},{"@value":"奈良县御所市名柄出土","@language":"zh"},{"@value":"나라현 고세시 나가라 출토","@language":"ko"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1個","@language":"ja"},{"@value":"1 piece","@language":"en"},{"@value":"1口","@language":"zh"},{"@value":"1개","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"弥生時代・前2～前1世紀","@language":"ja"},{"@value":"Yayoi period/2nd-1st century BC","@language":"en"},{"@value":"弥生时代 公元前2～公元前1世纪","@language":"zh"},{"@value":"야요이시대·기원전2∼기원전1세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"J-8666","@language":"ja"},{"@value":"J-8666","@language":"en"},{"@value":"J-8666","@language":"zh"},{"@value":"J-8666","@language":"ko"}]}],"description":[{"@value":"大正7年（1918）、溜池工事の際、偶然に発見されたものである。発見者からの聞書きによれば、両者は地下60cm程度のところから出土したという。\n銅鐸は、小型で、身の主文様がA面は流水文、B面は袈裟襷文というきわめて稀な文様構成をもつものである。銅鐸の変遷過程では4段階のうちの第2段階目（外縁付鈕式）に位置づけられる。一方、銅鏡は、中国系の漢式鏡とは異なり、片寄った位置に二個の鼓形の鈕が並ぶ。鏡背には鏡縁・外区・内圏帯・内区から構成され、縁は断面蒲鉾形を呈し、全体は凹面を成している。鏡面が凹面を成すのは、この種の鏡の大きな特徴である。そして鏡背にはきわめて緻密な幾何学文が鋳出されている。繊細かつ幾何学美にあふれた鏡である。この種の鏡は、朝鮮半島から蒙古・中国東北地方を中心に数多く発見されているが、日本では、これまでに福岡・佐賀・長崎・山口・大阪・奈良・長野の10遺跡11面の出土例しかない。\n発見当時、韓国入室里遺跡や山口県梶栗浜遺跡で多鈕細文鏡が銅剣や銅矛と共伴することから、これらの年代観については概ね了解されていたが、銅鐸の年代観についてはまだ定まっていなかった。本例は、銅鐸と多鈕細文鏡がはじめて共伴した例としてきわめて重要であり、銅鐸の年代観を確立する基礎資料、そして銅鐸のみならず銅鏡の埋納の問題を考える重要資料として扱われてきているものである。\n","@language":"ja"},{"@value":"These artifacts were accidentally found during the construction of a pond in 1918. According to the record of an interview with the discoverer, both of them were found at 60 cm below ground.\nThe dotaku is small in size and has a rare pattern structure where the A side has a flowing water design and the B side has a kesadasukimon design (a pattern that looks like a priest's outer garment). Among the four development stages of dotaku, this one belongs to the second stage (gaientsuki-chushiki). On the other hand, this bronze mirror, different from Chinese Han-style mirrors, has two hand-drum-shaped knobs placed on one-side. The back of the mirror comprises a mirror rim, an outer section, an inner band and an inner section. The cross section of the rim is semi-cylindrical in shape and the entire surface of the mirror is concave. The concave surface is one of the typical characteristics of the second stage bronze mirrors. On the back of the mirror, an elaborate geometric pattern is created via casting. This is a delicate and geometrically beautiful mirror. While many mirrors of this type have been found centering on the Korean Peninsula, Mongolia and the northeastern part of China, they have been found only in ten ruins in Fukuoka, Saga, Nagasaki, Yamaguchi, Osaka, Nara and Nagano in Japan (a total of 11 mirrors).  \nWhen these artifacts were found, the creation year of bronze mirrors was generally understood since tachusaimonkyo (mirrors with multiple knobs and geometric patterns) had been found together with bronze swords and pikes among the Ipsil-ri Relics in Korea and the Kajikurihama Relics in Yamaguchi. However, the creation year of the dotaku was not clearly established. This is a very valuable example in that a dotaku and a tachusaimonkyo were found together for the first time. This example has been treated as an important basic material not only for the establishment of the creation year of the dotaku, but also for the study of burial of bronze mirrors.  \n","@language":"en"},{"@value":"本例是于大正7年（1918年），在蓄水池工程建设之时偶然被发现。据发现者口述的记录，二者的出土位置位于地下60cm左右。\n铜铎为小型，铎身的主要花纹为A面流水纹，B面袈裟榉纹，这种花纹结构极为罕见，在铜铎的变迁过程中，被定位为四阶段中的第二阶段（外缘带钮式）。而铜镜与中国的汉式镜不同，在偏向一侧的位置排列有二个鼓形提钮。镜背由镜缘、外区、内圈带和内区构成，镜缘呈断面半圆柱形，整体呈凹面。此类镜子的一大特征是镜面为凹面。而且镜背上铸有极其细腻的几何学花纹，是一面细腻且充满几何学美感的镜子。此类镜子在朝鲜半岛到蒙古、中国东北地区等地多有发现，而在日本至今只在福冈、佐贺、长崎、山口、大阪、奈良、长野的10处遗迹出土了11面。\n在发现当初，已知韩国的入室里遗迹和山口县梶栗浜遗迹中多钮细纹镜与铜剑和铜矛共藏，因此对此多钮细纹镜的年代观已有基本了解，但关于铜铎的年代观尚无定论。本例是首个铜铎与多钮细纹镜共藏之例，具有极其重要的意义，是确立铜铎年代观的基础资料，也是研究铜铎以及铜镜埋藏问题的重要史料。\n","@language":"zh"},{"@value":" 1918년 저수지 공사 중에 우연히 발견된 것으로, 발견자의 이야기를 듣고 적은 기록에 따르면 이 두 가지 유물은 지하 60cm 정도 부근에서 출토되었다고 한다.\n 동탁은 크기가 작고 몸통의 주된 문양이 A면은 유수문에 B면은 가사거문인 매우 유례가 드문 구성을 이루고 있다. 동탁의 변천 과정으로 볼 때 4단계 중 제2단계(외연부유식)에 해당한다. 한편 동경은 중국식 거울과는 달리 한쪽으로 몰린 위치에 2개의 북 모양 손잡이가 나란히 붙어 있다. 거울 뒷면은 거울 테두리, 외구, 내권 띠, 내구로 구성되었고 테두리는 단면의 가운데가 볼록한 반원기둥형에 전체적으로 오목면을 이루고 있다. 거울 면이 오목면인 것은 이러한 거울의 큰 특징이다. 그리고 거울 뒷면에는 매우 치밀한 기하학 무늬가 주조로 표현되어 있어 섬세하고도 기하학적인 아름다움이 돋보인다. 이러한 거울은 조선 반도를 비롯하여 몽고와 중국 동북 지방을 중심으로 다수 발견되고 있지만, 일본에서는 지금까지 후쿠오카, 사가, 나가사키, 야마구치, 오사카, 나라, 나가노에 있는 10곳의 유적에서 11점의 거울이 출토된 것에 불과하다.\n 발견 당시 한국 입실리 유적이나 야마구치 현 가지쿠리하마 유적에서 다유세문경이 동검이나 동모(銅矛)와 함께 출토되었기 때문에 이들의 연대관은 대강 파악되었지만, 동탁의 연대관은 정확히 규정되지 않은 상태였다. 이들 유물은 최초로 동탁과 다유세문경이 함께 출토된 사례로서 매우 중요한 가치를 지니며, 동탁의 연대관을 확립하는 기초 자료이자 동탁은 물론 동경의 매납 문제를 고찰하는 중요 자료로서 다루어지고 있다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100571001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":146,"width":200},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100571&content_part_id=1&content_pict_id=0","label":[{"@value":"e国宝 - 流水文横帯文銅鐸","@language":"ja"},{"@value":"e-Museum - Ritual Bell with flowing water design and horizontal band ","@language":"en"},{"@value":"e国宝 - 流水纹横带纹铜铎","@language":"zh"},{"@value":"e국보 - 유수문 횡대문 동탁","@language":"ko"}],"format":"text/html"},"within":{"@id":"https://emuseum.nich.go.jp/iiifapi/100571000/collection.json","@type":"sc:Collection","label":[{"@value":"奈良県御所市名柄出土品","@language":"ja"},{"@value":"Objects excavated in Nagara, Gose-city, Nara Prefecture","@language":"en"},{"@value":"奈良县御所市名柄出土文物","@language":"zh"},{"@value":"나라현 고세시 나가라 출토품","@language":"ko"}]},"sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100571001001.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"1","height":3337,"width":4588,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100571001001.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100571001001.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":3337,"width":4588},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100571001001.tif#xywh=0,0,4588,3337"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100571001001/1/thumbnail.jpeg","@type":"dctypes:Image"}}]}]}