{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100569001/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 流水文銅鐸","@language":"ja"},{"@value":"e-Museum - Ritual Bell with flowing water design ","@language":"en"},{"@value":"e国宝 - 流水纹铜铎","@language":"zh"},{"@value":"e국보 - 유수문 동탁","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"考古","@language":"ja"},{"@value":"Archaeology","@language":"en"},{"@value":"考古","@language":"zh"},{"@value":"고고","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"りゅうすいもんどうたく","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"流水文銅鐸","@language":"ja"}]},{"label":[{"@value":"出土地","@language":"ja"},{"@value":"Excavation","@language":"en"},{"@value":"出土地","@language":"zh"},{"@value":"출토지","@language":"ko"}],"value":[{"@value":"兵庫県豊岡市気比出土","@language":"ja"},{"@value":"Excavated in Kehi, Toyo-oka-city, Hyōgo Prefecture","@language":"en"},{"@value":"兵库县丰冈市气比出土","@language":"zh"},{"@value":"효고현 도요오카시 게히 출토","@language":"ko"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1個","@language":"ja"},{"@value":"1 piece","@language":"en"},{"@value":"1口","@language":"zh"},{"@value":"1개","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"高45.9 ","@language":"ja"},{"@value":"H 45.9 ","@language":"en"},{"@value":"高45.9 ","@language":"zh"},{"@value":"높이45.9 ","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"弥生時代・前2～前1世紀","@language":"ja"},{"@value":"Yayoi period/2nd-1st century BC","@language":"en"},{"@value":"弥生时代 公元前2～公元前1世纪","@language":"zh"},{"@value":"야요이시대·기원전2∼기원전1세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"J-7123","@language":"ja"},{"@value":"J-7123","@language":"en"},{"@value":"J-7123","@language":"zh"},{"@value":"J-7123","@language":"ko"}]}],"description":[{"@value":"　これら4個の銅鐸は、大正元年（1912）、採石作業中に岩陰から偶然発見されたものである。\r\n　いずれも銅鐸の変遷過程では4段階のうちの第2段階目（外縁付鈕式）に位置づけられるものである。鐸身は繊細な流水文で飾られ、それぞれに動物や人物といった巧みな絵画が表現されている。1号銅鐸の身にはシカ列（中央部には人物らしきものも鋳出されている）、鈕（吊り手）には爬虫類らしきものが向かい合う。2号銅鐸は鈕にシカ、3号銅鐸は鈕にはシカ、身にはトンボと魚、スッポン？と人物、そして4号銅鐸にはシカ列と人物が表現されている。こうした銅鐸絵画は弥生人の生活環境や精神世界を私たちに教えてくれる。\r\n　これらの銅鐸の中には、同じ鋳型で作られたと考えられる、いわゆる「同笵銅鐸」が存在する。2号銅鐸は島根県加茂岩倉5号銅鐸と4号銅鐸は加茂岩倉21号銅鐸・伝大阪府陶器銅鐸・伝福井県井向銅鐸と同笵関係にある。また、3号銅鐸は大阪府東奈良遺跡で発見された鋳型から製作されたことが判明している。銅鐸の生産と流通の問題を考える上でもきわめて貴重な資料である。また、本例は岩陰から発見されたこともあり、その発見当初より銅鐸は外敵の進入時に埋め隠されたとする「銅鐸隠匿説」を支える重要な資料としても扱われてきているが、再埋納の可能性もある。\r\n","@language":"ja"},{"@value":"These four dotaku (bronze bells) were accidentally found behind rock during quarrying operations in 1912.\n　Among the four development stages of dotaku, both of them belong to the second stage (gaientsuki-chushiki). The body of each dotaku is decorated with a delicate flowing water pattern and elaborate paintings of animals or people. There is a row of deer (a human-like figure is also cast in the center) on the body of the No. 1 dotaku and creatures like reptiles are placed face to face on the knob. While a deer is depicted on the knob of the No. 2 dotaku, the No. 3 dotaku has a deer on the knob and dragonflies, fish, soft-shelled turtles and human figures on the body, while the No. 4 dotaku has a row of deer and human figures on the body. These dotaku paintings tell us about the living environment and spiritual world of the people in the Yayoi period. \nAmong these dotaku, there are some \"dohan dotaku,\" dotaku cast in the same mold. The No. 2 and No. 5 dotaku of Kamoiwakura, Shimane are dohan dotaku whereas the No. 4 dotaku is dohan dotaku with the No. 21 dotaku of Kamoiwakura, the dotaku excavated from Mt. Toki, Osaka and those excavated from Inomukai, Fukui. Moreover, it has been found that the No. 3 dotaku was created from a mold that had been excavated from the Higashi Nara Ruins in Osaka. These dotaku are valuable materials for the study of the production and distribution of dotaku. While these dotaku have been treated as valuable materials that support the claim, partly based on the fact that they were found behind rock, that they were buried when outside enemies invaded the area (\"dotaku concealment account\"), there also remains the possibility that they had been re-buried for some reason.\n","@language":"en"},{"@value":"这4个铜铎是于大正元年（1912年）在采石作业中从岩石背后偶然发现的。\n这些铜铎被定位在铜铎变迁过程四阶段中的第二阶段（外缘带钮式）。铎身饰以细腻的流水纹，分别绘有精巧的动物和人物。1号铜铎的铎身上绘有鹿列（中央部分也铸有类似人物的图案）、钮（吊绳）部分为相对的爬虫类造型。2号铜铎的钮部为鹿形；3号铜铎的钮部为鹿形，铎身上绘有蜻蜓、鱼、鳖（？）和人物，而4号铜铎上绘有鹿列和人物。从铜铎绘画中现在的人们可以了解到弥生人的生活环境和精神世界。\n在这些铜铎之中，存在着据推测使用同一铸模制作而成的作品，即“同笵铜铎”。2号铜铎与岛根县加茂岩仓5号铜铎，4号铜铎与加茂岩倉21号铜铎、相传为大阪府陶器铜铎、相传为福井县井向铜铎均属于同笵关系。此外，还证实了3号铜铎是采用大阪府东奈良遗迹中所发现的铸模制作而成。本品是了解铜铎生产和流通问题的珍贵史料。此外，由于本品是从岩石背后发现的，所以自发现时起，本例便是支持因外敌入侵而将铜铎埋藏的“铜铎隐匿说”的重要史料，但也不排除这些铜铎曾被重新埋藏的可能性。\n","@language":"zh"},{"@value":" 이 4개의 동탁은 1912년 채석 작업 중에 바위 뒤에서 우연히 발견된 것이다.\n 모두 동탁의 변천 과정 4단계 중에서 제2단계(외연부유식)에 해당한다. 몸통은 섬세한 유수문으로 장식되었고, 각각 동물이나 인물과 같은 기교 넘치는 그림이 표현되어 있다. 1호 동탁의 몸통에는 사슴열(가운데 부분에는 인물처럼 보이는 것이 주조로 표현)이, 손잡이(매달기용)에는 파충류처럼 보이는 동물이 서로 마주보고 있다. 2호 동탁은 손잡이에 사슴이, 3호 동탁은 손잡이에 사슴이 그리고 몸통에는 잠자리와 물고기와 자라(?)와 인물이, 그리고 4호 동탁에는 사슴열과 인물이 표현되어 있다. 이러한 동탁 회화는 야요이 사람들의 생활 환경이나 정신 세계를 우리에게 알려준다.\n 이들 동탁 가운데에는 동일 주형으로 제작된 것으로 추정되는 이른바 ‘동범 동탁’이 존재한다. 2호 동탁은 시마네 현 가모이와쿠라 5호 동탁과, 4호 동탁은 가모이와쿠라 21호 동탁 그리고 오사카 부의 도기 동탁 및 후쿠이 현의 정향 동탁과 동범 관계이다. 또한, 3호 동탁은 오사카 부의 히가시나라 유적에서 발견된 주형으로 제작된 사실이 판명되었다. 동탁의 생산과 유통 문제를 고찰하는데 있어 대단히 귀중한 자료이다. 또한, 이들 동탁이 바위 뒤에서 발견된 점을 근거로 발견 당시부터 외적의 침입이 있었을 때 묻어서 감춘 것이라는 ‘동탁 은닉설’을 뒷받침하는 중요한 자료로서도 취급되어 왔지만, 다시 매납되었을 가능성도 있다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100569001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":150},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural 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