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The red thick woolen cloth called raxa, which was described as \"as red as Shojo,\" a Chinese fictitious being that loved drinking, was brought into Japan from Europe and became a popular material at the time. On the back of the red jacket, a bold pattern of a pair of crossed sickles made of white and black raxa is created using the kirihame technique (cutting out part of a cloth and then fit in a different cloth to form a pattern). A small heart-shaped design patched on the handles of the sickles is called inome in Japan. On the front side, there is a design of torii (the gateway at the entrance to a shrine) in twill weave brocade and small red buttons like those found on Western clothes. A jinbaori is worn over the armor on a battlefield. The torii may be designed as a symbol of divine protection on a dangerous battlefield. Such a charm can also be found also on the lining: On the lining of the back, the word \"eternity\" is embroidered in a circle with bluish green silk thread, which seems to mean a prayer for a lasting life. For the lining, white damask patterned with Western plants is used. This jacket shows that samurais regularly used rare European fabrics that the ships from Spain or Portugal brought into Japan during the Azuchi-Momoyama period.   ","@language":"en"},{"@value":"小早川秀秋(1582〜1602)原为丰臣秀吉家臣，却在关之原一战中投靠了德川家康，相传此件阵羽织为其所穿。被形容为像中国嗜酒的妖精猩猩一般红的鲜红绫罗纱是从遥远的欧洲船运至日本的，是当时流行的材料。华丽的红色阵羽织后背，以白黑双色绫罗纱镶嵌出两把巨大镰刀呈斜十字状交错的大胆图案。镰刀柄部以红色绫罗纱微嵌的“心”型图案在日本被称为“猪目”。另外，衣服前身相交的部分，以斜菊花纹织锦设计成鸟居形，采用红色小钮扣的式样，看上去如同西洋服饰。阵羽织在战场上穿于铠甲之上。鸟居（相当于中国的牌坊或牌楼）的设计也许是为了在性命攸关的危险战场上祈求得到神灵的保佑。此类护身符亦可见于衣服衬料。展开前襟，衬料的后背部分以青绿色的绢丝绣着大且圆的“永”字。也许是祈愿生命永存之意。衬料为西洋植物图案的白底缎子。这件阵羽织诉说着欧洲产的珍贵裂帛被南蛮船只带到日本并深的桃山时代武将们青睐的故事。","@language":"zh"},{"@value":"　도요토미 히데요시를 섬기면서도 세키가하라 전투에서 도쿠가와 이에야스의 편에 선 고바야카와 히데아키(1582〜1602)가 입었다고 전해지는 진바오리이다. 중국 술을 좋아하는 요정 성성처럼 붉게 표현된 새빨간 나사는 멀리 유럽에서 일본으로 전해진 당시 유행하던 소재이다. 그 화려한 붉은 색 바탕의 등에는 커다란 낫을 비스듬한 십자로 교차시킨 대담한 문양을 흰색과 검정색의 나사로 박아 넣었다. 낫 문양에 빨간 나사로 작게 박아 넣은 하트 형 문양은 일본에서는 「이노메」라고 한다. 한편 목 부분은 국사문 모양 비단으로 도리이를 디자인하여 서양 의복에서 볼 수 있는 빨간 작은 단추로 채우도록 되어 있다. 진바오리는 전장에서 갑옷 위에 착용한다. 도리이는 생명이 위험한 전장에서 신의 가호를 비는 의미로 디자인 했을 것이다. 이와 같은 주문은 옷의 안감에서도 볼 수 있다. 앞쪽 맞추는 부분을 열어 보면 안감의 등 부분에 청록의 비단실로 크게 원 안에 「영」이라는 글자를 자수해 두었다. 목숨을 길게 해 달라는 기도였던 것 같다. 안감에는 서양풍의 식물 무늬 등이 새겨진 흰 바탕의 단자가 있다. 남만선이 일본으로 가져 온 유럽 산의 진귀한 옷을 모모야마 시대의 무장이 애용했다는 사실을 말해 준다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100546001002/2/thumbnail.jpeg","@type":"dctypes:Image","height":157,"width":200},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100546&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 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