{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100428042/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - キリスト像","@language":"ja"},{"@value":"e-Museum - Christ","@language":"en"},{"@value":"e国宝 - 耶稣像","@language":"zh"},{"@value":"e국보 - 그리스도상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"<span>歴史</span><span>資料</span>","@language":"ja"},{"@value":"<span>Historical </span><span>Materials","@language":"en"},{"@value":"<span>历史</span><span>资料</span>","@language":"zh"},{"@value":"<span>역사</span><span>자료</span>","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"きりすとぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"長崎奉行所キリシタン関係資料","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1個","@language":"ja"},{"@value":"1 piece","@language":"en"},{"@value":"1尊","@language":"zh"},{"@value":"1개","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"象牙製","@language":"ja"},{"@value":"Ivory","@language":"en"},{"@value":"象牙制","@language":"zh"},{"@value":"상아제","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"長16.1","@language":"ja"},{"@value":"L16.1","@language":"en"},{"@value":"长16.1","@language":"zh"},{"@value":"길이16.1","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"16世紀後期～17世紀初期","@language":"ja"},{"@value":"Late 16th century-Early 17th century","@language":"en"},{"@value":"16世纪后期～17世纪初期","@language":"zh"},{"@value":"16세기후기∼17세기초기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"C-684","@language":"ja"},{"@value":"C-684","@language":"en"},{"@value":"C-684","@language":"zh"},{"@value":"C-684","@language":"ko"}]},{"label":[{"@value":"その他テキスト","@language":"ja"},{"@value":"Other","@language":"en"},{"@value":"其他","@language":"zh"},{"@value":"그 외 텍스트","@language":"ko"}],"value":[{"@value":"長崎奉行所旧蔵品(宗門蔵保管)","@language":"ja"},{"@value":"Formerly owned by Nagasaki magistrate's office (kept in the religious-sects storehouse)","@language":"en"},{"@value":"长崎奉行所旧藏品(宗门藏保管)","@language":"zh"},{"@value":"나가사키봉행소 구 소장품(종문장보관)","@language":"ko"}]}],"description":[{"@value":"　東京国立博物館が所蔵するキリシタン関係資料は、絵画、彫像、メダイ、十字架、ロザリオ、踏絵などであり、その中心をなすのは、長崎奉行所による信徒からの没収品で、由緒がはっきりしている点が特徴である。\r\nこれらの資料については、明治7年（1874）、維新後に資料を引き継いだ長崎県が、踏絵を購入したいという外国人の要望に対し、その処置に困り、一括して当時の教部省に引き取ってもらったことが知られている。その後、内務省社寺局の所轄になり、同省博物局所属博物館（東京国立博物館の前身）が引き継いだものである。\r\n　絵画のうち、「三聖人像」は、大型の布製の油絵である。キリスト教の宣教師たちはこうした絵画を携えて来日したが、長旅と保存上の理由から、大型のものは少なく、大半は小型の銅板に描かれた油彩画であったと思われる。そのなかで、「親指のマリア」は、宝永5年（1708）に屋久島に潜入して捕らえられたイタリア人宣教師ジョワンニ・シドッチ(1667～1714)が所持していた聖母像と伝え、衣服から親指が少し見えているところからこの名称がある。\r\n　彫像には、鉛製のキリスト像や、鮑貝製の浮き彫りキリスト像などがみられるが、「白磁観音菩薩像」（マリア観音）は、中国・福建省の徳化窯（とっかかま）でつくられた白磁製の観音像で、キリシタン取締りのさなか、信徒は観音像を聖母マリアに見たてて密かに崇敬していた。ほとんどが安政3年（1855）の浦上三番崩れで、長崎奉行所によって没収されたもので、もとの所蔵者の判明するものが少なくない。\r\n　慶応元年（1865）、開国後の長崎に来たパリ外国宣教会のプチジャン神父は、布教のために十字架・メダイ・ロザリオを携行し、浦上の信徒に与えたが、慶応3年の浦上四番崩れで、その多くが没収されている。また、京都府下の福知山で発見されたメダイやロザリオ残欠なども遺品に含まれている。\r\n　踏絵は、信徒判別のために寛永の初め頃ら実施されたといわれており、はじめは聖画を使用したが、損耗が激しく、数も不足したので、信徒から没収した「銅牌」を厚板にはめこんで踏絵に用いたのが「板踏絵」である。長崎奉行所が寛文2年（1669）に鋳物師（いもじ）の荻原（はぎわら）祐佐らに命じて制作したという真鍮製の踏絵は19枚が現存する。\r\n","@language":"ja"},{"@value":"　Materials related to Christianity in feudal Japan that the Tokyo National Museum currently owns include paintings, statues, medals, crosses, rosaries and fumi-e (a board with a likeness of Christ or Mary, on which the authorities required suspected Christians to step). Goods confiscated from Christians by the Nagasaki magistrate's office constitute the core part of these materials and feature clear provenance.   \nIt is known that Nagasaki Prefecture, which had taken over these materials after the Meiji Restoration, handed them collectively to the then Ministry of Education in 1874 since they were at a loss with what to do with them when foreigners requested that the prefecture sell the fumi-e to them. Later, these materials came under the jurisdiction of the Temples and Shrines Department of the Ministry of Home Affairs and then a museum (the predecessor of the Tokyo National Museum) that belonged to the Museum Department of the Ministry of Home Affairs took them over.  \n　Among the paintings, the \"Three Saints\" is a large oil painting on fabric. While Christian missionaries brought many paintings into Japan, it seems that there were very few large ones due to the long journey and for preservation's sake and most oil paintings were drawn on small copper plates. Among them, \"Oyayubi no Mary\"  (literally, Mary the Thumb) is said to have been possessed by an Italian missionary Giovanni Sidotti (1667 – 1714), who was captured after infiltrating Yaku Island in 1708. The painting is so called because Mary's thumb can be seen from between her clothes.\n　The statues include images of Christ made of lead and relieved images made of abalone. The \"White Porcelain Kannon Bodhisattva\" (Mary Kannon) is an image of Kannon made of white porcelain produced at the Tokka kiln in Fujian, China. In the midst of severe persecution, Christians used Kannon images as Mary and admired them in secret. Most of these statues are those that were confiscated by the Nagasaki magistrate's office in 1855 when the third roundup at Urakami was conducted. For many of them, the original owners can be identified.  \n　Priest Petitjean of The Society of Foreign Missions of Paris came to Nagasaki in 1865 after Japan had opened the country to the world and brought many crosses, medals and rosaries with him for the propagation of Christianity. He gave them to believers in Urakami, but most of them were confiscated during the fourth Urakami roundup in 1867. He also brought medals and parts of rosaries found in Fukuchiyama, Kyoto with him.  \n　It is said that the practice of fumi-e to identify practicing Christians and sympathizers began in the early Kanei era (1624 – 1643). At the beginning, paintings of Christ and the Virgin Mary drawn on paper were used. However, since they wore out quickly and there were not many of them available, the authorities began to use \"ita fumi-e,\" a copper medal inserted into a thick board. Currently, there are 19 brass fumi-e that the Nagasaki magistrate's office had Yûsuke Hagiwara and other casters make in 1669. \n","@language":"en"},{"@value":"　　东京国立博物馆收藏的天主教徒相关资料包括绘画、雕像、圣像挂饰、十字架、天主教念珠、踏绘等，主要是长崎奉行所从信徒处没收的物品，特点是来历明确。\r\n　　关于这些资料，据称是明治7年（1874）维新后由长崎县接收资料，因当时外国人要求购买踏绘而难以处置，故一并交由当时的教部省。其后这些资料归内务省社寺局管辖，由该省博物局所属博物馆（东京国立博物馆的前身）接收。\r\n　　绘画之中的“三圣人像”是大型布制油画。基督教传教士曾携带此类绘画来到日本，因路途遥远和保存方面的原因，大型绘画较少，大部分是画在小型铜板上的油彩画。其中的“拇指之玛利亚”，据称是宝永5年（1708）因潜入屋久岛而被捕的意大利传教士Giovanni Battista Sidotti(1667～1714)所有的圣母像，因衣服内露出小部分拇指而得名。\r\n　　雕像有铅制基督像、鲍贝制浮雕基督像等，而“白磁观音菩萨像”（玛利亚观音）是中国福建省的德化窑（tokkakama）制成的白磁制观音像，在天主教被禁止的年代，信徒将观音像当作圣母玛利亚而偷偷供奉。雕像的大部分是在安政3年（1855）的第三次浦上镇压基督教徒时被长崎奉行所没收之物，其中不少尚能知道原收藏者为何人。\r\n　　庆应元年（1865），巴黎外国传教会的柏若望神父来到开国后的长崎，他为了传教携带了十字架、圣像挂饰和天主教念珠并分发给浦上的信徒，但在庆应3年的第四次浦上镇压中大都被没收。此外，其遗物中还包括在京都府下福知山发现的圣像挂饰和天主教念珠的残缺物品等。\r\n　　“踏绘”据说是为了辨别信徒而在宽永初期左右实施的，起初使用圣画，但因磨损严重且数量不足，故将从信徒处没收的“铜牌”嵌入厚板用作踏绘，即“板踏绘”。现存的19块黄铜制踏绘，据说是长崎奉行所于宽文2年（1669）命令铸造工匠（imoji）萩原（hagiwara）祐佐等人制作而成。\r\n","@language":"zh"},{"@value":"도쿄국립박물관이 소장하고 있는 기독교 관계 자료는 회화, 조각상, 메달, 십자가, 묵주, 후미에(踏絵)* 등인데, 그 중심에 있는 것이 나가사키 부교쇼(奉行所)*가 신도에게서 몰수한 물품으로, 그 유서를 명확히 알 수 있다는 점이 특징이다.\r\n이들 자료는 1874년 유신 후에 자료를 물려받은 나가사키 현이 후미에를 구입하기 원하는 외국인의 요망을 들어주기 어렵다 하여 자료 전체를 당시의 교부성에 인도한 것으로 알려져 있다. 그 후 내무성 사사국(社寺局)에서 관할하게 되면서 내무성 박물국 소속 박물관(도쿄국립박물관의 전신)이 이어받게 된 것이다.\r\n회화 가운데 ≪3성인상(三聖人像)≫은 대형 포제(布製) 유화이다. 기독교 선교사들은 이러한 그림을 가지고 일본에 들어왔지만, 긴 여행과 보존상의 이유에서 대형 그림은 그 수가 적었고 대부분이 소형 동판에 그려진 유채화였을 것이다. 그 중에서 ≪엄지손가락의 마리아(親指のマリア)≫는 1708년 야쿠시마(屋久島) 섬에 잠입하여 체포된 이탈리아인 선교사 조완니 시드치(1667~1714)가 소지하고 있던 성모상으로 알려져 있으며, 옷에서 살짝 보이는 엄지손가락 때문에 이처럼 명명되었다.\r\n조각상으로는 납으로 제작된 예수상이나 조개 껍데기 등으로 제작된 부조 예수상 등이 있다. ≪백자관음보살상≫(마리아 관음)은 중국 복건성의 덕화요(徳化窯)에서 만들어진 백자 관음상으로, 기독교 탄압 속에서 신도들은 관음상을 성모 마리아 대신으로 생각하며 비밀리에 숭배하였다. 대부분 1855년 우라카미(浦上) 3차 탄압사건에서 나가사키 부교쇼가 몰수한 것으로, 본래의 소유자가 적잖이 판명되었다.\r\n1865년 개국 후의 나가사키에 들어온 파리 외국선교회의 프티장 신부는 포교를 위해 가지고 온 십자가와 메달, 묵주를 우라카미의 신도들에게 주었지만, 1867년 우라카미 4차 탄압사건에서 그 대부분이 몰수되었다. 또한 교토 부의 후쿠치야마(福知山) 산에서 발견된 온전치 못한 메달이나 묵주 등도 유물에 포함되어 있다.\r\n후미에는 신도를 판명하기 위해 1629년경부터 실시된 것으로 알려져 있다. 처음에는 성화를 사용하였지만 쉽게 소모되고 수도 적었기 때문에, 신도에게서 몰수한 ‘동메달’을 두꺼운 판에 끼워 넣은 ‘판 후미에’를 후미에로 사용하였다. 나가사키 부교쇼가 1669년 주물공인 오기와라 유사(荻原祐佐) 등에게 명하여 제작한 것으로 알려진 놋쇠 후미에 19장이 현존하고 있다.\r\n\r\n* 후미에: 에도 시대에 막부가 금지령 하에 있던 기독교 신도를 색출할 때 사용했던 목제나 금속제 판\r\n* 부교쇼: 행정 사무를 담당하던 관청\r\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100428042001/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":160},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100428&content_part_id=42&content_pict_id=0","label":[{"@value":"e国宝 - 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