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This sign symbolizes that Amitabha Tathagata came to welcome the dead into the Pure Land and this type of Amitabha Tathagata image was actively created during the Kamakura period. In particular, 3-shaku (about 90cm) images of this type created by Kaikei, which were called Annamyo, became popular and had a lasting impact on Buddhist images created in later years.\nAccording to the inscription written in sumi inside the back of the head, this image was created in 1259 by Eisen, a sculptor of Buddhist images and constitutes a referential example of Buddhist images of the mid-thirteenth century. While there are no other remaining works by Eisen, his style, which is different from that of Kaikei, can be found in the facial features and clothing style.  \n","@language":"en"},{"@value":"阿弥陀如来像双手的拇指与食指相捻而立，呈来迎样式（raigoukeisiki）。这种姿势意味着阿弥陀佛前来迎接即将往生的众生，在镰仓时代广为兴造。尤其是佛工快庆（kaikei）所造的此形式的三尺像作为安阿弥样（annamiyou）而广为流行，对后世影响深远。\n    根据像内头后部所有的墨书铭文，可知本像系永仙佛工于正嘉3年(1259年)所作，属于13世纪中叶的基准范例。永仙的事迹除此之外无可获知，但可以判断本像的相貌及衣着形式等都与快庆所造之像在风格上略有不同。\n","@language":"zh"},{"@value":"양손의 제1지와 제2지를 꼬고 서 있는 내영 형식의 아미타여래상이다. 이 모습은 임종 직전의 왕생자를 아미타가 맞으러 온다는 것을 의미하며, 가마쿠라 시대에 많이 건립되었다. 특히 불사 가이케이가 만든 이 형식의 삼척상은 안아미양으로서 널리 유행하여 후세까지 강한 영향을 주었다.\n본 상은 상내 후두부에 기록된 묵서명에 의하면1259년에 에이센이라는 불사가 만들었다는 사실을 알 수 있는 13세기 중반의 기준이 되는 작품 예이다. 에이센의 공적은 달리 알려져 있지 않으나, 본 상의 얼굴 생김새나 착의 형식 등에는 가이케이가 만든 불상과는 조금 다른 작풍으로 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