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He served Môri Terumoto, reconstructed the Unkoku hermitage of Sesshû, a historic site (in Yamaguchi), on orders from his master, and advocated the Sesshû school. His painting lineage held large effects on the societies of painters through the Chûgoku area to Kita Kyûshû, throughout the Edo period. This is one of Tôgan's masterpieces and reported to have been originally owned by the Masuda clan in Iwami. Sesshû-style motifs such as rocky mountains, houses and ships at anchor are found here and there; his characteristics are clearly seen in the systematic composition and gentle and peaceful scenery. \n","@language":"en"},{"@value":"　云谷等颜为桃山后期画坛的代表人物之一。奉仕于毛利辉元，遵主命重建雪舟旧迹云谷庵(山口)，宣扬雪舟流。整个江户时代，该画系在中国地方到北九州的画坛保持极强的影响力。本图为等颜的代表作之一，据传为石见的益田家之旧藏。从作品中的石山、人家、泊舟等可散见雪舟风格的创作思想。但画面构成严整，温和静谧，很好地体现了他的特色。\n","@language":"zh"},{"@value":"운코크 도우간(雲谷等顔)은 모모야마 후기 화단을 대표하는 화가의 한 사람. 모우리 데루모토(毛利輝元) 밑에서 그의 명을 받아 셋슈(雪舟)의 고작인 운코크안(雲谷庵, 야마구치(山口))를 부흥시켜, 셋슈류(雪舟流)를 표방했다. 그 계통은 에도 시대 때 쥬고쿠(中國) 지방에서 북큐슈(北九州)에 걸쳐서 화단에 큰 영향력을 가졌다. 이 작품은 도우간(等顔)의 대표작 중의 하나이며, 이와미(石見)의 마스다(益田) 가문의 옛 소장품이었던 것으로 전해진다. 바위 산, 가옥, 배 등 여러군데에서 셋슈풍(雪舟風)의 소재를 볼 수 있지만, 정연한 화면구성과 온화하고 태평한 화취(畵趣)에 그의 특색이 잘 나타나고 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