{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100338000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 四季山水図屏風","@language":"ja"},{"@value":"e-Museum - Landscape of the four seasons","@language":"en"},{"@value":"e国宝 - 四季山水图屏风","@language":"zh"},{"@value":"e국보 - 사계산수도 병풍","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"しきさんすいずびょうぶ","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"紙本墨画淡彩四季山水図","@language":"ja"}]},{"label":[{"@value":"作者","@language":"ja"},{"@value":"Creator","@language":"en"},{"@value":"作者","@language":"zh"},{"@value":"작자","@language":"ko"}],"value":[{"@value":"伝周文筆","@language":"ja"},{"@value":"Attributed to Shūbun ","@language":"en"},{"@value":"传周文笔","@language":"zh"},{"@value":"슈분 필","@language":"ko"}]},{"label":[{"@value":"作者よみ","@language":"ja"}],"value":[{"@value":"しゅうぶん","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"6曲1双","@language":"ja"},{"@value":"A pair of six-fold screens","@language":"en"},{"@value":"6曲1双","@language":"zh"},{"@value":"6곡1쌍","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"紙本墨画淡彩","@language":"ja"},{"@value":"Ink and light color on paper ","@language":"en"},{"@value":"纸本墨画淡彩","@language":"zh"},{"@value":"지본묵화담채","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"各150.4×355.4","@language":"ja"},{"@value":"150.4x355.4each","@language":"en"},{"@value":"各150.4×355.4","@language":"zh"},{"@value":"각150.4×355.4","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"室町時代・15世紀","@language":"ja"},{"@value":"Muromachi period/15th century","@language":"en"},{"@value":"室町时代 15世纪","@language":"zh"},{"@value":"무로마치시대·15세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"A-11970","@language":"ja"},{"@value":"A-11970","@language":"en"},{"@value":"A-11970","@language":"zh"},{"@value":"A-11970","@language":"ko"}]}],"description":[{"@value":"　室町時代における最も重要な画家の一人と考えられている周文は、絵画だけでなく、彫刻の制作も行っている。この点ではルネッサンスの巨匠、ミケランジェロと同様に、多方面にわたって活躍した天才的な作家と呼んでいいかもしれない。\n　現在、周文筆の可能性の高い作品として認められているのは、竹斎読書図（ちくさいどくしょず）、水色巒光図（すいしょくらんこうず）といった比較的小さい掛幅の山水画である。しかし周文は花鳥・山水の障屏画も描いたことが記録から知られ、大画面山水画の領域においても重要な役割を果たしたと推測されるが、確かな遺品はない。周文筆と伝えられる山水図屏風には、本図のほかに前田育徳会本、静嘉道文庫美術館本、大和文華館本、香雪美術館本および、もうひとつの東博本などがあり、本図もこれらと同様に、周文の弟子の世代の画家の作品とされている。この作品の図様は、山市、帆船、月、雁、漁村、雪景を含むところから、主として舶載された瀟湘八景図（山市晴嵐、遠浦帰帆、洞庭秋月、平沙落雁、漁村夕照、江天暮雪、煙寺暮鐘、瀟湘夜雨）からの転用と想像される。そして空間の連続性において不自然な部分がいくつかある点で、本図は大画面の構成に未熟な初期段階に位置し、15世紀後半の作と考えられる。\n","@language":"ja"},{"@value":"   Shūbun is regarded as one of the most important painters in the Muromachi period. He produced not only paintings, but also sculptures. In this regard, he can be called a genius and artist with multiple talents, as was the Renaissance master Michelangelo. \n　At present, the paintings that are highly likely to be Shūbun's are landscapes of relatively small sizes, including Chikusaidokushozu (Reading in a Bamboo Grove) and Suishoku Rankōzu (Hue of the Water, Light on the Peaks). However, it is known from records that Shūbun also painted shouheiga (painting on large surfaces of architectural structures) with motifs of birds and flowers and landscapes, so it is likely that he played an important role in the field of large landscapes; there is no existing painting of that kind proven to be his.\n   Landscapes on screens traditionally believed to be Shūbun's include, other than this piece, the Maeda Ikutokukai version, the Seikadōbunko Museum version, the Yamato Bunkakan version, the Kousetsu Museum version, and another version in Tokyo National Museum. This piece is, along with those, thought to be painted by painters from Shūbun's disciples' generation. The motifs in the picture include a mountain village, sailing ships, the moon, wild geese, a fishing village, and a snowscape, all of which are motifs in Shoushou Hakkei paintings (Ch: Xiaoxiang bajing, Eight views of the Xiao and the Xiang. The eight views are \"wild geese descending to a sandbar\"; \"returning sails off a distant shore\"; \"mountain village after a storm\"; \"river sky in the evening snow\"; \"autumn moon over Lake Dongting\"; \"night rain over the Xiao and Xiang\"; \"evening bell from a distant temple\"; and, \"fishing village in the sunset glow\"). Because of this, it is reasonable to assume that the composition of this　picture was largely taken from some Shoushou Hakkei paintings imported from China. As there are some parts where the continuity of space is not natural, this piece is likely to have been produced in the late fifteen century, when the composition technique for large pictures was not fully developed yet.    　\n","@language":"en"},{"@value":"　周文为室町时代最重要的画家之一，不仅擅长绘画，还精通雕刻。这点与文艺复兴巨匠米开朗基罗一样，可以说是活跃在多个领域的天才艺术家。\n现在，认为极有可能为周文作品的有竹斋读书图（chikusaidokusyozu）、水色峦光图（suisyokurankouzu）等较小型的挂轴山水画。但是根据记录可知，周文也曾绘制过花鸟、山水的屏风画，据推测，他在大幅山水画领域中也发挥过重要作用，但是还没有被证实了的千真万确是他的遗物的作品。据说为周文所绘的山水屏风中，除了本图外，尚有前田育德会藏品、静嘉道文库美术馆藏品、大和文华馆藏品、香雪美术馆藏品以及另外一件东京博物馆藏品等，本图与上述作品一样都被认为是周文弟子一代的画家的作品。本作画面绘有山间小镇、帆船、明月、大雁、渔村、雪景，由此可以想象其主要借用了中国舶来的潇湘八景图（山市晴岚、远浦归帆、洞庭秋月、平沙落雁、渔村夕照、江天暮雪、烟寺暮钟、潇湘夜雨）。另外在空间的连续性上也有几处不自然的地方，据此推测，本作可能为大幅图画面的构图尚未成熟的早期，即15世纪后半的作品。\n","@language":"zh"},{"@value":" 무로마치 시대의 가장 중요한 화가 중 한명인 슈분은 회화 뿐 아니라 조각작품 제작도 하였다. 이 점은 르네상스 시대의 거장 미켈란젤로와 동일한 점으로 다방면에 걸쳐 활약한 천재적 작가라 부를 수 있을 것이다.\n 현재 슈분의 작품일 가능성이 높은 것으로 인정된 것은 죽재독서도, 수색만광도 등 비교적 작은 크기의 폭으로 된 산수화이다. 그러나 슈분은 화조나 산수를 그린 장병화(장지 등에 그린 그림)도 그렸다는 기록이 알려져 있으므로 큰 크기의 산수화 영역에서도 중요한 역할을 했을 것으로 추측되지만 확실한 유작품은 없는 상태이다. 슈분의 작품으로 전해지는 산수도 병풍에는 본 그림 외에도 마에다 이쿠토쿠 회본, 세이카도분코 미술관 본, 야마토분카칸 본, 고세쓰 미술관 본 및 또 하나의 도쿄 국립박물관 본 등이 있으며 이 작품들과 마찬가지로 본 그림 역시 슈분의 제자들 세대의 화가들이 작품으로 여겨지고 있다. 이 작품의 도양은 산시, 범선, 달, 기러기, 어촌, 설경이 들어 있는 것으로 보아 주로 배로 운반되었을 소상팔경도(산시청람, 원포기범, 동정추월, 평사낙안, 어촌낙조, 강천모설, 연사모종, 소상야우)에서 가져왔을 것으로 추정되어진다. 그리고 공간의 연속성 면에서 어색한 부분이 몇 군데 있는 것으로 볼 때 큰 그림의 구성에서 아직 미숙한 초기 단계일 것이며 15세기 후반의 작품으로 생각된다. \n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100338001003/3/thumbnail.jpeg","@type":"dctypes:Image","height":89,"width":200},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural 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