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Because of that, they were a popular theme in paintings from the early period, and those paintings were great in number.   \nAmong the four accomplishments, playing koto and chess (or go) were entertainments suitable for men of noble character. As for calligraphy and painting, it was considered ideal to know well the refined ways of engaging in those activities, e.g., to be absorbed in composing poetry, let a page rub sumi  (to make sumi ink) and write a poem, or to obtain refined aesthetic pleasure from an appreciation of paintings rather than painting them.\nThis piece follows those ideas and values, but all of the main figures are women in the Chinese style. While the manner of dress expresses high dignity with the serenity typical of persons of noble character, they demonstrate brilliance as well. There is something fascinating and elegant about them. The artist added plum trees on the cliff, broadleaf trees, and other parts to the scenery in a skillful manner that pervades the brilliant air. In comparison to the characters, the study and the books are painted meticulously, the incidental details of the picture are handled with a rather bold touch. This expresses a character typical for Yūshō. The atmosphere of the painting suggests that it was painted in the prime of his life, when he was in high spirits. The signature \"Yūshō,\" a seal reads \"Kaihō,\" and another seal reads \"Yūshō\" at the corners of the screens on both sides.\n","@language":"en"},{"@value":"琴棋书画在东洋历来为有涵养的高士所重，被看做是一种重要的修养。为此，作为大家喜欢的绘画主题也是由来已久，屡屡被绘入画中。此四个字，琴棋，顾名思义，即为弹琴、下棋（或者围棋），是符合高士形象的玩乐，书画中的书是沉醉于诗作、让童子研墨自己赋（fu）诗之意，而画并非绘画，表达的是通往鉴赏娱乐等风雅之道的理想。\n此图也是学习琴棋书画之作，画中主要人物均为中国风格的妇女，这点与以往的作品有所差异。但是，服装符合高士形象，稳重而高贵却不失华丽及娇艳的韵味。而且画中还巧妙地加入崖梅樹、润叶树及景观，更增添了画作华丽的风格。与细致地描绘人物、书斋、书卷等的作品相比，此图的利用豪放笔触进行点缀性人物描绘（tenkei）的手法，也是友松性格的体现。从此图画境来看，一般认为是其壮年时期意气风发时之作。左右屏风的角落里书有“友松”的落款以及“海北”“有松”的图章。\n","@language":"zh"},{"@value":"금기서화는 동양에서 예로부터 교양있는 사람들에게는 매우 중요한 취미 생활이었다. 따라서 일찍부터 그림의 소재로 인기가 있었으며 많은 작품에서 그린 것을 볼 수 있다. 네 가지 문자 중 먼저 ‘금기’는 글자 그대로 거문고를 치거나 바둑을 두는 것이 교양 있는 사람다운 유흥이었음을 보여주며 ‘서화’에서의 서는 시를 짓는 일에 몰두하거나 동자에게 묵을 갈게 하여 시를 짓는 것이며 화는 그리는 것이 아니라 감상하고 즐긴다는 의미에서 문아의 길에 정통하게 되는 것이 이상적임을 말해 준다.\n이 그림에서도 그러한 생각이 반영되어 있는데 주요 인물은 모두 중국풍 부녀들임을 알 수 있다. 그러나 복장은 교양 있는 사람답게 글이 쓰여져 높은 품격을 나타내면서 동시에 화려함을 보여주며 광택이 있는 것이다. 거기에 매화나무, 활엽수, 경관을 훌륭하게 배치시켜 밝고 화려한 기분을 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