{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100307000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 玄奘三蔵像","@language":"ja"},{"@value":"e-Museum - Xuanzang Sanzang","@language":"en"},{"@value":"e国宝 - 玄奘三藏像","@language":"zh"},{"@value":"e국보 - 겐조삼장상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"げんじょうさんぞうぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"絹本著色玄奘三蔵像","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1幅","@language":"ja"},{"@value":"1 hanging scroll","@language":"en"},{"@value":"1幅","@language":"zh"},{"@value":"1폭","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"絹本著色","@language":"ja"},{"@value":"Color on silk","@language":"en"},{"@value":"绢本着色","@language":"zh"},{"@value":"견본착색","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"135.1×59.9","@language":"ja"},{"@value":"135.1x59.9","@language":"en"},{"@value":"135.1×59.9","@language":"zh"},{"@value":"135.1×59.9","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"鎌倉時代・14世紀","@language":"ja"},{"@value":"Kamakura period/14th century","@language":"en"},{"@value":"镰仓时代 14世纪","@language":"zh"},{"@value":"가마쿠라시대·14세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"A-10600","@language":"ja"},{"@value":"A-10600","@language":"en"},{"@value":"A-10600","@language":"zh"},{"@value":"A-10600","@language":"ko"}]}],"description":[{"@value":"本図は、経典をぎっしり積み込んだ笈を背負って、脚絆を着け、草履を履いた旅姿の僧を描いている。装置の上部には円形の大きな笠が被せられ、そこから香炉が吊り下げられている。僧は首に髑髏を繫いだ首飾りを下げ、腰には刀を差し、右手には払子、左手には経巻を持って、歩みを進めている。背景には、緩やかな稜線を見せる山並みが描かれている。こうした姿は、法を求めて中国から中央アジアの砂漠を越えてインドに渡り、インド各地を巡って多数の経巻を入手して中国に持ち帰った玄奘三蔵の姿を表したものといわれている。玄奘三蔵の像には、こうした旅装のもののほか、梵筐と呼ばれるインド式の折本の経典を手にした立像のものと、礼盤に坐す坐像のものと3種類があり、本図はそれら現存する玄奘像を代表的する優品である。目鼻や口の、生々しさを感じるほどの繊細な描写、肌の部分の輪郭線に褐色の色線を用い、それに沿って同系色の淡い暈を施して立体感を表現する描法、衣服や笈など主要部分に緑・群青・褐色といった寒色系の彩色を用い、そこに白色を多用した繊細な彩色文様や細部描写を施す点など、宋から元時代にかけての仏画、特に中国の寧波で制作され日本にも多く舶載されてきた、一連の仏画に通じる様式を色濃く反映した作例といえる。","@language":"ja"},{"@value":"This painting depicts a priest in a traveling outfit, including puttees and zori (Japanese sandals made of rice straw), carrying an oi (a square wooden box with four legs carried as a backpack) filled with sutras on his back. On the oi is a large round woven hat, from which an incense burner is hung. The priest wears a necklace of skulls around his neck and a sword around his waist and he is carrying a horsehair flapper in his right hand and a sutra in his left hand. In the background are the elegant lines of mountains. It is believed that this priest represents Genjo Sanzo, who went over the deserts of central Asia to India in pursuit of dharma and brought back many sutra scrolls to China. There are three types of Genjo Sanzo images: those in a traveling outfit, standing images with a sutra in the style of an Indian accordion book called Bonko in his hand and images seated on a raiban (a high seat where a priest sat to worship and chant sutra). This painting represents one of the best existing Genjo images. The vivid and elaborate representation of facial features, the use of brown outlines for the skin and gradations of the same color along the lines to add depth, the use of cold colors like green, lapis lazuli and brown on the main parts such as clothes and oi on which delicate colored patterns are applied and details are described mainly with white, all strongly reflect the style of Buddhist paintings that were created over the Sung to Yuan periods, particularly the style of those created in Ningbo, China and shipped into Japan.\n\n","@language":"en"},{"@value":"本图描绘的是身负塞满经典典籍的笈，穿着绑腿踏着草鞋的游僧。僧人打扮的上部盖有大型的圆形笠，香炉从此处垂下。僧人脖子上戴着骷髅串成的项链，腰上配刀，右手执佛尘，左手持经卷，举步向前。背景绘有绵延的山岭。据说这样的姿态，表现的是为了求法从中国越过中亚的沙漠抵达印度，并在印度各地巡游终于获得诸多经卷并将其带回中国的玄奘三藏之姿。玄奘三藏的画像，除了此类旅行之姿外，还有手持被称为梵筐的印度式折本经典的立像，以及端坐于礼盘上的坐像，共3种，本图是现存的玄奘像的代表性优秀作品。画像中眼鼻及口唇处纤细的描写，栩栩如生，肌肤部分的轮廓线条采用褐色，沿着线条施有同色系的淡色晕染表现出立体感的描写手法，衣服及笈等主要部分采用绿、群青、褐色等冷色系的色彩，多用白色的纤细色彩图案及对细节部分的描写等特点，可谓是深刻地反映了与宋至元时期佛画、特别是制作于中国宁波舶至日本的一系列佛画相通样式的作品例。","@language":"zh"},{"@value":"  본 그림은 경전을 빽빽이 실은 상자를 등에 진 채 각반을 차고 초리를 신은 여행자 모습의 승려를 그리고 있다. 짐의 윗부분에는 커다란 원형 갓이 씌워져 있으며 거기에 향로가 매달려 있다. 승려는 목에 해골을 연결한 목걸이를 걸고 있으며, 허리에는 칼을 차고 오른손에는 불자, 왼손에는 경권을 들고 걷고 있다. 배경에는 완만한 능선의 산들이 그려져 있다. 이러한 모습은 법을 찾아 중국에서 중앙 아시아의 사막을 넘어 인도로 건너가, 인도 각지를 돌고 다수의 경권을 입수한 후 중국에 가지고 돌아온 현장삼장의 모습을 표현한 것이다. 현장삼장의 그림에는 이러한 여행 차림 외에도 범광이라 불리는 인도식 절본의 경전을 든 입상과 예반에 앉아 있는 좌상, 3종류가 있으며 본 그림은 현존하는 그러한 현장상들을 대표하는 뛰어난 작품이다. 눈과 코, 입의 생생함이 느껴지는 섬세한 묘사, 피부의 윤곽선에 갈색 선을 사용하고 그에 따라 같은 계통의 색깔로 엷은 바림을 넣은 입체감 있는 표현 기법, 의복과 등에 진 상자 등 주요 부분에는 녹•군청•갈색의 한색계로 채색 하고, 흰색을 많이 사용한 섬세한 채색 문양과 세부 묘사 등 송나라에서 원나라에 걸친 시대의 불화, 특히 중국의 닝보에서 제작되어 일본에도 다수 건너 온 일련의 불화 양식을 짙게 반영하는 작품이라 할 수 있다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100307001003/3/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":89},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100307&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 玄奘三蔵像","@language":"ja"},{"@value":"e-Museum - Xuanzang Sanzang","@language":"en"},{"@value":"e国宝 - 玄奘三藏像","@language":"zh"},{"@value":"e국보 - 겐조삼장상","@language":"ko"}],"format":"text/html"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100307001003_1_2.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"1","height":31779,"width":14182,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100307001003_1_1.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100307001003_1_1.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":31779,"width":14182},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100307001003_1_1.tif#xywh=0,0,14182,20480"},{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100307001003_1_2.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100307001003_1_2.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":31779,"width":14182},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100307001003_1_2.tif#xywh=0,20480,14182,11299"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100307001003/3/thumbnail.jpeg","@type":"dctypes:Image"}}]}]}