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The articles on January 27 and February 29, 1487 of Sanetaka Koki (Sanetaka's diary) show that Sanjo Sanetaka wrote the legend to the Seikoji Engi-e (paintings of the origins and history of Seikoji Temple) drawn by Tosa Mitsunobu. Therefore, it used to be generally believed that the two existing volumes together with the legend constituted the standard work of Mitsunobu. However, at present, it is considered to be a quality copy of Mitsunobu's original work, which was made soon after Mitsunobu's original work was created. Nevertheless, the paintings in the scroll constitute the standard work of the late 15th century.  \n　Inside the residence of Taira no Sukechika (first volume, act 1), the governor of Yamashiro, paintings can be seen on papered sliding doors (fusuma-e), which depict a Mokkei-type bamboo groove and monkeys. The reed and crane fusuma-e paintings surrounding Sukechika's bedroom (first volume, act 3) are also drawn in sumi ink (suibokuga). It is interesting to see how much yamato-e (Japanese paintings) painters have mastered the suibokuga techniques through the fusuma-e. The panels of a folding screen form one large, continuous scene without borders that used to be applied every two panels to divide the screen into sections.\n","@language":"en"},{"@value":"星光寺属于洛中六地藏之一，其“屋根茸地藏”的别名更为人们所熟悉，此绘卷收录了星光寺的初创记录及本尊地藏菩萨的灵验谭，分为上下2卷。根据《实隆公记》中文明19年（1487年）正月27日以及2月29日的记载，土佐光信所描绘的“星光寺缘起绘”的词书由三条西实隆执笔，曾经普遍认为现存的2卷即为记录的版本，是光信的标准作品，但是现在则将这2卷视为是在光信的原本制作完成不久后制成的上乘临摹本。但是关于其画中画的传统观点，即认为其是15世纪末的标准作品则至今未变。\n创立星光寺的发愿者山城守（官名）平资亲的官邸内（上卷、第1段），可见牧溪所绘的竹林图及猿猴图的隔扇。而且资亲的卧室（上卷、第3段）中环立着的芦鹤图也为水墨画。从中可以一窥大和绘派画师们学习水墨技法的状况，颇有意味。现在屏风每2扇已无镶边，构成了连续性大幅画面。\n","@language":"zh"},{"@value":"  교토의 6지장 중 하나로 여겨지며 지붕을 인 지장이라는 뜻의 야네후키지장이라는 이름으로 알려진 세이코지 절의 초창기와 본존•지장보살의 영험담을 상하 2권으로 정리한 두루마리 그림. 『사네타카코키』의 분메이19년(1487) 정월 27일 및 2월 29일의 기록을 통해, 도사 미쓰노부가 그린 「세이코지 절 연기회(緣起繪)」의 고토바가키(詞書)를 산조니시 사네타카가 집필하였음을 알 수 있으며, 현존하는 2권을 이와 연관시켜 미쓰노부의 기준 작품으로 삼는 통설이 있었지만 현재는 미쓰노부 원본 제작 직후에 만들어진 양질의 모본(模本)으로 보고 있다. 하지만 그림 속 그림은 종전대로 15세기 말의 기준 작품으로 여겨진다.\n  세이코지 절 건립의 발원자인 야마시로노카미타이라노스케치카의 저택 내(상권•1단)에 목계의 죽림도와 원후도가 보인다. 그에 더해 스케치카의 침소(상권•3단)를 둘러싼 노학도도 수묵화이다. 야마토 화계 화가들이 수묵 기법을 습득하는 상황을 엿볼 수 있는 흥미로운 작품이다. 병풍 2폭 모두 가장자리가 없이 연속된 큰 그림으로 구성되어 있다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100280001000/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":179},"viewingHint":"continuous","viewingDirection":"right-to-left","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100280&content_part_id=1&content_pict_id=0","label":[{"@value":"e国宝 - 星光寺縁起絵巻　巻上","@language":"ja"},{"@value":"e-Museum - Legends about the origin of Seikō-ji temple, scroll 1","@language":"en"},{"@value":"e国宝 - 星光寺缘起画卷    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