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It is believed that the representation of proud horses in a stable became a separate, popular motif in the Age of Civil Wars. The umaya-zu (pictures of stables) can be roughly divided into two categories: those depicting only tethered horses without people and those with horses and people having fun in front of the stable. This pair of folding screens is of the latter type, that is, the stable is represented as a place for social interactions and owes much of the design to that of a precursory folding screen of the same type owned by the Cleveland Museum of Art. While the Cleveland screen has one horse per panel, this pair depicts three moving horses on one screen and three stationary horses on the other and its brilliancy is enhanced by adding the elements of kacho-zu (paintings of birds and flowers) to the elements of genre painting.\nThe fusion of yamato-e (Japanese painting) and Chinese painting techniques in this pair of folding screens, such as the style of representing trees and rocks and the technique of using kindei (gold leaf paste) for clouds and mist and painting the ground in strong colors, shows a similarity to the \"Kanpuzu Byobu\" by Kano Hideyori (owned by the Tokyo National Museum) and suggests that this pair may have been created at the end of the Muromachi period.\n","@language":"en"},{"@value":"因武士们玩赏名马成风，故马厩不只是用来养马，还成为建造精美、保持清洁的娱乐社交场所，人们常将看家名马带至此。一般认为，将看家好马与马厩独立分开绘制始于战国之风盛行的时期。厩图分为两大类：一类是只有牵住的马，无人物描绘；另一类是马前绘有自娱自乐的人物。本图属于后者，描绘了作为社交场所的马厩，借助了克利夫兰美术馆收藏的早期同类作品厩图中的多种图样。克利夫兰美术馆图本中每扇屏风上绘有一匹马，相对的本图中的马匹数量减至动静各三匹，分别绘于左右屏风，其中加入了风俗画和花鸟图的元素，为本图增色不少。\n作品采用大和绘与汉画相融合的表现手法，如树木和岩石的描绘、金泥绘制的云霞和底色浓彩的技法等，故有学者指出其与狩野秀赖所绘的“观枫图屏风”（东京国立博物馆收藏）具有相似性，推测其为室町时代末期的作品。\n","@language":"zh"},{"@value":" 무사들이 명마를 기르는 풍조가 유행하면서 마구간은 단순히 말을 사육하는 곳이 아닌 훌륭한 건물로 지어져 깨끗하게 유지되는 오락 사교장으로 변천해 갔다. 거기에 자랑스러운 자신들의 명마를 매어놓곤 했던 것이다. 이 자랑스러운 말과 마구간이 독립하여 그려지게 된 것은 전국(戦國)의 바람이 거세어진 이후의 일로 보이며, 마구간 그림은 인물은 없이 말이 매인 모습만 그려진 것과 말 앞에서 오락을 즐기는 인물이 그려진 것의 두 종류로 크게 나뉜다. 이 그림은 후자 즉 사교의 장이 된 마구간을 그린 작품으로, 선행하는 동종 작례인 클리블랜드 미술관 소장 마구간 그림의 도안을 많이 빌리고 있다. 클리블랜드 미술관 소장본이 각 병풍 패널 하나에 말 1마리씩 배치하고 있는데 비해 이 그림은 움직이는 말과 멈춰선 말을 각각 3마리씩 좌우 병풍에 나누어 그렸다. 풍속화 요소에 화조도 요소를 넣어 화려함을 더하고 있다.\n 나무나 바위의 묘사, 금니로 표현한 구름과 안개, 바탕에 짙게 채색한 기법 등 야마토에(大和絵)*와 한화(漢画)*를 융합시킨 표현이 가노 히데요리(狩野秀頼) 작 ≪관풍도병풍(観楓図屏風)≫(도쿄국립박물관 소장)과 유사한 것으로 보아 무로마치 시대 말기에 제작된 것으로 추정된다.\n\n* 야마토에: 제재와 수법이 일본풍인 그림\n* 한화: 중국화풍의 일본화\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100279001003/3/thumbnail.jpeg","@type":"dctypes:Image","height":90,"width":200},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100279&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 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