{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100278000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 一休和尚像","@language":"ja"},{"@value":"e-Museum - The Zen priest Ikkyu Osho","@language":"en"},{"@value":"e国宝 - 一休和尚像","@language":"zh"},{"@value":"e국보 - 잇큐오쇼상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"いっきゅうおしょうぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"紙本淡彩一休和尚像","@language":"ja"}]},{"label":[{"@value":"作者","@language":"ja"},{"@value":"Creator","@language":"en"},{"@value":"作者","@language":"zh"},{"@value":"작자","@language":"ko"}],"value":[{"@value":"没倫紹等賛","@language":"ja"},{"@value":"Inscription by Motsurin Joutō","@language":"en"},{"@value":"没伦绍等题赞","@language":"zh"},{"@value":"모쓰린조토 찬","@language":"ko"}]},{"label":[{"@value":"作者よみ","@language":"ja"}],"value":[{"@value":"もつりんじょうとう","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1幅","@language":"ja"},{"@value":"1 hanging scroll","@language":"en"},{"@value":"1幅","@language":"zh"},{"@value":"1폭","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"紙本墨画淡彩","@language":"ja"},{"@value":"Ink and light color on paper ","@language":"en"},{"@value":"纸本墨画淡彩","@language":"zh"},{"@value":"지본묵화담채","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"43.7×26.1(画は16.4×26.1)","@language":"ja"},{"@value":"43.7x26.1(picture:16.4x26.1)","@language":"en"},{"@value":"43.7×26.1(画为16.4×26.1)","@language":"zh"},{"@value":"43.7×26.1(그림은16.4×26.1)","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"室町時代・15世紀","@language":"ja"},{"@value":"Muromachi period/15th century","@language":"en"},{"@value":"室町时代 15世纪","@language":"zh"},{"@value":"무로마치시대·15세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"A-10137","@language":"ja"},{"@value":"A-10137","@language":"en"},{"@value":"A-10137","@language":"zh"},{"@value":"A-10137","@language":"ko"}]},{"label":[{"@value":"その他テキスト","@language":"ja"},{"@value":"Other","@language":"en"},{"@value":"其他","@language":"zh"},{"@value":"그 외 텍스트","@language":"ko"}],"value":[{"@value":"岡崎正也氏寄贈","@language":"ja"},{"@value":"Donated by Mr. Okazaki Masaya","@language":"en"},{"@value":"冈崎正也氏捐赠","@language":"zh"},{"@value":"오카자키마사야 기증","@language":"ko"}]}],"description":[{"@value":"　こちらをじっと見つめる視線や、白髪まじりのぼさぼさの髪、伸び放題の髭。顔は痩せて骨ばり、ひたいには深い皺が刻まれている。この絵は日本の肖像画の中でも、ことに写実的で、生々しい印象を与える、たぐいまれな作品である。\n　しかし本図は肖像画の完成作として描かれたものではない。完成作に至る途中で作られた、顔の部分だけの素描や下絵というべきものなのである。当時の肖像画は、像主の全身を、絹に岩絵の具で彩色して描き出すのが通例である。本図のように紙に淡い彩色で、顔と肩までしか描かれていないという作品はほとんどない。\n　このように本来は肖像画の下絵だった作品としては、本図の他に「親鸞聖人鏡御影」や「白雲慧暁像」、長谷川等伯筆「妙法尼像」、渡辺崋山の諸作などがある。これらを見ると下絵の方が完成作よりも生々しく、写実的であり、筆致も生き生きとして魅力的である。この一休像も、そうした例外的な魅力ゆえに今日まで伝えられた稀有な一作といえるだろう。\n","@language":"ja"},{"@value":"  His eyes are looking at us out of the portrait, and his hair is grey and ruffled. His face is skinny and bony, unshaven for a long time, with deep wrinkles engraved on the forehead. Among Japanese portraits, this is exceptional because of its remarkably realistic and vivid impressions.   \n　However, this painting is not intended to be a completed portrait. It was made in the process of producing a completed piece and can be called a rough sketch. Portraits in that period mostly depict the whole body of the person with natural mineral pigments on silk. There are very few pieces with the only head and shoulders painted in thin colors on paper like this one.       \n　The pieces that were originally a sketch for a portrait include, other than this one, Shinran Shounin Kagami no Goei (Mirror Portrait of Shinran), Hakuun Egyou-zou (Portrait of Hakuun Egyou), Hasegawa Touhaku's Myouhou Ama-zou (Portrait of Myouhou Ama), and some of Watanaba Kazan's paintings. It appears that those sketches are more vivid, more realistic, and their touches are more lively and fascinating than the completed paintings. This portrait of Ikkyū is a rare piece of art that has been passed down with admiration, thanks to its exceptional charms.\n","@language":"en"},{"@value":"紧紧凝视着这边的视线、夹杂白发的蓬乱头发、放任自由的胡须。脸孔瘦骨嶙峋，额头皱纹深刻。这幅画即便是在日本的肖像画中也是属于不可多得的写实类作品，给人一种栩栩如生的感觉。\n但是，本作品并不是肖像画的完成作品，而是正处于作品完成的途中，应该称之为脸部的素描或者作品的草稿。当时肖像画有一惯例，便是在绢布上用岩绘工具（东洋画所使用的颜料，来源于矿物质，有岩群青、岩绿青、黄土等。最近也有以金属化合物为原料制造而出的人工颜料。）着色描绘出肖像主人的全身。而像本画这样采用淡色、在纸上仅描绘出脸部及肩部的作品几乎没有。\n这类本应该是肖像画的草稿的作品，除了本画外，还有“亲鸾圣人镜御影”及“白云慧晓像”、长谷川等伯所作“妙法尼像”、渡边崋山的诸作品。观赏这些作品，草稿反而比成品更加栩栩如生、更为写实，笔触也更生动而颇具魅力。这幅一休像，也可以说是因其例外的魅力而传承至今的稀有珍品之一。\n","@language":"zh"},{"@value":" 우리를 가만히 바라보는 시선, 흰머리 섞인 부스스한 머리, 기를대로 기른 머리. 얼굴은 여위어 뼈만 남았으며 이마에는 깊은 주름이 새겨져 있다. 이 그림은 일본의 초상화 중에서도 특히 사실적이며 생생한 인상을 전달하는 작품으로 비슷한 작품이 없을 정도로 드문 작품이다.\n 그러나 이 그림이 초상화의 완성작으로 그려진 것은 아니다. 완성작이 되기까지의 도중에 만들어진 것으로서 얼굴 부분만 그린 소묘나 밑그림이라 해야 할 것이다. 당시의 초상화는 모델의 전신을 비단천에 분말 안료로 채색하는 것이 보통이었다. 이 그림처럼 종이에 옅게 채색하여 얼굴과 어깨까지만 그린 작품은 거의 없다. \n 이렇듯 본래는 초상화의 밑그림인 작품 중에는 이 그림 외에 ‘신란성인경어영’이나 ‘하쿠운에규 상’, 하세가와 도하쿠의 ‘묘호아마 상’, 와타나베 가잔의 작품들이 있다. 이 작품들을 보면 밑그림이 완성작보다 더 생생하고 사실적이며 필치에 있어서도 생동감 있고 매력적이다. 이 잇큐 상도 그러한 예외적인 매력 때문에 오늘날까지 전해 내려온 드문 작품이라 할 수 있을 것이다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100278001003/3/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":126},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100278&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 一休和尚像","@language":"ja"},{"@value":"e-Museum - The Zen priest Ikkyu Osho","@language":"en"},{"@value":"e国宝 - 一休和尚像","@language":"zh"},{"@value":"e국보 - 잇큐오쇼상","@language":"ko"}],"format":"text/html"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100278001003.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"1","height":7383,"width":4652,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100278001003.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100278001003.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":7383,"width":4652},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100278001003.tif#xywh=0,0,4652,7383"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100278001003/3/thumbnail.jpeg","@type":"dctypes:Image"}},{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100278001002.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"2","height":2728,"width":4200,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100278001002.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100278001002.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":2728,"width":4200},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100278001002.tif#xywh=0,0,4200,2728"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100278001002/2/thumbnail.jpeg","@type":"dctypes:Image"}}]}]}