{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100268000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 虚空蔵菩薩像","@language":"ja"},{"@value":"e-Museum - Akasagarbha (space-womb) Bodhisattva","@language":"en"},{"@value":"e国宝 - 虚空藏菩萨像","@language":"zh"},{"@value":"e국보 - 허공장보살상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"こくうぞうぼさつぞう","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1幅","@language":"ja"},{"@value":"1 hanging scroll","@language":"en"},{"@value":"1幅","@language":"zh"},{"@value":"1폭","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"絹本着色","@language":"ja"},{"@value":"Color on silk","@language":"en"},{"@value":"绢本着色","@language":"zh"},{"@value":"견본착색","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"108.0×60.8","@language":"ja"},{"@value":"108.0x60.8","@language":"en"},{"@value":"108.0×60.8","@language":"zh"},{"@value":"108.0×60.8","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"鎌倉時代・13世紀","@language":"ja"},{"@value":"Kamakura period/13th century","@language":"en"},{"@value":"镰仓时代 13世纪","@language":"zh"},{"@value":"가마쿠라시대·13세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"A-989","@language":"ja"},{"@value":"A-989","@language":"en"},{"@value":"A-989","@language":"zh"},{"@value":"A-989","@language":"ko"}]},{"label":[{"@value":"その他テキスト","@language":"ja"},{"@value":"Other","@language":"en"},{"@value":"其他","@language":"zh"},{"@value":"그 외 텍스트","@language":"ko"}],"value":[{"@value":"武藤山治氏寄贈","@language":"ja"},{"@value":"Donated by Mutō Sanji","@language":"en"},{"@value":"武藤山治氏捐赠","@language":"zh"},{"@value":"무토산지 기증","@language":"ko"}]}],"description":[{"@value":"虚空蔵菩薩は密教で用いられるもので、空海が体系的な密教を中国からもたらす前の奈良時代から、記憶力を増進させる求聞持法の本尊として信仰されていた。本作品に見られる、白い大きな円形（月輪）中の蓮華の上に金色の姿で坐し、右手は五本の指を垂れて掌を外に向け、左手は火炎宝珠の載った紅蓮華を持って、頭光と身光から三条ずつの筋光を放つ姿は、まさに求聞持法の本尊として用いられた姿である。\n　本作品は、切れのある眼、引き締まった張りのある体躯、激しく翻る天衣や冠繒、装飾過剰で重厚さも感じさせる蓮弁の描写、やや暗い色調ながら鮮やかな色彩対比をなしている青・緑・赤を主とした彩色など、13世紀、鎌倉時代の特徴を遺憾なく発揮した精緻な優品として知られる。なお、画面下方に描かれた山岳風景は伊勢の朝熊山といわれる。日本に求聞持法をひろめた大安寺の道慈から数えて四代目にその法を伝えられた空海は、朝熊山の金剛証寺において同法を修したといわれ、本作品はそうした伝承に絡んで制作された、朝熊山権現の本地仏を表した垂迹画としての性格も持った画像であるといえる。\n","@language":"ja"},{"@value":"Kokuuzo Bodhisattva had been worshiped as the principal image in an esoteric rite to improve memory (Gumonjiho) since the Nara period before Kukai introduced systematic Esoteric Buddhism from China into Japan. The description of the Bodhisattva image in this drawing clearly represents the principal image used in the esoteric rite of Gumonjiho: Depicted in gold, Kokuzo Bodhisattva sits on a lotus pedestal placed within a big white circle representing the full moon, with his right palm facing outward with all five fingers hanging down and his left hand holding a red lotus flower with a sacred gem with flames. The image emitting each three radiating lines from the head and body is the true form of the principal image used in the esoteric rite of Gumonjiho.  \n　This painting is well-known as an elaborate, high-quality piece that fully embodies the following features of the 13th-century Kamakura period: Long slit eyes, the firm body, a waving tenne (a long cloth) and kanzo (ornamental ribbons hanging from the sides of a crown), overly decorative yet dignified description of lotus petals and slightly subdued blue, green and red colors which make a clear contrast with each other. The mountain landscape drawn in the lower part of the screen is said to represent Mt. Asama in Ise. Kukai, who learned the Gumonjiho from the fourth priest from Daianji Temple's Doji, who had introduced and disseminated the Gumonjiho in Japan, is said to have acquired the Gumonjiho at the Kongo Shoji Temple on Mt. Asama. This painting was created in relation to the tradition of initiation into the esoteric rites and serves as a suijaku painting (paintings based on the concept that Shinto deities are manifestations of Buddhist deities) depicting the honjibutsu (the original Buddhist identity of a Shinto deity) of the Gongen (Shinto deity) of Mt. Asama.\n","@language":"en"},{"@value":"虚空藏菩萨为密教所用，自空海从中国请回系统的密教前的奈良时代起，虚空藏菩萨就作为增进记忆力的求闻持法本尊而受到人们的信仰。本作品中菩萨身着金色端坐于白色大型圆形（月轮）中的莲华之上，右手五指下垂掌心向外，左手持托有火焰宝珠的红莲华，头光及身光分别射出三条光线，正是求闻持法的本尊之姿。\n本作品中菩萨眉目清秀，身躯结实而有张力，大翻的天衣及冠缯、装饰华丽给人厚重感觉的莲瓣的描绘、以色调稍暗却与鲜艳色彩形成对比的青、绿、红为主要色彩等，均完美体现了13世纪镰仓时代的特征，作为其优秀作品而广为人知。另外，画面下方绘有的山岳风景据说为伊势的朝熊山。大安寺的道慈在日本普及求闻持法，其后第四代传播求闻持法的空海，据传说便是在朝熊山的金刚证寺修行此法，本作品是在对其传承的基础上绘制而出，同时兼具了用以表现朝熊山权现本地佛的垂迹画的特征。\n","@language":"zh"},{"@value":"허공장보살은 밀교에서 등장하며, 구카이가 체계적인 밀교를 중국에서 가져오기 전인 나라 시대부터 기억력을 증진시키는 구문지법(求聞持法)의 본존으로서 믿음을 얻었다. 본 작품에서는 희고 커다란 원형(월륜) 속 연화 위에 금색의 모습으로 앉아있으며, 오른손 다섯 손가락은 늘어뜨리고 손바닥을 밖으로 향하며, 왼손은 화염보주를 얹은 붉은 연화를 집고, 두광과 신광에서 3줄씩 가는 빛을 띠는 모습은 구문지법의 본존으로서 여겨진 모습 그대로이다.\n  본 작품은 날카로운 눈, 다부진 체구, 심하게 나부끼는 천의와 관증(冠繒), 장식이 많아 중후함이 느껴지는 연꽃잎의 묘사, 조금 어두운 색조이지만 선명한 색채 대비를 이루는 청•녹•적색을 주조로 한 채색 등, 13세기 가마쿠라 시대의 특징을 유감없이 발휘한 정밀하고 뛰어난 작품으로 유명하다. 한편 그림 하단에 그려진 산악 풍경은 이세의 아사마야마 산으로 여겨지고 있다. 일본에 구문지법을 널리 전한 다이안지 절의 도지 승려부터 4대째인 구카이는 그 법을 전수받고 아사마야마 산의 곤고쇼지 절에서 수행했다 하며, 본 작품은 그러한 전승과 관련하여 제작된 아사마야마 산 관음의 본지불을 표현한 수적화로서의 성격을 띤 그림이라 할 수 있다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100268001002/2/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":118},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100268&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 虚空蔵菩薩像","@language":"ja"},{"@value":"e-Museum - Akasagarbha (space-womb) Bodhisattva","@language":"en"},{"@value":"e国宝 - 虚空藏菩萨像","@language":"zh"},{"@value":"e국보 - 허공장보살상","@language":"ko"}],"format":"text/html"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100268001002_1_2.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"1","height":26641,"width":15689,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100268001002_1_1.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100268001002_1_1.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":26641,"width":15689},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100268001002_1_1.tif#xywh=0,0,15689,20480"},{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100268001002_1_2.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100268001002_1_2.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":26641,"width":15689},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100268001002_1_2.tif#xywh=0,20480,15689,6161"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100268001002/2/thumbnail.jpeg","@type":"dctypes:Image"}}]}]}