{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100167001/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 元暦校本万葉集　巻第一（古河本）","@language":"ja"},{"@value":"e-Museum - Anthology of Ten Thousand Leaves, Genryaku Edition, vol.1, Furukawa Version ","@language":"en"},{"@value":"e国宝 - 元历校订本万叶集　第一卷（古河本）","@language":"zh"},{"@value":"e국보 - 원력교본 만요슈　권제1(후루카와본）","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"国宝","@language":"ja"},{"@value":"National Treasure","@language":"en"},{"@value":"国宝","@language":"zh"},{"@value":"국보","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"書跡","@language":"ja"},{"@value":"Calligraphy","@language":"en"},{"@value":"书法","@language":"zh"},{"@value":"서예","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"げんりゃくこうほんまんようしゅう　ふるかわぼん","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"},{"@value":"Official title","@language":"en"},{"@value":"指定名称","@language":"zh"}],"value":[{"@value":"元暦校本万葉集","@language":"ja"},{"@value":"元暦校本万葉集","@language":"en"},{"@value":"元暦校本万葉集","@language":"zh"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1冊","@language":"ja"},{"@value":"1 volume","@language":"en"},{"@value":"1册","@language":"zh"},{"@value":"1책","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"彩箋墨書","@language":"ja"},{"@value":"Ink on decorative paper","@language":"en"},{"@value":"彩笺墨书","@language":"zh"},{"@value":"채전묵서","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"25.0×17.0","@language":"ja"},{"@value":"25.0x17.0","@language":"en"},{"@value":"25.0×17.0","@language":"zh"},{"@value":"25.0×17.0","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"平安時代・11世紀","@language":"ja"},{"@value":"Heian period/11th century","@language":"en"},{"@value":"平安时代 11世纪","@language":"zh"},{"@value":"헤이안시대・11세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"B-2530","@language":"ja"},{"@value":"B-2530","@language":"en"},{"@value":"B-2530","@language":"zh"},{"@value":"B-2530","@language":"ko"}]}],"description":[{"@value":"　平安時代の『万葉集』書写本のうち、「桂本」「藍紙本」「金沢本」「天治本」とともに「五大万葉集」と呼ばれる。「元暦校本」というのは、巻第20に元暦元年（1184）に校合（きょうごう）したという奥書があることによる。これらの中でもっとも歌の数が多いこと、能書による寄合書（よりあいがき）になることなどから、特に重要視される写本である。\n　紫と藍の飛雲（とびくも）をすき込んだ鳥の子紙に淡墨の罫線を引き、万葉仮名と仮名とで書かれる。巻第一は、「三跡」（さんせき）の1人で和様の書を完成した藤原行成（ふじわらのゆきなり）の筆として伝来したが、書風からそれより下る平安時代後期の筆跡と考えられる。　\n　もと伊勢松阪の中川浄宇（なかがわじょうう）の所蔵であったが、有栖川宮家を経て、高松宮家に6冊、桑名藩松平家、老中水野忠邦を経て古河家に14冊がそれぞれ分かれて伝来した。\n","@language":"ja"},{"@value":"The Anthology of Ten Thousand Leaves (J. Man'yôshû) is the earliest extant Japanese poetry collection. Most of the poems were written in the seventh and eighth centuries, but this poetry classic continued to be copied throughout Japanese history. This edition is one of the \"Five Great Man'yôshû Codices,\" which also includes those known as the Katsura, Ranshi (\"Indigo-died Paper\"), Kanazawa, and Tenji versions. Among these, this copy is regarded as being particularly important both because of the skill of the calligraphers who collaborated on the project and also because it includes the largest number of poems. This work is called the Genryakukô Version because an inscription on the last volume states that it was collated in the first year of the Genryaku era (1184).\n\nThis text is written on the high-quality paper made of ganpi fibers known as torinoko (literally, \"chick\" paper, owing to its light yellowish brown color), decorated with subtle purple and indigo \"flying clouds\" (J. tobikumo) and marked with guidelines in light ink. The poems are written in either hiragana (the Japanese phonetic syllabary) or the more traditional man'yôgana, which represents words logographically and/or characters phonetically in Chinese characters. The writing of the first volume has historically been attributed to the renown calligrapher Fujiwara Yukinari (972-1027), who is included as one of the \"Three Great Masters of Calligraphy.\" Yukinari is said to have perfected Japanese-style calligraphy. However, the calligraphy style dates this work somewhat later than Yukinari.\n\nIn the late seventeenth century, these volumes belonged to Nakagawa Jôu (n.d.) of Matsusaka, a city near Ise Shrine. Later, they were acquired by the princely Arisugawa family, which passed on six volumes to the newly-formed princely Takamatsu family. The other fourteen volumes, which first became the possession of the Kuwana Matsudaira family, were later owned by the high-ranking government official Mizuno Tadakuni (1794-1851), and then by the Kogawa family before all twenty books came into the collection of the Tokyo National Museum.","@language":"en"},{"@value":"  　在现存平安时代的《万叶集》手钞本中，此「元历校本」与「桂本」、「蓝纸本」、「金泽本」及「天治本」，并誉为「五大万叶集」。所谓「元历校本」，系因卷二十末尾有元历元年（西元1184年）校勘完成时所题的跋款，故而名之。上述诸钞本之中，本件「元历校本」所保存的和歌篇数最多，并且是集十数名精通书法的名家合作而成，因此特别受到重视。\n　本钞本使用一种在纸张刚漉成之际、特别加入紫色和蓝色纤维，以表现出如云朵般装饰花纹的「鸟子纸」（以日本特有的落叶灌木、雁皮的树皮为主要原料的上等日本纸，色泽近似鸡卵之淡黄色，故名），纸上有淡墨界栏，以万叶假名及假名抄写（万叶假名指借用汉字来标记日文读音之做法，因见于《万叶集》，故名）。其中，卷一向来传为藤原行成（972－1027）之笔，藤原行成被视为完成和样化书法的关键书家，与小野道风（894－966）、藤原佐理（944－998）二人合称为「三迹」。但就书风而言，应该成于时代稍晚的平安时代后期。\n　此钞本原由伊势松阪的中川净宇氏收藏，经栖川宫家，后来其中六册为高松宫家所有。另外的十四册，经桑名藩松平家、幕府重臣水野忠邦之手，后辗转流入古河家。\n","@language":"zh"},{"@value":"이 사본은 헤이안 시대의《만엽집》사본 가운데'계궁본(桂宮本)''남지본(藍紙本)''금택본(金澤本)''천치본(天治本)'과 나란히 5대 만엽집으로 불리우는 것이다.'원력교본'이란 명칭은 권 제 20의 권말에 원력 원년(1184)에 원문과 비교 대조했다는 내용이 적혀 있는 데에서 비롯한다. 5대 만엽집 중에서도 이 사본은 사서된 시가의 수가 가장 많고 또한 뛰어난 필체의 소유자 몇 사람이 분담하여 사서한 점에서 특히 중요시되는 사본이다.\n자색과 남색으로 흐르는 구름 문양을 나타낸 안피지에 엷은 먹으로 괘선을 긋고 만요 가나(万葉仮名)*와 가나로 시가를 적었다. 권 제1은 삼적(三跡) 중 한 사람인 후지와라 유키나리(藤原行成)*의 필체라고 전하지만 서풍상 그보다 늦은 헤이안시대 후기의 필적으로 추측된다.\n원래는 이세 마쓰자카(伊勢松阪) 지방의 나카가와 조우(中川浄宇)의 소장이었지만 아리스가와노미야(有栖川宮) 집안을 거쳐 다카마츠노미야(高松宮) 집안에 6책, 그리고 구와나(桑名) 지방의 영주를 지낸 마쓰다이라(松平) 집안과 막부의 정무 책임자였던 미즈노 다타히코(1794-1851)*의 손을 거쳐 고가(古河) 집안에 14책으로 각각 나뉘어 전해지게 되었다.\n\n*만요 가나:한자의 음과 훈을 가차하여 일본어의 음운표기에 이용한 표음문자. 특히《만엽집(万葉集)》에 많은 예가 나타나는 것에서 유래하여 만요 가나라고 불리워진다\n*후지와라 유키나리(972-1027):헤이안 시대의 귀족 서예가로 유명한 인물. 일본 서예사에서 유키나리는 오노 미치카제(小野道風), 후지와라 스케마사(藤原佐理)와 함께 삼적(三跡)이라고 불리운다\n*미즈노 다타히코(1794-1851):에도 막부에서 장군 직속의 정무 최고책임자(老中)였던 인물로 막부 정치개혁을 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