{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100156000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 一遍聖絵　巻第七","@language":"ja"},{"@value":"e-Museum - Illustrated Biography of the Priest Ippen： Volume 7","@language":"en"},{"@value":"e国宝 - 一遍上人传画卷 第七卷","@language":"zh"},{"@value":"e국보 - 일편상인전회권　권제7","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"国宝","@language":"ja"},{"@value":"National Treasure","@language":"en"},{"@value":"国宝","@language":"zh"},{"@value":"국보","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"いっぺんしょうにんでんえまき　まきだいなな","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"},{"@value":"Official title","@language":"en"},{"@value":"指定名称","@language":"zh"}],"value":[{"@value":"絹本著色一遍上人絵伝","@language":"ja"},{"@value":"絹本著色一遍上人絵伝","@language":"en"},{"@value":"絹本著色一遍上人絵伝","@language":"zh"}]},{"label":[{"@value":"作者","@language":"ja"},{"@value":"Creator","@language":"en"},{"@value":"作者","@language":"zh"},{"@value":"작자","@language":"ko"}],"value":[{"@value":"法眼円伊筆","@language":"ja"},{"@value":"By Hougen Enni","@language":"en"},{"@value":"法眼圆伊笔","@language":"zh"},{"@value":"호겐엔이 필","@language":"ko"}]},{"label":[{"@value":"作者よみ","@language":"ja"}],"value":[{"@value":"ほうげんえんい","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1巻","@language":"ja"},{"@value":"1 scroll","@language":"en"},{"@value":"1卷","@language":"zh"},{"@value":"1권","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"絹本着色","@language":"ja"},{"@value":"Color on silk","@language":"en"},{"@value":"绢本着色","@language":"zh"},{"@value":"견본착색","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"37.8×802.0","@language":"ja"},{"@value":"37.8x802.0","@language":"en"},{"@value":"37.8×802.0","@language":"zh"},{"@value":"37.8×802.0","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"鎌倉時代・正安元年(1299)","@language":"ja"},{"@value":"Kamakura period/Shouan 1(1299)","@language":"en"},{"@value":"镰仓时代 正安元年(1299年)","@language":"zh"},{"@value":"가마쿠라시대・쇼안원년(1299)","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"A-10944","@language":"ja"},{"@value":"A-10944","@language":"en"},{"@value":"A-10944","@language":"zh"},{"@value":"A-10944","@language":"ko"}]}],"description":[{"@value":"　時宗（じしゅう）の開祖一遍（1239～89）の生涯を日本各地の風景のなかに描き出した、日本美術を代表する絵巻の一つである。全12巻からなり、神奈川・清浄光寺（しょうじょうこうじ）（遊行寺（ゆぎょうじ））が巻第七の絵以外の12巻を、東京国立博物館が巻第七の絵に江戸時代に詞書を補った一巻を所蔵している。正安元年（1299）8月23日に記された巻第十二の奥書（おくがき）によれば、この絵巻は一遍の実弟とみられる聖戒（しょうかい）が撰述し、法眼円伊が絵を担ったという。\r\n　伊予（いよ）国（現愛媛県）出身の一遍は、「南無阿弥陀仏｛決定往生／六十万人｝」と墨摺した小札を配る賦参（ふさん）と踊念仏（おどりねんぶつ）による布教を行ないながら、全国の聖地を遊行した。絵巻には、その途上で公家や地方の有力者、他宗の高僧らと交流した様子が、中世の風景や人の暮らしとともに描き出されている。当館が所蔵する巻第七では、京都での布教が盛況であったことなどを語る。\r\n　東博本の前所有者は、明治時代の実業家原三溪（はらさんけい）で、その手記によれば、三溪の前は三崎亀之助（みさきかめのすけ）（1858～1906）、税所（さいしょ）子爵（篤（あつし）か）、京都町奉行浅野梅堂（あさのばいどう）（長祚（ながよし）、1816～80）、京都・歓喜光寺（かんきこうじ）へと遡るという。当館は三溪没後の昭和25年に原家から購入した。\r\n〔奥書〕此壱巻    寶暦五秊｛乙／亥｝八月廿三日及破損間修補之    當寺三十世彌阿輪山\r\n\r\n（瀬谷）\r\n『国宝 東京国立博物館のすべて：東京国立博物館創立一五〇年記念 特別展』毎日新聞社他, 2022, p.278, no.10.","@language":"ja"},{"@value":"This handscroll, also known as the Painting of the Holy Man Ippen (J. Ippen hijiri-e), depicts the life of Ippen (1239-1289), the founder of the Ji sect. The text was edited by Ippen's high-ranking disciple Shôkai, and the handscroll was painted by the monk En'i, who was given the ecclesiastical rank Hôgen (\"Eye of the Dharma\").\n\nAt age thirteen, Ippen left home, took orders, and traveled around Japan as a mendicant. He dedicated his life to spreading Pure Land devotional practices, notably the recitation of the name of the Buddha Amida (J. nenbutsu), and eventually established the Ji sect.\n\nThis illustrated handscroll uses a silk ground-quite rare among such works-upon which are drawn, along with the deeds of Ippen, scenes of various places throughout Japan. While the depiction of the human figures is small, the temples, shrines, and landscape in the background are comparatively large. This contrast is characteristic of paintings of famous places (J. meisho-e), which first appeared in screen form in the Heian period (794-1185). While the scrolls display fundamental techniques of Japanese-style painting (J. yamato-e), one can also note influences of Chinese paintings of the Song dynasty (960-1279) in the composition of the landscape and the depiction of trees and rocks.\n\nThe seventh scroll, owned by the Tokyo National Museum, depicts Ippen's various activities in Kôan 7 (1284). These include the recitation of Amida's name and the distribution of talismanic slips (J. fuda), as he traveled to Seki-dera Temple in Otsu, Shiga Prefecture, to the practice halls of Shijô Avenue and to the marketplace in Kyoto.\n\nIn the latter part of the Edo period (1615-1868), the original twelve handscrolls of this set in Kankikô-ji Temple in Kyoto were separated. Scroll seven was at one time owned by the collector Hara Sankei (Tomitarô, 1868-1939). After the war, it was placed in the collection of the Tokyo National Museum.\n","@language":"en"},{"@value":"　　〈一遍上人绘传〉为描绘「时宗」开山祖师一遍生平事迹的画卷，又称为「一遍圣绘」（时宗为日本净土教的宗派之一）。于正安元年（西元1299年）由一遍的得意门生圣戒撰述说明画中情景的「词书」，并由法眼圆伊绘制（法眼为次于法印的僧位，中世后也授与雕工、画工等）。十三岁归依佛门的一遍巡游各地，毕生致力念佛传教，并创立时宗。\n　　本作画于绢上，在画卷中极为罕见。画面上呈现了一遍的生平及相关的各处场景。本作具有类似「名所绘」的特征，例如将人物画得较小、重点置于背景的寺院及山水的描绘等（名所绘指描绘各地名胜、表现季节感的风俗画）。此外，本作以「大和绘」的传统手法为主调，但在山水的构图、树木及岩石等的画法上也可见到宋画的影响（到镰仓时代为止，采中国式题材的绘画称唐绘，采日本题材者则称大和绘）。\n　　第七卷所描绘的是，一遍于弘安七年（西元1284年）巡访大津的关寺、京都的四条道场及市屋道场等处时，或念佛或分送念佛纸等布教的场景（一遍分送念佛纸给同念佛号的信众作为能往生净土的证明，其上写有「南无阿弥陀佛  决定往生六十万人」）。\n　　〈一遍上人绘传〉全十二卷，曾为京都欢喜光寺所藏，其中一部分于江户时代后期流散寺外。本件曾为原三溪等人所收，第二次世界大战后收藏于东京国立博物馆。\n","@language":"zh"},{"@value":"시종(時宗)의 개조인 잇펜(1239-1289)의 생애를 그린 두루마리 그림이다.《잇펜성회(一遍聖絵)》라고도 불리운다. 1299년 잇펜의 상좌이자 친동생인 쇼카이(聖戒)가 글을 짓고 법안 엔이(法眼円伊)가 그림을 그렸다. 잇펜은 13살때 출가하여 여러 지방을 여행하며 염불 포교에 일생을 바쳤던 승려로서 일본 정토종의 일파인 시종을 개창했다.\n 두루마리 그림으로서 드물게 비단을 사용하였으며 화면에는 잇펜의 행장과 함께 각 지방의 정경이 전개되어 있다. 인물은 작게 그리고 배경의 절과 신사 그리고 산수 묘사에는 많은 비중을 두는 등 명승지를 그림으로 그린'명소회(名所絵)'와 유사한 성격도 띠고 있다. 작풍은 야마토에(大和絵)적 기법을 기초로 하였지만 산수의 구도, 나무나 바위의 묘사 등에는 중국 송나라시대의 회화 기법도 엿보인다.\n 이 작품, 권 제7에는 잇펜이 1284년 오쓰(大津)* 지방의 세키데라(関寺) 절과 교토의 시조 도량(四条道場), 장터 등을 순회하며 염불을 외고 부적을 나누어 주는 포교 모습이 묘사되어 있다.\n 교토 간기코지(歓喜光寺) 절에 전래된 전12권 가운데 일부가 에도시대 후기에 유출되었으며 이 권 제7은 하라 산케이(原三溪) 등의 소장을 거쳐 제2차 세계대전 이후 도쿄 국립박물관에 소장되었다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100156002000/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":176},"viewingHint":"continuous","viewingDirection":"right-to-left","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural 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