{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100145000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 竹斎読書図","@language":"ja"},{"@value":"e-Museum - Reading in a Bamboo Grove","@language":"en"},{"@value":"e国宝 - 竹斋读书图","@language":"zh"},{"@value":"e국보 - 죽재독서도","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"国宝","@language":"ja"},{"@value":"National Treasure","@language":"en"},{"@value":"国宝","@language":"zh"},{"@value":"국보","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"ちくさいどくしょず","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"},{"@value":"Official title","@language":"en"},{"@value":"指定名称","@language":"zh"}],"value":[{"@value":"紙本墨画淡彩竹斎読書図","@language":"ja"},{"@value":"紙本墨画淡彩竹斎読書図","@language":"en"},{"@value":"紙本墨画淡彩竹斎読書図","@language":"zh"}]},{"label":[{"@value":"作者","@language":"ja"},{"@value":"Creator","@language":"en"},{"@value":"作者","@language":"zh"},{"@value":"작자","@language":"ko"}],"value":[{"@value":"伝周文筆　文安4年(1447)竺雲等連序・江西龍派等五僧題詩","@language":"ja"},{"@value":"Purportedly by Shūbun. Preface by Jikuun Touren, and poems by Kousei Ryuha and other four monks","@language":"en"},{"@value":"相传为周文笔　文安4年(1447年)竺云等连序、江西龙派等五僧题诗","@language":"zh"},{"@value":"슈분 필 이라고 전해짐　분안4년(1447) 지쿠운토렌 서・고세이류파 등 오고승 제시 ","@language":"ko"}]},{"label":[{"@value":"作者よみ","@language":"ja"}],"value":[{"@value":"しゅうぶん，じくうんとうれん・こうせいりゅうは","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1幅","@language":"ja"},{"@value":"1 hanging scroll","@language":"en"},{"@value":"1幅","@language":"zh"},{"@value":"1폭","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"紙本墨画淡彩","@language":"ja"},{"@value":"light color on paper","@language":"en"},{"@value":"纸本墨画淡彩","@language":"zh"},{"@value":"지본묵화 담채","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"134.8×33.3","@language":"ja"},{"@value":"134.8x33.3","@language":"en"},{"@value":"134.8×33.3","@language":"zh"},{"@value":"134.8×33.3","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"室町時代・15世紀","@language":"ja"},{"@value":"Muromachi period/15th century","@language":"en"},{"@value":"室町时代・15世纪","@language":"zh"},{"@value":"무로마치시대・15세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"東京国立博物館","@language":"ja"},{"@value":"Tokyo National Museum","@language":"en"},{"@value":"东京国立博物馆","@language":"zh"},{"@value":"도쿄국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"A-1164","@language":"ja"},{"@value":"A-1164","@language":"en"},{"@value":"A-1164","@language":"zh"},{"@value":"A-1164","@language":"ko"}]}],"description":[{"@value":"　日本に水墨画が定着した室町時代、絵の余白に多数の漢詩文を書き付けた「詩画軸（しがじく）」が禅林で流行した。本作はその典型を示す作として著名である。\r\n　画面最上部には、京都・南禅寺（なんぜんじ）に住した竺雲等連（1383～1471）が序を付しており、その冒頭に「竹斎読書図詩軸序」とあって、この時代には珍しく制作当初の作品名称が知られる。序の下方には、当代を代表する五山（ござん）僧五名がそれぞれ題詩を寄せている。\r\n　山水の描写は、片側に重心を寄せた対角線構図をとり、濃墨による2本の松樹と巨岩を主景とする。その手前の橋上には従者を連れた旅人、さらに背後には竹林に囲まれた草庵が淡い筆致で描かれている。室内に書物を開く人物がいるが、賛者の関心もこの部分に集中しており、本作の命名の由来となっている。\r\n　画面右下には、日本の山水画様式の確立者としてその名が知られる天章（てんしょう）周文（生没年不詳）の印章が捺されているが、後印である可能性も否定できない。ただし、濃墨と淡墨とを効果的に使い分け、大気や遠近を巧みに表現した本作は、応永期（1394～1428）の初期詩画軸と比較して各段に整理が進んでいる。周文様式を考えるうえで最も重要な作例の一つととらえられてきたのも、こうした洗練された作風にもとづくといえる。\r\n\r\n（高橋）\r\n『国宝 東京国立博物館のすべて：東京国立博物館創立一五〇年記念 特別展』毎日新聞社他, 2022, p.278, no.11.","@language":"ja"},{"@value":"This poetry-painting scroll (J. shigajiku) comprises a landscape painting owned by Kô, a monk of the Kyoto temple Nanzen-ji in the first half of the fifteenth century, and poems and a preface added by then-renowned Zen monks. Shûbun (fl. 1423-1460), the artist to whom this painting is attributed, was at this time a Zen monk at Shôkoku-ji Temple and served the Ashikaga shogunate as a painter. Although not a single work can be firmly ascribed to Shûbun and the seal at the bottom right that reads \"Ekkei Shûbun\" is dubious, this painting, which has been passed down in the Myôchi-in Temple in Kyoto, is one of the few that is appropriate for consideration as Shûbun's work.\n\nThe composition and motifs reflect the style of such Southern-Song Chinese painters as Xia Gui (active first half of thirteenth century) and Ma Yuan (active c. 1190-1230), as well as works of the Ma-Xia School that continued that tradition in the subsequent Yuan (c. 1280-1368) and Ming (1368-c. 1644) periods. The composition follows an unbroken diagonal: in the far distance at the upper left, across a body of water, are depicted mist-enshrouded mountains; in the foreground at the lower right, surrounded by a bamboo grove, is a thatched hut within which sits a lone figure reading a book; at the bottom left, two people cross a bridge towards the hut. Although a small picture, the painting has a vast sense of space and is a representative masterpiece of the \"study-retreat picture\" (J. shosaizu), made in this period, for Zen monks who were drawn to the idea of hermetic seclusion.\n\nThe preface was written by Jikuun Tôren (1383-1471), and the poems were added by Kôsei Ryûha (1375-1446), Shinden Seiha (1375-1447), Tôshô Shûgen (1391-1462), Zuigan Ryûsei (1384-1460), and Kisei Reigen (1403-1488).\n\nThe preface is dated to Bun'an 4 (1447), however, it appears that the picture was painted considerably earlier. Although the preface mentions the person who commissioned the scroll, it makes no mention at all of the painter, as was typical of the time. \n","@language":"en"},{"@value":"　　这件山水画在十五世纪上半叶由京都南禅寺僧人杲所收藏，并有当时著名的禅僧们题写之诗赞和序文，堪称是诗画合璧的画轴。相传作者是周文，乃当时足利将军家的御用画师、供职于相国寺的禅僧。周文确实可信的画迹已不传，而本图右下方「越溪周文」一印也颇被质疑，不过，在探究周文的绘画表现时，本图仍是最适切的画例之一。\n　　关于本图的构图和母题，一般认为是师法中国南宋宫廷画家马远、夏圭等人风格，或是元、明时期继承马远、夏圭画风之马夏派。本图的对角线构图表现成功而完美，画面左上方的远景描绘出湖沼对岸笼罩着岚雾的群山，右下方的前景画有一人于竹林环绕的草庵中读书，以及两位渡桥前来访觅的人物。虽然画面场景不大，然而画中空间辽阔，充满着空气流通的感觉。作为一幅为了憧憬隐遁生活的禅僧而绘制的书斋图来说，是极具代表性的一幅杰作。\n　　画面最上方的序文是由竺云等连所书，其下并有由江西龙派、心田清播、东沼周曮、瑞岩龙惺、希世灵彦等禅僧题写的诗赞。\n　　序文中虽有文安四年（西元1447年）的纪年，但其绘制年代似乎远早在此纪年之前。另外，序文中仅提及嘱托作序的僧杲，对于画家则只字未提，这种情形可说是当时的惯例。本图原收藏于京都妙智院。\n","@language":"zh"},{"@value":"15세기전반 교토 난젠지(南禅寺) 절의 고(杲)라는 승려가 가지고 있던 산수화에 당시 저명한 선승들이 시와 서문을 써넣은 시화축이다. 작자로 전하는 슈분은 이 무렵 아시카가(足利)장군 집안의 전속화가로서 쇼코쿠지(相国寺) 절의 선승이었다. 슈분 작품이라고 단정할 만한 것은 현재 한 점도 남아있지 않아 화면 오른쪽 아래에 찍힌‘에케이슈분(越溪周文)’이란 도장도 진위가 의문시되고 있다. 그러나 이 작품이 슈분의 그림을 고찰하기에 가장 적합한 작품의 하나인 것은 틀림없다.\n 구도와 모티프는 중국 남송시대의 하규, 마원 등의 양식과 이들의 경향을 이어받은 원, 명시대의 마하파 작품을 습득한 것으로 여겨진다. 큰 무리가 없는 대각선 구도를 채택하여 왼쪽 윗편의 원경에는 호수 건너편의 안개낀 산을 그렸으며 오른쪽 아래의 전경에는 대밭에 둘러쌓인 초암에서 책을 읽는 사람과 또 다리를 건너 찾아온 두 사람의 방문객을 그렸다. 화면은 작지만 광대한 공간을 암시하는 대기가 충만해 있다. 은거 생활을 동경하는 선승을 위해 그려진 서재도로서 이 시대를 대표하는 뛰어난 작품이다.\n 서문은 지쿠운 도렌(竺雲等連)이 썼고 고세 류하(江西龍派), 신덴 세하(心田清播), 도쇼 슈겐(東沼周曮), 즈이간 류세(瑞巖龍惺), 기세 레겐(希世霊彦) 등이 시를 지어 붙였다.\n 서문에 1447년이란 연기가 보이지만 실제 그림이 그려진 것은 이보다 앞선다고 여겨진다. 한편 서문에 글을 의뢰한 사람에 관해서는 언급하며 그림의 작자에 대해서는 한 마디도 없는 것은 당시의 항례였다. 교토 묘치인(妙智院) 절에 전해져 왔던 그림이다.\n","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100145001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":53},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100145&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 竹斎読書図","@language":"ja"},{"@value":"e-Museum - Reading in a Bamboo Grove","@language":"en"},{"@value":"e国宝 - 竹斋读书图","@language":"zh"},{"@value":"e국보 - 죽재독서도","@language":"ko"}],"format":"text/html"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100145001001.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"1","height":28983,"width":7629,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100145001001.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100145001001.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":28983,"width":7629},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100145001001.tif#xywh=0,0,7629,28983"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100145001001/1/thumbnail.jpeg","@type":"dctypes:Image"}}]}]}