{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100130001/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 胎蔵界曼荼羅","@language":"ja"},{"@value":"e-Museum - Mandala of the Womb World (Skt. 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Kulika Nāgarāja) and Two Child Acolytes. The Diamond World of the Two World Mandala comprises 81 deities including 61 deities in central precinct Katsuma e followed by 16 bodhisattvas (Kengo 16 bosatsu) and 4 Great Wisdoms (Myoo). Both the Two World show the same style as the Monochrome Mandala of the Womb World enshrined at Mt. Hiei (owned by Daigoji Temple) and are based on the iconography of the Tendai sect.\r\n The Dragon Kurikara and Two Child Acolytes image depicts the Dragon King Kurikara winding about the three-pronged sword and Kongara (Skt. Kiṃkara) and Seitaka (Skt. Ceṭaka) standing on a rock in the sea. The Dragon King Kurikara is an avatar of Fudo Myoo (Skt. Acala) and is represented in accordance with The Ritual Manual of the Dragon King Kurikara. The vibrant ink lines depicting dynamic flames and the clothing lines of Two Children make the drawing lively.\r\n Although all three drawings are estimated to have been created in 13th century of the Kamakura period (1185–1333), the Dragon Kurikara and Two Child Acolytes drawing seems to have been created earlier and further studies are required to establish if these three drawings were initially made as a set. The same mounting method is used on the three drawings and the note written on the old bar of the Mandala of the Womb World with ink (Kyoho 6, 1721) says that these were handed down to Sefukuji Temple in Osaka Prefecture. This Temple had long been a temple of the Shingon sect, but it was converted to the Tendai sect during the Kan’ei era (1624–1644) in the Edo period (1603–1868). While the time when these three drawings were combined into a set is unknown, it is estimated that they were handed down to Sefukuji Temple after the conversion of the sect.","@language":"en"},{"@value":" 这是两界曼荼罗和俱利迦罗龙二童子像的三幅套图,由两界曼荼罗之中的金刚界由羯磨会六十一尊、贤劫十六菩萨及四明王共八十一尊构成,且金、胎两部与白描睿山本大悲胎蔵大曼荼罗(醍醐寺藏)为同一系统,均遵循了天台系图像。\r\n 俱利迦罗龙二童子像中绘有卷缠三钴剑的俱利迦罗龙王及坐在海中岩座上的矜羯罗、制咤迦童子。俱利迦罗龙王被认为是不动明王的化身,其姿态遵循《说矩里伽龙王像法》的描述。充满动感的火焰及二童子衣纹中透露出抑扬飘逸的墨线,创造出生机勃勃的画面。\r\n 三幅均制作于镰仓时代13世纪,但据推测俱利迦罗龙二童子像的制作年代稍早些,制作当初是否是三幅套图的问题尚待论证。另外,三幅图采用同一装裱形式,根据其中藏界曼荼罗旧轴木上的墨书(享保6年、1721),可知此为槙尾山施福寺(大阪)传来。长期以来施福寺一直是真言宗派寺院,江户时代宽长年间(1624-1644)改宗派为天台宗。三幅组合的年代不明,但据推测至少在改宗之后才传入施福寺。\r\n","@language":"zh"},{"@value":" 양계만다라와 구리가라용이동자상의 3폭. 양계만다라 중 금강계는 갈마회의 61존에 현겁16보살과 사명왕을 더한 81존으로 구성되며, 금•태 모두 하쿠뵤에이잔혼다이히태장대만다라(다이고지 절 소장)와 같은 계통이며, 모두 천태종계의 도안을 따른 것이다.\n 구리가라용이동자상은 삼고검에 휘감긴 구리가라용왕과 긍갈라•제타가 동자를 바다 암좌 위에 그렸다. 구리가라용왕은 부동명왕의 변화된 몸으로 여겨지며, 이 모습은 『설구리가라용왕상법(説矩里伽龍王像法)』을 따른 것이다. 생동감이 넘치는 화염과 두 동자의 의문(衣文)에서 보이는 억양이 있는 묵선으로 생기 있는 그림을 만들고 있다.\n 3폭 모두 가마쿠라 시대인 13세기에 제작되었으리라 추측되지만, 구리가라용이동자상 쪽이 조금 일찍 만들어진 듯하며, 제작 당초부터 3폭이었을지는 아직 명확하지 않다. 또한 3폭은 동일한 표구로 만들어졌으며, 그 중 장계만다라 표구 심지의 묵서(교호6년(1721))를 통해 마키노오산 세후쿠지 절(오사카) 전래 유물임을 알 수 있다. 세후쿠지 절은 진언종 사원으로서 오랫동안 이어져 왔지만 에도시대 간에이 연간(1624~44), 천태종으로 개종했다. 3폭이 조합된 시기는 명확하지 않지만 적어도 세후쿠지 절이 소장하게 된 것은 개종 후의 일로 추측된다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100130001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":172},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100130&content_part_id=1&content_pict_id=0","label":[{"@value":"e国宝 - 胎蔵界曼荼羅","@language":"ja"},{"@value":"e-Museum - Mandala of the Womb World (Skt. 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