{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100113001/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 類秘抄　大自在天已下四天王図像","@language":"ja"},{"@value":"e-Museum - Ruihishō, The Four Heavenly Kings Following Maheśvara","@language":"en"},{"@value":"e国宝 - 类秘抄　大自在天已下四天王图像卷","@language":"zh"},{"@value":"e국보 - 류비초 대자재천이하사천왕도상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"書跡","@language":"ja"},{"@value":"Calligraphy","@language":"en"},{"@value":"书法","@language":"zh"},{"@value":"서예","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"るいひしょう　だいじざいてんいかしてんのうずぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"},{"@value":"Official title","@language":"en"},{"@value":"指定名称","@language":"zh"},{"@value":"지정 명칭","@language":"ko"}],"value":[{"@value":"類秘抄","@language":"ja"},{"@value":"類秘抄","@language":"en"},{"@value":"類秘抄","@language":"zh"},{"@value":"類秘抄","@language":"ko"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1巻","@language":"ja"},{"@value":"1 scroll","@language":"en"},{"@value":"1卷","@language":"zh"},{"@value":"1권","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"紙本墨書　巻子","@language":"ja"},{"@value":"Ink on paper　Handscroll","@language":"en"},{"@value":"纸本墨书　书卷","@language":"zh"},{"@value":"종이에 묵서 두루마리","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"縦29.3　長1575.0","@language":"ja"},{"@value":"H 29.3, L 1575.0","@language":"en"},{"@value":"纵29.3　长1575.0","@language":"zh"},{"@value":"세로 29.3　길이 1575.0","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"鎌倉時代・承久2年(1220)","@language":"ja"},{"@value":"Kamakura period/Jōkyū 2 (1220)","@language":"en"},{"@value":"镰仓时代　承久2年(1220)","@language":"zh"},{"@value":"카마쿠라 시대 죠큐 2년(1220)","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"奈良国立博物館","@language":"ja"},{"@value":"Nara National Museum","@language":"en"},{"@value":"奈良国立博物馆","@language":"zh"},{"@value":"나라국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"1130(書85 B)","@language":"ja"},{"@value":"1130(書85 B)","@language":"en"},{"@value":"1130(書85 B)","@language":"zh"},{"@value":"1130(書85 B)","@language":"ko"}]}],"description":[{"@value":"　『類秘抄』は、勧修寺流の開祖である寛信（1085～1153）が撰述したもので、事相に関する諸事について、諸経の文章を抄録し、さらに先徳の口決、口伝、図像などを集めたものである。現在、京都栂尾の高山寺に『類秘抄』11冊が伝えられており、この4巻（大自在天已下四天王図像、五大尊、十一面、愛水）も、もとは高山寺に伝来したものであり、各巻の巻首には「方便智院」の朱方印が捺されている。\r\n　この4巻のうち「愛水」を除く3巻に奥書があり、仁平4年（1154）に智海が寛信の自筆本を写したものを、承久2年（1220）に高山寺の定真（明恵上人の弟子）が書写したものであることがわかる。\r\n　また4巻のうち「大自在天已下四天王図像」には四天王像4図、「十一面」には観音図像8図が収められている。\r\n　前者の図像は、小栗栖薬師堂像・勧修寺本堂像・勧修寺御影堂像など、他の図像集にはあまり見られないものを含んでいて注目される。特に御影堂像に続く四天王の頭部のみの図像は、智海本を忠実に臨写して貼付したものと考えられ、仁平年間の姿をそのままに伝えて価値が高い。\r\n　後者の図像は、『覚禅鈔』巻第四十四「十一面上」（『大正新修大蔵経』所収）に引用されている原本にあたり、『覚禅鈔』と『類秘抄』との密接な関係をうかがわせて興味深い。この巻には、東大寺二月堂の修二会（お水取り）の本尊である十一面観音（小観音）の図像も描かれている。\r\n　このように、特に図像を含む2巻は、『覚禅鈔』などに先行する平安時代末期の図像を忠実に伝えた古写本として、図像研究上きわめて貴重である。\r\n　なお「大自在天已下四天王図像」は、具注暦の紙背に記されている。","@language":"ja"},{"@value":"The <i>Ruihishō</i> was compiled by Kanjin (1084–1153), the founder of the Kajūji lineage of Shingon esoteric practice. It contains sutra excerpts on aspects of esoteric practice as well as iconographic drawings and oral teachings of past venerated masters. Presently 11 copies of the <i>Ruihishō</i> are owned by Kōsanji Temple in Toganō, Kyoto. These four volumes (“The Four Heavenly Kings Following Maheśvara”, “The Five Great Wisdom Kings”, “The Eleven-Headed Kannon” (J. Jūichimen Kannon; Skt. Ekādaśamukha-avalokiteśvara) and “FluiditiesWater of Lustove”) were originally owned by Kōsanji as well. The beginning of each scroll is stamped with the square red seal of Hōbenchi-in.\r\n\r\nExcluding “Water Fluidities of LoveLust”, the remaining three of the four scrolls have colophons revealing they were copied by Jōshin (a disciple of the venerable Myōe) of Kōsanji in Jōkyū 2 (1220) based on a copy the priest Chikai (1121–1203) made of Kanjin’s original manuscript in Ninpei 4 (1154).\r\n\r\nAmong the four scrolls, four iconographic drawings of the Four Heavenly Kings are included in “Four Heavenly Kings Following Maheśvara” and eight drawings of Kannon are in “The Eleven-Headed Kannon”.\r\n\r\nThe drawings in the former are notable for including the iconographies of statues in Ogurisu Yakushi Hall as well as the Main Hall and Mieidō Hall of Kajūji Temple that are rarely included in other collections. In particular, the four heads of the Four Heavenly Kings drawn after the statues in Mieidō Hall are valuable because they are thought to have been attached as faithful copies of Chikai’s transcription and thus preserve the appearances of the statues’ heads during the Ninpei era.\r\n\r\nThe drawings in the latter are the original images referenced in the 44th volume of a collection of iconographies compiled by the priest Kakuzen (called <i>Kakuzenshō</i>, b. 1143) in a section entitled “The Eleven-Headed Kannon, Part I” (“Jūichimen jō”) that is included in the <i>Taishō Tripiṭaka</i>. This intriguingly suggests a close link between the <i>Kakuzenshō</i> and the <i>Ruihishō</i>. This handscroll also includes the iconography of the Eleven-Headed Kannon (small Kannon) used as one of the principal objects of worship in a repentance ceremony called the Shuni-e (or Omizutori) held at Nigatsudō Hall at Tōdaiji Temple.\r\n\r\nThe two scrolls containing iconographic drawings offer critical insights for studying Buddhist iconography, as they are early copies that faithfully preserve iconographies from the late Heian period prior to the compilation of the <i>Kakuzenshō</i>.\r\n\r\nThe “Four Heavenly Kings Following Maheśvara” is copied on the back of an old type of calendar (<i>guchūreki</i>) written in Chinese characters that marked auspicious and inauspicious days.","@language":"en"},{"@value":"　　《类秘抄》由劝修寺流派鼻祖宽信(1085～1153)撰述，抄录了事相(密教中指佛法实践)相关诸事的诸经文章，更收集有先德口决、口传、图像等。现京都栂尾高山寺中传有《类秘抄》11册，此4卷(大自在天己下四天王图像卷，五大尊卷，十一面卷，爱水卷)最初也为高山寺相传之物，各卷的卷首上盖有“方便智院”的朱方印。 \r\n　　此4卷中除“爱水卷”之外，其他3卷上书有批注，可知智海于仁平4年(1154)抄写宽信的亲笔书，本作品为承久2年(1220)高山寺的定真(明惠上人的弟子)抄写自智海的手抄本。 \r\n　　另外，4卷中的“大自在天已下四天王图像卷”中收录有4幅四天王像、“十一面卷”中收录有8幅观音图。 \r\n　　前者图像中有小栗栖药师堂像、劝修寺本堂像、劝修寺御影堂像等，均为其他图像集中难得一见的图像，引人注目。尤其是继御影堂像之后的四天王纯头部图像，忠实的临摹了智海样本并加以粘贴，展现了仁平年间的智海手抄本的原貌，因而具有珍贵的价值。 \r\n　　后者图像与《觉禅钞》第四十四卷“十一面上”(《大正新修大藏经》收录)中引用的原本相对应，由此可见《觉禅钞》与《类秘抄》的密切关系，耐人寻味。此卷上还绘有东大寺二月堂修二会(取水仪式)的本尊十一面观音(小观音)图像。 \r\n　　尤其是其中包含图像的2卷，作为忠实传承了《觉禅钲》等此前平安时代(794-1185)末期图像的古抄本，对图像研究具有极其重要的价值。 \r\n　　另外，在具注历(奈良、平安时代流行的历书)的纸背上还记有“大自在天已下四天王图像卷”。","@language":"zh"},{"@value":"　『류비초(類秘抄)』는 교토 카쥬지(勸修寺)류를 세운 칸진(寬信, 1085~1153)이 찬술한 것이다. 밀교에서 수법 등의 실천적인 방법에 관련된 여러가지 사안에 대해 각 경전에서 문장을 발췌하고 덕이 있는 선인이 남겼다고 하는 말과 전해져 내려오는 이야기, 도상 등을 모은 것이다. 현재 교토 토가노오에 있는 코잔지(高山寺)에 『류비초』 11권이 전해져 내려오고 있다. 이 4권(대자재천이하사천왕도상, 오대존, 십일면, 애수)도 원래는 고잔지에 있었다. 각 권의 앞에 「方便智院」이라는 붉은 도장이 찍혀있다. \r\n　이 4권 중 「애수」를 제외한 3권에는 제작자 등의 기초 기록이 있어 닌페이 4년(1154)에 승려 치카이(智海, 생몰년미상)가 칸진의 자필본을 필사한 것을 죠큐 2년(1220)에 코잔지 승려 죠진(定眞, 생몰년미상)이 필사하였음을 알 수 있다. 죠진은 카마쿠라 시대(1185~1333) 전기의 화엄종 승려 묘에(明惠)의 제자이다.\r\n　또한 4권 중 「대자재천이하사천왕도상권」에는 사천왕상이 4건, 「십일면」에는 관음도상이 8건이 수록되어 있다.\r\n　전자의 도상은 교토 오구루스(小栗栖)의 약사당상(藥師堂像), 카쥬지의 본당상(本堂像) 및 미에도상(御影堂像) 등, 다른 도상집에서는 찾아볼 수 없는 것도 다수 포함하고 있어 주목된다. 특히 미에도상에 이은 사천왕의 머리 부분만 그린 도상은 치카이가 제작한 도상을 충실히 베껴 드린 것으로 보인다. 닌페이 연간의 모습을 그대로 전하는 가치가 높은 도상이다. \r\n　후자의 그림은 『각선초(覺禪鈔)』권제44 「십일면상(十一面上)」(『대정신수대장경(大正新修大蔵経)』에 수록)에 인용되어 있는 원본에 해당하며, 『각선초』와 『류비초』와의 밀접한 관계를 엿볼 수 있다. 이 권에는 나라 토다이지(東大寺) 니가츠도(二月堂)에서 열리는 슈니에(修二會, 오미즈토리)의 본존인 십일면관음(소관음)의 도상도 그려져 있다.\r\n　이처럼 특히 도상을 포함한 두 권은 『각선초』등에 선행하는 헤이안 시대(794~1185) 말기의 그림을 충실히 전하는 오래된 필사본으로서 도상 연구에 있어 매우 귀중하다.\r\n　한편 「대자재천이하사천왕도상권」은 일본의 계절과 날짜의 길흉 등을 다룬 구추레키(具注暦) 종이 뒷면에 기록되어 있다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100113001003/3/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":373},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural 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