{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100101000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 力士形立像","@language":"ja"},{"@value":"e-Museum - Guardian","@language":"en"},{"@value":"e国宝 - 力士形立像","@language":"zh"},{"@value":"e국보 - 역사형입상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"彫刻","@language":"ja"},{"@value":"Sculpture","@language":"en"},{"@value":"雕刻","@language":"zh"},{"@value":"조각","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"りきしぎょうりゅうぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"},{"@value":"Official title","@language":"en"},{"@value":"指定名称","@language":"zh"},{"@value":"지정 명칭","@language":"ko"}],"value":[{"@value":"乾漆力士形立像","@language":"ja"},{"@value":"乾漆力士形立像","@language":"en"},{"@value":"乾漆力士形立像","@language":"zh"},{"@value":"乾漆力士形立像","@language":"ko"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1軀","@language":"ja"},{"@value":"1 statue","@language":"en"},{"@value":"1尊","@language":"zh"},{"@value":"1구","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"脱活乾漆造　彩色　截金","@language":"ja"},{"@value":"Hollow-core dry lacquer with pigments　Cut gold leaf (<i>kirikane</i>)","@language":"en"},{"@value":"脱活干漆造　彩色　截金","@language":"zh"},{"@value":"탈활건칠조 채색 키리카네 기법","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"像高59.0","@language":"ja"},{"@value":"H 59.0","@language":"en"},{"@value":"像高59.0","@language":"zh"},{"@value":"상 높이 59.0","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"奈良または中国・唐時代・8世紀","@language":"ja"},{"@value":"Nara period or Tang dynasty, China/8th century","@language":"en"},{"@value":"奈良或中国唐代(8世纪)","@language":"zh"},{"@value":"나라 또는 중국 당(8세기)","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"奈良国立博物館","@language":"ja"},{"@value":"Nara National Museum","@language":"en"},{"@value":"奈良国立博物馆","@language":"zh"},{"@value":"나라국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"1113(彫102)","@language":"ja"},{"@value":"1113(彫102)","@language":"en"},{"@value":"1113(彫102)","@language":"zh"},{"@value":"1113(彫102)","@language":"ko"}]}],"description":[{"@value":"　仏法の守護神である金剛力士で、右手に拳を作り下方に突っ張り、左手は胸前で構え、天衣・裳を着けて蓮華座上に立つ。脱活乾漆造で彩色仕上げとする。ひろがりのある鬚髯をたくわえた特異な表情や、上半身が大きく腰で極端に絞る体躯、思い切って上体をそらした姿勢など、類例のない作風が特徴である。手の構えやポーズに緊張感がある一方、表情には飄々とした風も感じられ、独特の存在感がある。類似の作例が日本にはなく制作時期の判断は難しいが、簡明な胸飾りの形式、鬚髯をたくわえた表情、大きく作る上半身、ポーズと筋骨の明快な表情などから判断して、中国・初唐の様式を受容しその影響を濃厚に残した奈良時代はじめの造像と結論しておくこととするが、中国本土での造像の可能性も考慮されるべきであろう。","@language":"ja"},{"@value":"The statue depicts a dharma protector guardian deity (Kongō Rikishi). Standing on a lotus pedestal, the figure wears an ornamental scarf-like strip of cloth (J. <i>tenne</i>) and wraparound skirt. The right arm is extended downward in a fist, and the left is held in front of the chest. It was made using a hollow-core dry lacquer technique and then painted. The sculptural style is unique and has many unusual features, like the peculiar countenance, bushy beard and moustache, broad upper body tapering to a constricted waist, and the backward leaning posture of the torso. The tension in the pose and hand positions is paired with a somewhat aloof facial expression, giving the statue a distinct presence. It is difficult to date the work, as no similar examples exist in Japan. However, judging from the form of the simple chest ornaments, the bearded face, the pose, the large upper body, and clearly defined musculature, it can be concluded that the statue was created in the early Nara period (710–794) when sculptural modes from China’s early Tang dynasty still exerted significant influence. It may alternatively have been produced in China. ","@language":"en"},{"@value":"　　佛法守护神金刚力士，右手握拳伸向下方，左手放在在胸前，身着天衣坐在莲华座上。本作采用脱活干漆造技法经彩色涂饰而成。蓄着长髯的奇特表情、上半身大、腰身突然收紧、上身拼命后仰的姿态等，形成了本作罕见的风格特征。造像手的姿态和动作略显紧张，而表情则飘逸自然，具有独特的存在感。因日本无类似作品，故难以判断其制作时期，但根据简洁的胸饰形式、蓄长髯的表情、上半身大、动作以及肌骨鲜明的表现特征来看，认为本作是奈良时代(710-794)初期继承了中国初唐的样式并深受其影响的造像，也可能是中国本土的造像。","@language":"zh"},{"@value":"　불법(佛法)의 수호신인 금강역사(金剛力士)이다. 오른손은 주먹을 쥐어 아래로 뻗었고, 왼손은 가슴 앞으로 모았다. 천의(天衣)와 상(裳)을 걸치고 연화좌 위에 서 있다. 탈활건칠조(脫活乾漆造) 기법으로 채색을 마무리 하였다. 뻗치는 수염과 특이한 표정, 큰 상반신에 극단적으로 좁아지는 허리 체구, 힘껏 허리를 젖힌 자세 등, 유례없는 작풍이 특징이다. 손 모양이나 자세에 긴장감 있는 모습이나, 표정에서는 표표한 모습이 느껴지는 등 독특한 존재감이 있다. 이와 비슷한 작품 예가 일본에는 없고, 제작 시기를 판단하기 어려우나 간단 명료한 가슴 장식, 수염을 기른 표정, 크게 만든 상반신, 자세와 근골의 명쾌한 표현 등으로 보아 중각 당나라(618~907)의 초기 양식을 수용하고 그 영향을 농후하게 남긴 나라 시대(710~794) 초기의 제작으로 결론 짓고 있으나, 중국 본토에서 제작되었을 가능성도 고려해야 할 것이다. 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