{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100086000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 道宣律師像","@language":"ja"},{"@value":"e-Museum - Portrait of the Vinaya Master Daoxuan","@language":"en"},{"@value":"e国宝 - 道宣律师像","@language":"zh"},{"@value":"e국보 - 도선율사상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"どうせんりっしぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"},{"@value":"Official title","@language":"en"},{"@value":"指定名称","@language":"zh"},{"@value":"지정 명칭","@language":"ko"}],"value":[{"@value":"絹本著色道宣律師像","@language":"ja"},{"@value":"絹本著色道宣律師像","@language":"en"},{"@value":"絹本著色道宣律師像","@language":"zh"},{"@value":"絹本著色道宣律師像","@language":"ko"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1幅","@language":"ja"},{"@value":"1 hanging scroll","@language":"en"},{"@value":"1幅","@language":"zh"},{"@value":"1폭","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"絹本著色　金泥　掛幅","@language":"ja"},{"@value":"Ink and colors on silk　Gold paint (<i>kindei</i>)　Hanging scroll","@language":"en"},{"@value":"绢本着色　金泥　挂轴","@language":"zh"},{"@value":"종이에 채색 금니 족자","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"縦113.7　横57.0","@language":"ja"},{"@value":"H 113.7, W 57.0","@language":"en"},{"@value":"纵113.7　横57.0","@language":"zh"},{"@value":"세로 113.7　가로 57.0","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"鎌倉時代・14世紀","@language":"ja"},{"@value":"Kamakura period/14th century","@language":"en"},{"@value":"镰仓时代(14世纪)","@language":"zh"},{"@value":"카마쿠라 시대(14세기)","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"奈良国立博物館","@language":"ja"},{"@value":"Nara National Museum","@language":"en"},{"@value":"奈良国立博物馆","@language":"zh"},{"@value":"나라국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"1005(絵193)","@language":"ja"},{"@value":"1005(絵193)","@language":"en"},{"@value":"1005(絵193)","@language":"zh"},{"@value":"1005(絵193)","@language":"ko"}]}],"description":[{"@value":"　中国・初唐期の僧、南山大師道宣（596～667）の肖像。道宣は『四分律行事鈔』を撰述するなどして律学を大成し、南山律の祖となった。玄奘の訳経にも参加したほか、仏教経典の目録である『大唐内典録』や、仏教史書『続高僧伝』『釈迦方志』、護法のために記された文書を収集した『広弘明集』など多数の書物の撰述をも果たし、偉大な事績を残している。日本には奈良時代に鑑真がその教え（四分律）を伝えたが、鎌倉時代に至って京都や奈良で律学の復興が図られ、その機運にあわせて祖師の肖像画も多く描かれた。\r\n　本図は黒い袈裟をまとい、法被をかけた高い曲彔〈きょくろく〉に坐して、両手で払子をとる斜め向きの道宣の姿を描いている。この姿は鎌倉時代に中国で律学を学び帰国した泉涌寺の俊芿〈しゅんじょう〉が請来した、南宋・嘉定3年（1210）製作の道宣律師・元照律師像（二幅対、泉涌寺所蔵、重文）のうち道宣律師像の図像を継承している。 頭の形やつりあがった目などの独特の顔つきも、写実味のある泉涌寺本に比較すると形式化されながらも丁寧に描かれ、踏襲される。宋代にもたらされた図像が日本国内で原本として重視され、流布したことを伝えている。なお、墨書にみえる澄照とは唐の懿宗による謚号である。森村家伝来。","@language":"ja"},{"@value":"Daoxuan (posthumous title Nanshan Dashi; 596–667) was a Chinese Buddhist monk during the early Tang dynasty (618–907). Daoxuan was an important figure in the Lu (J. Risshū; Skt. Vinaya) school who wrote the <i>Commentary on Monastic Practices from the Vinaya in Four Parts</i> (Ch. Sifen lu xingshi chao) and founded the Nanshan Lu school. Among his many achievements, he is known for having contributed to the monk Xuanzang’s sutra translations as well as authoring numerous seminal works, including the <i>Great Tang Catalogue of Buddhist Scriptures</i> (Ch. Da Tang neidian lu), the Buddhist historical chronicle <i>Continued Biographies of Eminent Monks</i> (Ch. Xu gaoseng zhuan), a text describing Buddhist landmarks in India called <i>Shijia fangzhi</i>, and a text he compiled to protect Buddhism titled <i>Expanded Collection on the Propagation and Clarification of Buddhist Doctrines</i> (Ch. Guang hongming ji). The monk Jianzhen (J. Ganjin; 688–763) founded the Lu school’s Japanese counterpart, the Risshū school, and spread Daoxuan’s teachings on the <i>Vinaya in Four Parts</i> (J. Shibun ritsu; Ch. Sifen lu) during the Nara period (710–794). The Risshū school was revived in Kyoto and Nara during the Kamakura period (1185–1333), at which time many portraits of the school’s patriarch Daoxuan were made.\r\n\r\nIn this portrait, Daoxuan is dressed in black monastic robes and holds a fly whisk. He is painted from a diagonal angle while seated in a Buddhist chair with a high back (<i>kyokuroku</i>) covered with an outer coat (<i>happi</i>). The painting follows the style of an earlier portrait of Daoxuan that was produced as a pair with a portrait of the Vinaya master Yuanzhao (1048–1116) (Important Cultural Property, Sennyūji Temple) in the year Jiading 3 (1210) during China’s Southern Song dynasty and brought to Japan by Shunjō (1166–1227), the founder of Sennyūji Temple, after he studied the teachings of the Lu school in China during the Kamakura period. This portrait is a carefully produced copy that, although more formalized, shares the same realism found in the Sennyūji portrait in the figure’s head shape, up-angled eyes, and unique facial features. These elements show how the image brought from Song China was held in high regard as the “original” portrait and disseminated. The name Chengzhao seen in the inscription is a posthumous title bestowed on Daoxuan by Emperor Yizong of Tang (833–873; r. 859–873). The work was formerly preserved in the collection of the Morimura family.","@language":"en"},{"@value":"　　本图为中国初唐时期的僧人南山大师道宣(596～667)的肖像。道宣因撰述《四分律行事钞》等而集律学之大成，成为南山律之祖。他除了参与玄奘的译经之外，还完成了佛教经典目录《大唐内典录》、佛教史书《续高僧传》、《释迦方志》、以及收录了护法记文的《广弘明集》等大量书物的撰述，留下了丰功伟绩。奈良时代(710-794)由鉴真将此教义(四分律)传入日本，而到镰仓时代(1185-1333)律学在京都和奈良得以复兴，以此为契机出现了大量的祖师肖像画。\r\n　　画面上道宣身披黑袈裟坐在铺有法被的高曲彔上，双手执拂尘，面朝斜方。镰仓时代在中国学习律学后归国的泉涌寺俊芿，曾求来南宋嘉定3年(1210)绘制的道宣律师•元照律师像(双开幅，泉涌寺所藏，重要文化财)，此姿态继承了其中道宣律师像的图像。与具有写实风格的泉涌寺本相比，本图中的头形和吊眼等独特相貌虽流于形式，但描绘认真、沿袭古式，诉说着宋代传入日本的图像作为原本在日本国内得到重视，并广为流传。另外，墨书中可见的澄照是唐懿宗所赐的谥号。本图由森村家传来。","@language":"zh"},{"@value":"　중국 당나라 초기의 승려인 남산대사 도선(道宣, 596~667)의 초상이다. 도선은 『사분율행사초(四分律行事鈔)』를 짓는 등 율학을 대성시킨 남산율(南山律)의 창시자이다. 현장(玄奘, 602?~664)의 경전 번역 작업에도 참여하였으며, 불교 경전의 목록인 『대당내전록(大唐內典錄)』과 불교사서인 『속고승전(續高僧傳)』,『석가방지(釋迦方志)』, 호법을 위해 기록된 문서를 수집한 『광홍명집(光弘明集)』등 많은 책을 저술하며 위대한 사적을 남겼다. 일본에서는 나라 시대(710~794)에 감진(鑑眞, 688~763)이 그 가르침(사분율)을 전했지만, 카마쿠라 시대(1185~1333)에 이르러 교토와 나라에서 율학의 진흥이 도모되어 그 시기에 조사(祖師)의 초상화도 많이 그려졌다.\r\n　본 도상은 검은 가사를 두르고 있으며, 법피를 걸친 높은 곡록(曲彔)에 앉아 양손으로 불자(拂子)를 쥐어 비스듬한 방향을 바라보는 도선의 모습을 그리고 있다. 이 모습은 카마쿠라 시대에 중국에서 율학을 익히고 일본으로 귀국한 교토 센뉴지(泉涌寺)의 승려 슌조(俊芿, 1166〜1227)가 가지고 온 남송 가정3년(1210)에 제작된 도선율사 원조율사상(2폭, 센뉴지 소장, 중요문화재) 속 도선율사상의 도안을 계승하고 있다. 두상 형태와 올라간 눈 등 독특한 얼굴도 사실미가 있는 센뉴지 소장본과 비교하면 형식화되었음에도 세밀하게 그려 도안을 답습하였다. 이는 중국 남송 시대(1127~1279)에서 들여온 도안이 일본 내에서 원본으로서 중시되어 유포되었음을 말한다. 한편 묵서로 보이는 징조(澄照)라는 이름은 당나라 의종에 부여한 시호이다. 본 작품은 모리무라(森村) 일족에서 전래되었다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100086001003/3/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":75},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100086&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 道宣律師像","@language":"ja"},{"@value":"e-Museum - Portrait of the Vinaya Master Daoxuan","@language":"en"},{"@value":"e国宝 - 道宣律师像","@language":"zh"},{"@value":"e국보 - 도선율사상","@language":"ko"}],"format":"text/html"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100086001003.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"1","height":13256,"width":4942,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100086001003.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100086001003.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":13256,"width":4942},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100086001003.tif#xywh=0,0,4942,13256"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100086001003/3/thumbnail.jpeg","@type":"dctypes:Image"}},{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100086001004.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"2","height":14204,"width":8782,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100086001004.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100086001004.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":14204,"width":8782},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100086001004.tif#xywh=0,0,8782,14204"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100086001004/4/thumbnail.jpeg","@type":"dctypes:Image"}}]}]}