{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100070000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 阿弥陀如来鏡像","@language":"ja"},{"@value":"e-Museum - Votive Mirror with Amida (Skt. Amitābha)","@language":"en"},{"@value":"e国宝 - 阿弥陀如来镜像","@language":"zh"},{"@value":"e국보 - 아미타여래경상","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"金工","@language":"ja"},{"@value":"Metalwork","@language":"en"},{"@value":"金属工艺","@language":"zh"},{"@value":"금속공예","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"あみだにょらいきょうぞう","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"},{"@value":"Official title","@language":"en"},{"@value":"指定名称","@language":"zh"},{"@value":"지정 명칭","@language":"ko"}],"value":[{"@value":"銅鏡(松喰鶴文)","@language":"ja"},{"@value":"銅鏡(松喰鶴文)","@language":"en"},{"@value":"銅鏡(松喰鶴文)","@language":"zh"},{"@value":"銅鏡(松喰鶴文)","@language":"ko"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"1面","@language":"ja"},{"@value":"1 piece","@language":"en"},{"@value":"1面","@language":"zh"},{"@value":"1점","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"銅製 鋳造","@language":"ja"},{"@value":"Cast bronze","@language":"en"},{"@value":"铜制 铸造","@language":"zh"},{"@value":"동제 주조","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"径20.5","@language":"ja"},{"@value":"D 20.5","@language":"en"},{"@value":"直径20.5","@language":"zh"},{"@value":"직경 20.5","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"平安時代・12世紀","@language":"ja"},{"@value":"Heian period/12th century","@language":"en"},{"@value":"平安时代(12世纪)","@language":"zh"},{"@value":"헤이안시대(12세기)","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"奈良国立博物館","@language":"ja"},{"@value":"Nara National Museum","@language":"en"},{"@value":"奈良国立博物馆","@language":"zh"},{"@value":"나라국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"900(工187)","@language":"ja"},{"@value":"900(工187)","@language":"en"},{"@value":"900(工187)","@language":"zh"},{"@value":"900(工187)","@language":"ko"}]}],"description":[{"@value":" 鏡像は鏡面に仏菩薩等を表したものをいう。現存作例に見る限り鏡像が現れるのは平安時代中頃であり、その発生については垂迹〈すいじゃく〉思想によって神鏡に本地仏〈ほんじぶつ〉が表されたとする説、鏡を仏菩薩が現れる月輪〈がちりん〉に見立てる密教の教義による説などがある。本作は鏡面に定印〈じょういん〉を結んで蓮華座に結跏趺坐〈けっかふざ〉し、火焔を付した頭光・身光を負う阿弥陀如来を線刻した銅鋳製大形の円鏡。鏡面は鍍錫〈としゃく〉の痕跡が認められる。線刻は楔〈くさび〉形の点が連続して線をなす蹴彫り〈けりぼり〉であるが、顔と螺髪は線が連続するずらせ彫りを用いている。彫技は繊細で、図様は穏和な平安時代後期の特徴をよく伝えている。鏡胎は蒲鉾式の中縁、鏡背面中央に素円の低い鈕を設け、単圏とし、文様は内区に一対の松喰鶴〈まつくいづる〉を対称的に配し、内・外区にわたって枝松葉を散らした薄手仕上げの典型的な平安時代末期の松喰鶴鏡である。しかし、鈕は貫通しておらず、実用鏡の転用ではなく、当初から仏像の線刻を意図して制作された擬鏡〈ぎきょう〉と考えられる。","@language":"ja"},{"@value":" A votive mirror (kyozo) is that Buddhas and bodhisattvas etc. are incised on the mirror surface. As far as we can tell from the existing works, a votive mirror started to appear in the mid Heian period (794–1185) and there are some theories about the origin, such as the theory that Shinto deities in their Buddhist form (honji butsu) under the theory of Buddhist and Shinto unity appears in sacred mirrors (shinkyo) or the other that it is a principal of esoteric Buddhism to use a mirror as if it is a moon ring (gachirin) where Buddhist deities appears. This article is a large round shaped bronze votive mirror engraved with Amida (Skt. Amitābha) with a halo of flames sitting in the lotus position (kekka fuza) on the lotus pedestal and joining both hands together on the legs (Jyo’in) on the surface of the mirror. Evidence of tin plating (tosyaku) can be seen on the surface of the mirror. The incised design (keri bori) is used, while the consecutively incised design (zurase bori) is used for the face and Buddha’s curls (rahotsu). These carving techniques are very delicate, and the design well presents the features and calm atmosphere of the late Heian period. The body of mirror (kyotai) is a double-edged, and a low round knob with a hole on the center of the back. This is a typical thin mirror with design of cranes carrying a branch of pine (matsukui duru kyo) in which a round string is placed on the center of the back and a pair of cranes carrying pine branch (matsukui duru) are symmetrically placed in the inner area with pine needles splattering both the inner and outer areas. However, as there is no string, this is not an article converted from a real mirror and it was made as an imitation mirror (gikyo) from the beginning with the intention of engraving an image of Buddha.","@language":"en"},{"@value":" 镜像是指在镜面上绘有佛菩萨等造型的镜子。仅根据现存作品得知,镜像出现在平安时代(794-1185)中期,关于它的出现,有一种说法是认为受其垂迹思想的影响而在神镜上绘本地佛。又有根据密教教义,将镜子比拟成佛菩萨身后的月轮之说等等。本品为一面铜铸大圆镜,镜面上线刻有结定印、结跏趺坐在莲华座上、身披带火焰头光和身光的阿弥陀如来佛。镜面有镀锡痕迹。线刻采用楔形点连续成线的蹴雕技术,但脸和螺发采用连续移动雕刻法。雕刻技术细腻,图样充分展现了平安后期的沉稳特征。镜胎有蒲鉾式中缘,镜背面中央设素圆低提纽,单圈,内圈对称地绘有一对松鹤,内外区以松叶枝简单点缀,是典型的平安末期松鹤镜。但提纽非未穿透,可能起初是有意为佛像线刻制作的拟镜,而非实用镜。","@language":"zh"},{"@value":" 경상(鏡像)은 거울면에 부처 보살 등을 나타낸 것을 말한다. 현존하는 작품들에서 보면, 경상이 나타나는 것은 헤이안 시대(794~1185) 중엽으로, 그 발생에 대해서는 수적(垂迹)사상에 의해 신경(神鏡)에 본지불이 나타났다는 설, 거울을 불보살이 나타나는 월륜(月輪)에 비하는 밀교의 교의에 의한 설 등이 있다. 본 작품은 거울면에 정인(定印)을 짓고, 연화좌에 결가부좌(結跏趺坐)하고, 화염이 붙은 두광과 신광이 띤 아미타여래를 선각한 동을 주조한 대형 원경이다. 거울면에는 도석(鍍錫)의 흔적이 보인다. 선각 기법을 보면, 쐐기형의 점이 연속하여 선을 이루는 축조이지만, 얼굴과 나발은 선이 연속하는 즈라세호리법을 사용한다. 섬세한 조각 기법과 온화한 도안은 헤이안 후기의 특징을 잘 전하고 있다. 경태는 볼록한 중연(中椽)이며, 거울 뒷면 중앙은 둥글게 파서 손잡이를 만들었고, 단권(單圈), 문양은 내구에 한 쌍의 소나무를 물고 있는 학을 대칭적으로 배치하여, 내외구에 걸쳐 솔잎을 흩뜨린, 두께가 얇은 전형적인 헤이안 말기의 송식학경(松喰鶴鏡)이다. 하지만 손잡이가 관통하지 않는 것을 볼 때, 실용경 전용이 아니라 당초부터 불상의 선각을 의도하여 제작된 의경(擬鏡)으로 여겨진다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100070001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":200},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100070&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 阿弥陀如来鏡像","@language":"ja"},{"@value":"e-Museum - Votive Mirror with Amida (Skt. 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