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Originally, it presumably had a figure of the bodhisattva Monju (Skt. Mañjuśrī) mounted on its back, as indicated by the remaining saddle cloth and lotus pedestal.\r\n\r\nThree pieces of Japanese torreya were assembled to make the lion, with a separate piece attached as the tail. The interior was not hollowed out. \r\n\r\nStylistically, the lion has round, wide-open eyes, a closed mouth with fangs on either side, and visible depictions of gums in its mouth. The animal faces forward with its four legs planted on the ground and has a wavy mane flowing along its body. The back is high, and the figure has an impressive fullness of form. The rendering of the musculoskeletal structure in the legs and accompanying claws is surprisingly realistic. In an adapted form of horse tack, the lion wears a girth around its stomach, a martingale across its chest, and a crupper around the back from which round and flower-bud-shaped ornaments are hung.\r\n\r\nBoth the head and body are painted blue, and the mane and fur are green. The underbelly is pink. The saddle cloth is painted in gold, and the lotus flower is strikingly painted in red, blue, green, and white with accents in cut gold leaf. The girth, martingale, and crupper have gold leaf pressed on them.\r\n\r\nThe sculpture’s similarity to a lion and guardian dog (<i>koma-inu</i>) at Yakushiji Temple in Nara that were made in Kanji 1 (1087) as well as a lion at Tōji Temple in Kyoto made in the latter half of the 10th century suggests it dates to the 11th century. These similarities include being made of Japanese torreya in an early construction style, the large, sphere-like eyes, the simplified rendering of the facial structure, and the broad, rounded chest.","@language":"en"},{"@value":"　　据称本作品来自滋贺园城寺的新罗善神堂。作品后背有鞍座及莲华座，由此可知此狮子为载有文殊菩萨像的基座。使用了榧材，前后由三块拼接而成，尾部采用其他材料拼接，不作挖空处理。\r\n　　狮子双目圆睁，嘴部闭合，左右各露獠牙一颗，看得见嘴边的粘膜带。表情肃穆，目光凝视，四足踏地。鬃毛呈波浪型，随身体自然下垂，给人以高傲又充满肉质感的印象。脚部肌肉和骨骼、以及脚指的表现却出乎意料地采用写实手法。狮子缠有腹带，戴颔缰和后鞧，并垂有带花萼的花蕾形和珠形饰物。\r\n　　头部和身体均涂群青色，鬃毛等毛色涂铜绿色，腹部用朱之具(朱色与胡粉的混合颜料)涂成淡红色。鞍座涂金泥，莲华由朱、群青、铜绿、白土及细小金箔染成华丽的颜色。颔缰和后鞧贴有金箔。\r\n　　本品使用榧材的旧式构造、球状大眼珠、较为简单的面部表情、鼓出的胸部等这些特点都接近于宽治元年(1087)制作的奈良药师寺狮子狛犬(寺门前石狮)和据说是制作于10世纪下半叶的京都教王护国寺的狮子，由此设想此像的制作时期亦可能追溯到11世纪。","@language":"zh"},{"@value":"　일본 시가현 온죠지(園城寺)에 있는 신라 선신당(新羅善神堂)에 전래되었다고 한다. 신라 선신당은 승려 지증대사 원진(圓珍, 814~891)가 온죠지를 재건할 때 건립하였다고 한다. 사자의 등에 안장깔개와 연화좌가 있어 문수보살을 태운 대좌(臺座)로서 만들어진 사자였음을 알 수 있다. \r\n　비자나무를 사용하여 앞뒤로 세개의 목재를 연결하였고 꼬리는 또다른 목재를 붙였다. 내부는 파지 않았다. \r\n　둥근 눈을 크게 뜨고 다문 입에 송곳니가 좌우로 1개씩 튀어나와 있다. 또한 입 주변에는 점막대가 있다. 정면을 바라본 얼굴은 곧게 앞을 바라보고 굳건히 서 있는 모습이다. 갈기는 곱슬거리며 탄력있게 흘러 내린다. 허리는 높지만 적절한 몸집이 인상적이다. 다리 근육과 골격, 발톱 표현은 의외로 현실적이다. 복대와 가슴걸이, 안장 걸이를 차고 있어 그 위에 꽃받침이 있는 꽃봉오리 모양과 구슬 모양의 장식을 달았다. \r\n　머리와 몸통 모두 군청색을 칠하였으며 갈기 등의 털은 녹청색, 복부는 붉은 담홍색으로 칠했다. 안장깔개는 금니칠, 연화좌는 적색, 군청색, 청녹색, 백토색 그리고 금색으로 화려하게 칠했다. 가슴걸이와 안장 걸이, 복대는 금박을 입혔다.\r\n　비자나무를 사용한 옛 방식의 구조, 둥글고 큰 안구, 비교적 단순한 구성의 얼굴 표정, 둥글둥글한 가슴 등으로 보아, 칸지 원년(1087)에 제작한 것이라 추정되는 나라현 야쿠시지(藥師寺)의 사자・코마이누(狛犬)와, 10세기 후반에 제작했을 것이라는 설이 있는 교토부 쿄오고코쿠지(敎王護國寺, 토지)의 사자와 비슷하다. 본 유물의 제작 시기도 11세기로 소급할 가능성이 있다. 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