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It is an unusual manuscript, with each of its eight volumes written on a different color of paper. For example, the first volume is written on light blue paper, the third is on light green, the seventh is on light purple, and the eighth is on light brown. The use of these subtle hues reflects the sophisticated tastes of Heian courtiers. Cut pieces of gold and silver leaf are scattered across the entire surface of the paper, and ruled lines are drawn in gold paint.\r\n\r\nA colophon at the end of each volume indicates the scrolls were an offering to the Shinto-Buddhist combinatory deity (<i>gongen</i>) enshrined in the Saimyō-in precinc t of Daisenji Temple. The sutra was passed down at Daisenji Temple in Hōki Province (now part of Tottori Prefecture).","@language":"en"},{"@value":"　　平安时代装饰法华经的一例，为每卷使用不同色纸的珍稀色纸经卷。完整保存有8卷。用纸颜色色丰富，如第一卷为淡青色、第三卷为淡绿色、第七卷为淡紫色、第八卷为淡茶色。如此微妙的色彩组合展现了王朝贵族高雅的审美意识。用纸整面以松散的金银箔点缀，界线装饰有金泥。\r\n　　各卷的卷尾有施予大山权现西明院的批注，可知此为伯耆国大山寺相传之物。","@language":"zh"},{"@value":"　헤이안 시대(794~1185)의 장식 법화경의 한 예로, 한 권마다 종이 색을 바꾼 보기 드문 색지경(色紙經)이다. 8권 모두 존재한다. 재료의 색은 제1권이 담청색, 제3권이 담녹색, 제7권이 담자색, 제8권이 담갈색으로 되어 있다. 이러한 미묘한 색채 조합을 통해 왕조 귀족의 세련된 미의식을 엿볼 수 있다. 종이 전면에 금은박이 성기게 뿌려져 있으며 경계선은 금니로 되어있다.\r\n　각 권의 말미에는 다이센곤겐 사이묘인(大山權現西明院)에 봉납했다는 취지의 글이 남아 있어, 현재의 톳토리현에 있었던 호키노쿠니(伯耆國)의 다이센지(大山寺)에 전래하였음을 알 수 있다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100047001001/1/thumbnail.jpeg","@type":"dctypes:Image","height":97,"width":200},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for 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