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His left arm is lowered, while his right arm is bent at the elbow. Both hands are extended forward, with palms facing the viewer and his thumbs touching his index fingers. This hand gesture is known as the <i>raigō</i> mudra, representing Amitabha’s act of welcoming the spirits of the dead into his West Land Paradise.\r\n\r\nDespite the back of this statue bearing an inscription indicating the year 598, this statue was in fact carved at a later point during the Heian period (8th–12th century). The entire figure of Amitabha was carved out of a single log of cypress, after which it was split along its length into two halves (front and back) as well as at its neck, and hollowed out. His face bears a warm expression characteristic of statues made in the style of Jōchō, a famed Heian-period Buddhist sculptor; the creases formed by his cascading robes are shallow. These features all represent characteristics of late-Heian-period Buddhist images. \r\n\r\nThis statue was originally from Genmyōin Temple, which formerly stood in Kameoka, Kyoto, but is no longer extant. According to the temple’s history, it was established by Emperor Genmyō in 708, rebuilt by Taira no Shigemori in 1175 after falling to ruin, and restored in 1587 after being burned down in war.","@language":"en"},{"@value":"　　此尊像衲衣斜披袒右肩，外穿覆肩衣，左手下垂，右手抬起，双手均掌心向前，拇指与食指相捻结接引印，下穿裙衫，双足并立于莲花座上。此像从肉鬓到双足，包括足下的榫，都采用一块丝柏整木雕刻而成。造像完成之后，再纵向劈成前后两半，挖空内部后再行接合，最后将头部与胴体分开。此像属于三尺阿弥陀像，制作精良。佛像表情温和，衣纹浅淡流畅，这些特点在日本被称为“定朝”样式。此外，整尊像劈开、挖空、再接合的造像方式，以及头部与胴体分开的造像结构，都是平安时代后期造像的典型特点。此像背面刻有推古六年（598年）的纪年铭文，但并非佛像完工时所刻。此像原供奉在京都府龟冈市的元明院。据元明院的史料记载，该寺院于和铜元年（708年）由元明天皇亲自下旨创建，后在安元元年（1175年）由武将平重盛重建，天正十五年（1587年）时香火再度转旺。","@language":"zh"},{"@value":"　부견의를 착용하고 납의를 편단우견(왼쪽 어깨에 걸치고 오른쪽 어깨를 드러내게 입음) 방식으로 걸쳤다. 왼손은 아래로 늘어뜨렸고 오른손은 굽혔는데, 양손 모두 손바닥을 앞으로 향하게 하고 엄지와 검지를 맞닿게 구부린 내영인을 취했다. 군의를 입고 양발을 모아 연화좌 위에 서 있다. \r\n　머리와 몸체 부분은 육계로부터 양발의 장부까지 모두 노송나무 세로 방향 통목재를 사용하여 조성한 뒤, 앞뒤로 갈라 나누고 그 안을 파내었고, 목 주변을 갈라 머리와 몸체 또한 분리했다. 헤이안시대 불상 조각가 조초가 확립한 이른바 ‘조초 양식’의 온화한 표정을 띤 얼굴, 얕게 흐르는 듯한 옷주름 표현, 머리와 몸체를 앞뒤 두 파트로 가르고 머리를 분리하는 구조 등 헤이안시대 후기 불상의 특색이 두드러진 삼척 아미타상의 걸작이다. 뒷면에는 스이코(推古) 6년(598)의 명이 새겨져 있으나, 당시 제작된 것은 아니다. \r\n　원래 교토후 가메오카시의 사찰 겐묘인에 전해 내려왔다. 겐묘인은 사찰 전승에 따르면, 708년 겐메이 천황의 기원으로 창건되어 1175년 다이라노 시게모리에 의해 재건되었으며, 1587년에 중흥되었다고 한다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100015001008/8/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":150},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100015&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 阿弥陀如来立像","@language":"ja"},{"@value":"e-Museum - Amitabha Buddha","@language":"en"},{"@value":"e国宝 - 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