{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://emuseum.nich.go.jp/iiifapi/100003000/manifest.json","@type":"sc:Manifest","label":[{"@value":"e国宝 - 山水図","@language":"ja"},{"@value":"e-Museum - <i>Landscapes</i>","@language":"en"},{"@value":"e国宝 - 山水图","@language":"zh"},{"@value":"e국보 - 산수도","@language":"ko"}],"metadata":[{"label":[{"@value":"指定区分","@language":"ja"},{"@value":"Designation","@language":"en"},{"@value":"指定等级","@language":"zh"},{"@value":"문화재 지정 구분","@language":"ko"}],"value":[{"@value":"重要文化財","@language":"ja"},{"@value":"Important Cultural Property","@language":"en"},{"@value":"重要文化财","@language":"zh"},{"@value":"중요문화재","@language":"ko"}]},{"label":[{"@value":"分野","@language":"ja"},{"@value":"Category","@language":"en"},{"@value":"类别","@language":"zh"},{"@value":"분야","@language":"ko"}],"value":[{"@value":"絵画","@language":"ja"},{"@value":"Painting","@language":"en"},{"@value":"绘画","@language":"zh"},{"@value":"회화","@language":"ko"}]},{"label":[{"@value":"名称よみ","@language":"ja"}],"value":[{"@value":"さんすいず","@language":"ja"}]},{"label":[{"@value":"指定名称","@language":"ja"}],"value":[{"@value":"紙本墨画淡彩山水図〈狩野正信筆／〉","@language":"ja"}]},{"label":[{"@value":"作者","@language":"ja"},{"@value":"Creator","@language":"en"},{"@value":"作者","@language":"zh"},{"@value":"작자","@language":"ko"}],"value":[{"@value":"狩野正信筆","@language":"ja"},{"@value":"By Kanō Masanobu","@language":"en"},{"@value":"狩野正信 笔","@language":"zh"},{"@value":"가노 마사노부 그림","@language":"ko"}]},{"label":[{"@value":"作者よみ","@language":"ja"}],"value":[{"@value":"かのうまさのぶ","@language":"ja"}]},{"label":[{"@value":"員数","@language":"ja"},{"@value":"Quantity","@language":"en"},{"@value":"数量","@language":"zh"},{"@value":"수량","@language":"ko"}],"value":[{"@value":"2幅","@language":"ja"},{"@value":"2 hanging scrolls","@language":"en"},{"@value":"2幅","@language":"zh"},{"@value":"2폭","@language":"ko"}]},{"label":[{"@value":"品質形状","@language":"ja"},{"@value":"Media","@language":"en"},{"@value":"材质形状","@language":"zh"},{"@value":"재질/형태","@language":"ko"}],"value":[{"@value":"紙本墨画淡彩","@language":"ja"},{"@value":"Ink and light color on paper","@language":"en"},{"@value":"纸本墨笔淡彩","@language":"zh"},{"@value":"종이에 먹, 옅은 색","@language":"ko"}]},{"label":[{"@value":"法量","@language":"ja"},{"@value":"Dimensions","@language":"en"},{"@value":"尺寸","@language":"zh"},{"@value":"크기","@language":"ko"}],"value":[{"@value":"各　縦69.0　横38.8","@language":"ja"},{"@value":"69.0×38.8 cm each","@language":"en"},{"@value":"各 纵69.0 横38.8","@language":"zh"},{"@value":"각각　세로 69.0, 가로 38.8","@language":"ko"}]},{"label":[{"@value":"時代・世紀","@language":"ja"},{"@value":"Period,Century","@language":"en"},{"@value":"年代・世纪","@language":"zh"},{"@value":"시대・세기","@language":"ko"}],"value":[{"@value":"室町時代　15世紀","@language":"ja"},{"@value":"Muromachi period, 15th century","@language":"en"},{"@value":"室町时代 15世纪","@language":"zh"},{"@value":"무로마치시대, 15세기","@language":"ko"}]},{"label":[{"@value":"所蔵者","@language":"ja"},{"@value":"Owner","@language":"en"},{"@value":"收藏家","@language":"zh"},{"@value":"소장자","@language":"ko"}],"value":[{"@value":"九州国立博物館","@language":"ja"},{"@value":"Kyushu National Museum","@language":"en"},{"@value":"九州国立博物馆","@language":"zh"},{"@value":"규슈국립박물관","@language":"ko"}]},{"label":[{"@value":"各館作品番号","@language":"ja"},{"@value":"Collection reference no.","@language":"en"},{"@value":"机构管理序号","@language":"zh"},{"@value":"기관관리번호","@language":"ko"}],"value":[{"@value":"A32","@language":"ja"},{"@value":"A32","@language":"en"},{"@value":"A32","@language":"zh"},{"@value":"A32","@language":"ko"}]}],"description":[{"@value":"　雪景に遊ぶ高士の姿を描いた山水図である。向かって右幅は凍てつく船上でひとり釣り糸を垂れる「寒江独釣」の情景を、左幅は水辺にたたずむ高士が寒中に梅を求めて散策する「高士探梅」を描くと考えられる。このようなテーマは中国文学を題材としているため、室町時代の人々は、世俗から隠逸する画中の人物に、中国への憧れを重ね合わせて鑑賞した。\r\n　その作者は、各画面に捺された白文鼎印「正信」から、狩野正信(1436-1490)であると分かる。正信は、江戸時代後期にいたるまで画壇の主流をしめる狩野派の基礎を築いた画家である。日蓮宗の信者であるが、宗教画のみならず山水画や肖像画なども幅広く手がけ、小栗宗堪(1413-1481)の後を継いで足利義政(1436-1490)の御用絵師となり、室町幕府が関与する絵画制作を中心に活躍した。\r\n　本図の表現は、室町時代に高く評価された南宋時代の画院画家・馬遠の様式にならうものである。馬遠の作品は足利将軍家の中国絵画コレクションのなかでも特に重視され、室町水墨画のモデルとしての役割を果たした。本図でも、モチーフの描法や画面の構成法に東山御物の馬遠の作品に学んだ表現を指摘することができる。","@language":"ja"},{"@value":"This set of paintings depicts men enjoying a wintry landscape. The painting on the right features a lone fisherman fishing in the cold, while the one on the left depicts a man of virtue, likely a hermit, walking in the snow in search of plum blossoms. These themes draw from Chinese literature; the figures of virtuous men who have left behind worldly attachments and retreated into seclusion can be seen to embody Muromachi-period Japanese admiration for Chinese culture.\r\n\r\nThe seal imprinted on both works tells us that they were created by Kanō Masanobu (1436–90), the painter who established the foundations for the Kanō school that later dominated the painting world during the Edo period (17th–19th century). Although he was Buddhist and part of the Nichiren sect, Masanobu did not only paint Buddhist works, but also landscapes and portraits. In fact, the bulk of his works were created for the Muromachi shogunate, after he succeeded Oguri Sōtan (1413–81) as its official painter, serving the eighth shogun Ashikaga Yoshimasa (1436–90).\r\n\r\nThe style of this work follows that of Southern Song Chinese court painter Ma Yuan, whom the Muromachi-period Japanese people held in high regard. Ma Yuan’s works were among some of the most highly valued, even among the Ashikaga shogunal family’s collection of Chinese paintings, and served as the model for many ink paintings in the Muromachi period. It is thus likely that many elements of this work, including its motifs and composition, were inspired by Ma Yuan’s works in the Higashiyama Treasures, the Ashikaga shogunal family’s collection of Chinese arts and crafts.","@language":"en"},{"@value":"　　这两幅山水图描绘了高人隐士雪中赏游的情景。据认为，右幅画的是“寒江独钓”，天寒地冻，隐士独自一人泛舟垂钓；左幅是“隐士寻梅”，雪中漫步的隐士伫立在水畔，信步寻访寒梅。此类主题源于中国的文学作品，室町时代的日本人观赏隐逸世外的画中人物，将对中国的憧憬寄托其中。两幅画上都留有“正信”字样的白文方印，可知作者是狩野正信（1436年-1490年）。正信是狩野派的奠基人，直至江户末期，狩野派一直是日本画坛的主流画派。狩野正信是日莲宗信徒，但其创作并不局限于宗教画，而是广泛涉猎了山水画和肖像画等领域。继小栗宗堪（1413年-1481年）之后，狩野正信成为了室町幕府将军足利义政（1436年-1490年）的御用画师，在室町幕府主导的绘画创作活动中发挥了核心作用。本作品仿效了室町时代在日本受到高度评价的南宋宫廷画家马远的风格。马远的作品在足利将军家族所收藏的中国绘画中尤其受到重视，为室町水墨画树立了典范。从本作品中景物的画法和画面构成可以看出，此图深受室町幕府将军家族藏品“东山御物”中的马远作品的影响。","@language":"zh"},{"@value":"　설경 속에서 노니는 고사 모습을 그린 산수도이다. 우폭은 얼어붙은 강에 띄운 배 위에서 홀로 낚시줄을 늘어뜨린 '한강독조'(寒江獨釣)의 정경, 좌폭은 물가에 서 있는 고사가 추위 속에서 매화를 찾아 산책하는 '고사탐매'(高士探梅)의 정경을 그린 것으로 보인다. 이러한 테마는 중국 문학을 제재로 삼고 있어, 무로마치시대 사람들은 속세에서 벗어난 그림 속 인물 모습에 본인의 중국을 향한 동경을 중첩하여 감상했다.     \r\n　작자는 각 화면에 찍힌 흰 글씨의 솥 모양 인장 \"마사노부\"(正信)로 보아, 가노 마사노부(1436~1490)임을 알 수 있다. 마사노부는 에도시대 후기까지 화단의 주류를 차지한 가노파의 기초를 다진 화가이다. 니치렌종 불교의 신자였으나, 종교화 외에도 산수도, 초상화 등 폭넓게 제작하였다. 그리고 오구리 소탄(1413~1481)의 뒤를 이어 무로마치 막부 8대 쇼군 아시카가 요시마사(1436~1490)의 전속 화가가 되어, 무로마치 막부가 관여한 회화 제작을 중심으로 활약했다.  \r\n　이 그림의 표현은 무로마치시대에 높게 평가받은 중국 남송시대의 화원화가 마원의 양식을 본보기로 삼았다. 마원의 작품은 아시카가 쇼군 가문의 중국 회화 컬렉션 중에서도 특히 귀하게 여겨졌으며, 무로마치 수묵화의 모델이 되었다. 이 그림에서도 모티브의 묘법과 화면의 구성법에서 히가시야마어물(아시카가 쇼군 가문의 보물)에 포함된 마원의 작품을 통해 습득한 표현을 지적할 수 있다.","@language":"ko"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100003001003/3/thumbnail.jpeg","@type":"dctypes:Image","height":200,"width":114},"viewingHint":"individuals","viewingDirection":"","license":"https://emuseum.nich.go.jp/about","attribution":[{"@value":"独立行政法人国立文化財機構","@language":"ja"},{"@value":"National Institutes for Cultural Heritage","@language":"en"},{"@value":"国立文化财机构","@language":"zh"},{"@value":"국립문화재기구","@language":"ko"}],"logo":[{"@id":"https://emuseum.nich.go.jp/assets/img/logo.png"}],"rendering":{"@id":"https://emuseum.nich.go.jp/detail?langId=ja&webView=&content_base_id=100003&content_part_id=0&content_pict_id=0","label":[{"@value":"e国宝 - 山水図","@language":"ja"},{"@value":"e-Museum - <i>Landscapes</i>","@language":"en"},{"@value":"e国宝 - 山水图","@language":"zh"},{"@value":"e국보 - 산수도","@language":"ko"}],"format":"text/html"},"sequences":[{"@type":"sc:Sequence","canvases":[{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100003001003.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"1","height":9374,"width":5326,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100003001003.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100003001003.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":9374,"width":5326},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100003001003.tif#xywh=0,0,5326,9374"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100003001003/3/thumbnail.jpeg","@type":"dctypes:Image"}},{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100003001004.tif/full/full/0/default.jpg","@type":"sc:Canvas","label":"2","height":9375,"width":5321,"images":[{"@type":"oa:Annotation","@context":"http://iiif.io/api/presentation/2/context.json","motivation":"sc:painting","resource":{"@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100003001004.tif/full/full/0/default.jpg","@type":"dctypes:Image","format":"image/jpeg","service":{"@context":"http://iiif.io/api/image/2/context.json","@id":"https://emuseum.nich.go.jp/iiif/?IIIF=/100003001004.tif","profile":["http://iiif.io/api/image/2/level1.json",{"formats":["jpg"],"qualities":["native","color","gray"],"supports":["regionByPct","sizeByForcedWh","sizeByWh","sizeAboveFull","rotationBy90s","mirroring","gray"]}]},"height":9375,"width":5321},"on":"https://emuseum.nich.go.jp/iiif/?IIIF=/100003001004.tif#xywh=0,0,5321,9375"}],"thumbnail":{"@id":"https://emuseum.nich.go.jp/img/content/100003001004/4/thumbnail.jpeg","@type":"dctypes:Image"}}]}]}